I don't think my sense of humor has changed at all; I was born with this, for better or for worse.

A good actor is someone who knows how to take the part and make it real and make it honest and be effective in it. If it's in a funny movie and, as long as they are cast in an appropriate way, humor will come from it.

The home viewing experience is slightly different and there's room for these kinds of extra excursions.

I think Junior is certainly a science fiction premise as is Twins, as is Dave, beyond Ghostbusters.

It's sort of the most important thing for acting, is to listen to the person you're dealing with.

Movies either work or they don't work and they're either funny or they're not and we work very hard. To achieve that kind of work is really kind of delicate stitching.

It's been about 15 years, and I've never really worked seriously in CGI and I thought that here was an opportunity to do the kinds of things that I was not able to do on Ghostbusters.

In many ways, I think that, while we've been remarkably violent in our media, there's been a real schizophrenia. In private, on the Internet, and on public-affairs shows or talk radio, we're way more explicit than we've ever been.

I always thought that Bill Murray was one of the great actors that I've worked with. And I've worked with all kinds of people who are known primarily for their dramatic work.

Then my first film was something called Cannibal Girls, which sounds like a horror movie but was actually kind of a goofy comedy with horror elements. Like a horror spoof.

Well, actually, I did start out in comedies. Very, very early.

Everybody says how hard comedy is, but, when it comes time to honor things, whether it's on a weekly critical basis or whether it's award time, at that time of the year, comedy is the poor, dumb child of dramatic work.

My sense is, I think it's okay for directors to do movies that speak to other work in their career.

I call it like the domino theory of reality. If you can go one step at a time and it seems to make sense, you can then take your audience into an area that is relatively outlandish.

I'm not sure I agree with the thesis, because I think that even though something grotesque or gross has been part of film since way back, what we accept or what we can get away with on the screen is broader now.

I've always believed in populating my films with characters who we like, who we have some warmth for, who have warmth for each other, who we would like to hang out with, who we emulate in one way or another.

When you have a performer as talented as Bill Murray or as Harold, that can write as well as they can perform, you can do a final draft on the set if you think of it that way.

My first student film was Orientation, which was basically the set-up for Animal House. There are a couple of scenes that we later borrowed in some form.

Also watching a movie on DVD is different than watching it in the theater.

I've always been a fan of science fiction films, and I've never been able to put my particular spin on it.

I don't think my sense of humor has changed at all; I was born with this, for better or for worse.

I love horror and sci-fi.

We got some devastating reviews on Animal House at the start.

In a comedy it helps enhance things that were already there.

I never like to do parodies. I never do. It's just not my style of comedy.

I don't think there will be another Ghostbusters. I think we're all too old to do it. I think we've done it a couple times and there is not that much to get out of it, to do that would be fresh in it.

I remember when first, Stripes, and then Animal House came out - which I was really proud of, even though it was kind of loose and quite raucous - there were imitative movies that were not quite as good.

I always see things that I can improve. But frankly with Stripes, I'm surprised at how effective it is, even today, and how vibrant that movie is and how juicy the performances all are.

I'd always been a science fiction enthusiast.

Men live by intervals of reason under the sovereignty of humor and passion.

Humor can help you cope with the unbearable so that you can stay on the bright side of things until the bright side actually comes along.

It is the ability to take a joke, not make one, that proves you have a sense of humor.

What we're doing is fun - if you have any sense of humor at all!

You've got to have a sense of humor to keep your sanity.

I don't think I could ever do a network sitcom because the humor is often based on some trite circumstance. I don't want to be a part of a show where it's mostly about coming up with the jokes.

All my jobs have been with food in one way or another since 1948. My parents were in the hotel business, and I just loved the warm hearted people who worked so hard with such good humor.

You can turn painful situations around through laughter. If you can find humor in anything, even poverty, you can survive it.

The man with the real sense of humor is the man who can put himself in the spectator's place and laugh at his own misfortune.

Advertisers also know that humor can help bond us to their product.

I am a great believer that what makes our show different is the humor.

The comic is the perception of the opposite; humor is the feeling of it.

Through humor, you can soften some of the worst blows that life delivers. And once you find laughter, no matter how painful your situation might be, you can survive it.

Once we got over the origin story, we could really delve deeper into their lives and characters and angst. So this movie actually has more heart, more humor.

Incongruity, they say, is one of the main ingredients of humor. Maybe it's because everybody can feel superior to me. I honestly don't know.

I love Sell Out, I think it's great. I love the jingles. The whole thing as an album is a wonderful piece of work. The cover. Everything about it. It's got humor, great songs, irony.

In some sort of crude sense, which no vulgarity, no humor, no overstatement can quite extinguish, the physicists have known sin; and this is a knowledge which they cannot lose.

I'm not for gratuitous nudity, but if there's humor, I don't have a problem.

It felt as if things were literally slipping through my fingers. Things were just streaming away from me. I lost my sense of humor. I'm still looking for that.

Robert Walker as Bruno was excellent. He had elegance and humor, and the proper fondness for his mother.