I'm mostly influenced by life, what's around me, and my own childhood.

After I'd produced about two dozen pen and ink drawings, one evening I decided that they needed poems to accompany them. I still have no idea where that notion came from, but it took me about two hours to produce verses for these creatures.

I keep a guitar around while writing and will improvise music. I do this for several reasons, such as that it's fun, and sometimes it helps me with the meter.

Poetry seems to sink into us the way prose doesn't. I can still quote verses I learned when I was very young, but I have trouble remembering one line of a novel I just finished reading.

I accept challenges, I have always done that in writing.

My reading is extremely eclectic. Lately I've been teaching myself computer graphics, so I'm reading a lot about that. I read books of trivia, of facts.

There's not too much difference between writing a picture book and writing a collection of a hundred poems or so, except that the bigger books take a lot longer to do.

We all need ways to express ourselves, and poetry is one of mine.

Frankly, writing poetry for children is plain old fun, and I consider myself blessed to have such a delightful career.

Then I decided to draw from and on my own imagination, and everything came out perfect.

Writing gives me the opportunity to explore ideas, play with language, solve problems, use my imagination, and draw on my own childhood.

When I began writing, I didn't read any other children's poets... I didn't want to be influenced until I'd found my own voice. Now I read them all.

I've been influenced by poets as diverse as Dylan Thomas, Lewis Carroll, and Edgar Allan Poe.

I invented animals and birds - I had about two dozen. After working on them for six months, I sat down and just for fun wrote two dozen poems to accompany the drawings. It was for no one to every see, but a friend sent me in to an editor.

I look for poetry in English because it's the only language I read.

I would go to sketch groups and draw. I really enjoyed the subject matter, but I wasn't good at it.

Children seem naturally drawn to poetry - it's some combination of the rhyme, rhythm, and the words themselves.

I'm usually working on eight or 10 things at once.

I'm working now on a collection of Shakespearean sonnets, about 100 of them, that I may publish if anyone's interested. My take on life is a little different from the bard's.

I write the poems first, with only a few exceptions for odd reasons, where I'm given the illustration first.

Otherwise I don't read much adult poetry at all, because I'm not smart enough and mostly I don't get it.

My wife used to tell me one of my best qualities was that my feet don't smell, but I remember my brother's did when we were kids.

I'm mostly influenced by life, what's around me, and my own childhood.

I'm never bored.

I always knew would be some sort of artist, but didn't know what.

In masks and gown we haunt the street and knock on doors for trick or treat tonight we are the king and queen for oh tonight its Halloween

A sister is a little bit of childhood that can never be lost.

A lot of people have gotten into comedy because of certain influences in their lives or events that were painful, and I really have wracked my brain to figure it out. I pretty much have had a normal childhood. Maybe it was too normal.

It sounds ideal, a sort of beach childhood. But it wasn't really. I didn't use the beach very much at all.

All our pursuits, from childhood to manhood, are only trifles of different sorts and sizes, proportioned to our years and views.

The secret of the truly successful, I believe, is that they learned very early in life how not to be busy. They saw through that adage, repeated to me so often in childhood, that anything worth doing is worth doing well.

I don't carry any early childhood trauma around with me, if that's what you're hinting at. The story of the bicycles - and there were three of them which were stolen from me - I've dealt with it well.

Remember Graham Green's dictum that childhood is the bank balance of the writer? I think that all writers feel alienated. Most of us go back to an alienated childhood in some way or another. I know that I do.

Hors d'oeuvres have always a pathetic interest for me; they remind me of one's childhood that one goes through wondering what the next course is going to be like - and during the rest of the menu one wishes one had eaten more of the hors d'oeuvres.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.

Everything I write comes from my childhood in one way or another. I am forever drawing on the sense of mystery and wonder and possibility that pervaded that time of my life.

Well I was an asthmatic child. So that for most of my childhood I was in bed. Bedridden.

Happy, happy Christmas, that can win us back to the delusions of our childhood days, recall to the old man the pleasures of his youth, and transport the traveler back to his own fireside and quiet home!

I think actors always retain one foot in the cradle. We're switched on to our youth, to our childhood. We have to be because we're in the business of transferring emotions to other people.

If a nation loses its storytellers, it loses its childhood.

I had a kind of Dickensian childhood.

Friendships in childhood are usually a matter of chance, whereas in adolescence they are most often a matter of choice.

I didn't have a happy childhood.

These days, there are a great many books about childhood trauma and its effects, but at the time all the experts agreed that one should forget about it as quickly as possible and pick up where you left off.

Concepts, like individuals, have their histories and are just as incapable of withstanding the ravages of time as are individuals. But in and through all this they retain a kind of homesickness for the scenes of their childhood.

My whole family actually, but my parents. I had such a normal and amazing childhood. I've been so lucky. My parents are cool and normal. They don't talk about the business and I still have stuff to do at their house.

From childhood I was passionately fond of music and wanted to be a musician. I have no recollection of any real desire ever to be anything else.

I gave up my childhood for a career.

I had the pleasure, as Robin said, to live a childhood dream as many young Americans and Puerto Rican children live that play youth baseball. And I feel honored and very thankful for that opportunity.