The modern artist... is working and expressing an inner world - in other words - expressing the energy, the motion, and other inner forces.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

I don't work from drawings. I don't make sketches and drawings and color sketches into a final painting.

Every good painter paints what he is.

The modern artist is working with space and time, and expressing his feelings rather than illustrating.

Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.

When I'm painting, I'm not aware of what I'm doing. It's only after a get acquainted period that I see what I've been about. I've no fears about making changes for the painting has a life of its own.

New needs need new techniques. And the modern artists have found new ways and new means of making their statements... the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture.

I hardly ever stretch the canvas before painting.

I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge.

I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc.

On the floor I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting.

Bums are the well-to-do of this day. They didn't have as far to fall.

Painting is self-discovery. Every good artist paints what he is.

My painting does not come from the easel.

I have no fear of making changes, destroying the image, etc., because the painting has a life of its own.

When I am in my painting, I'm not aware of what I'm doing.

The strangeness will wear off and I think we will discover the deeper meanings in modern art.

It doesn't make much difference how the paint is put on as long as something has been said. Technique is just a means of arriving at a statement.

It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.

The modern artist... is working and expressing an inner world - in other words - expressing the energy, the motion, and other inner forces.

He drove his kind of realism at me so hard I bounced right into nonobjective painting.

My paintings do not have a center, but depend on the same amount of interest throughout.

Today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source. They work from within.

The painting has a life of its own. I try to let it come through.

Love is friendship set to music.

Art is coming face to face with yourself.

It abstract art should be enjoyed just as music is enjoyed after a while you may like it or you may not.

There is no accident, just as there is no beginning and no end.

Bums are the well to do of this day. They didnt have as far to fall.

A canvas is an arena in which to act.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

I'm inspired by nature. Other artist's work is important for developing my perception.

There is only one position for an artist anywhere; and that is upright.

The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

What do you say when someone has truly inspired you? How do you express to an artist how deeply their work has affected you?

An original artist is unable to copy. So he has only to copy in order to be original.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.

I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade.

Art is a private thing, the artist makes it for himself; a comprehensible work is the product of a journalist. We need works that are strong, straight, precise, and forever beyond understanding.

The most colorful section of a bookstore is the display of SF books, with art by people like Wayne Barlow, who is a terrific artist.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.

Let not a man do what his sense of right bids him not to do, nor desire what it forbids him to desire. This is sufficient. The skillful artist will not alter his measures for the sake of a stupid workman.