Most poets in their youth begin in adolescent sadness. I find it more rewarding to end in gladness.

I often start writing in order to excite an expansive emotion.

Amazement awaits us at every corner.

Poetry for me is as much a spiritual practice as sexual ecstasy is.

A born poet knows in his cradle that a poetic life is the only life worth living.

Everything is Song. Everything is Silence. Since it all turns out to be illusion, perfectly being what it is, having nothing to do with good or bad, you are free to die laughing.

Dance, vaudeville, drama, movies - as a child I loved everything that went on in a theater.

Most poets, like most people, try hard to be like someone they admire or they are possessed with an image of what they ought to be.

True delicacy is not a fragile thing.

Work in the theater sharpened my verse and my cinema.

My major aim in writing is to set out flags and issue wake-up calls.

I had a toy theater and a magic lantern, and when I was eight I built a stage for theatricals in the attic.

If you don't fill your days with love, you are wasting your life.

Consciousness is the glory of creation.

The American public does not know poets exist.

I like things which appear fragile but are tough inside.

If bitterness wants to get into the act, I offer it a cookie or a gumdrop.

I never wanted to dilute my private passion for the art by airing and arguing it in public.

The quietest poetry can be an explosion of joy.

The most astonishing joy is to receive from the muses the gift of a whole lyric.

I'm happy to report that my inner child is still ageless.

For me, prose walks, poetry dances.

Adversity is a stimulus.

Some artists shrink from self-awareness, fearing that it will destroy their unique gifts and even their desire to create. The truth of the matter is quite opposite.

Acclaim is a distraction.

I tried to stir the imagination and enthusiasms of students to take risks, to do what they were most afraid of doing, to widen their horizons of action.

Rarest of the real poets are born poets. They are the oddballs, not the professors.

The only limits are, as always, those of vision.

My films are an extension of my poetry, using the white screen like the white page to be filled with images.

Being identified as a poet in France or Denmark or India one is greeted with gracious respect.

Trusting your individual uniqueness challenges you to lay yourself open.

Most poets in their youth begin in adolescent sadness. I find it more rewarding to end in gladness.

For me a poem has to sing out of itself and the lilt of it carries the magic.

I consider my films to be poems that are all as personal as my writing and as hand-made.

Today the U.S. is farther from being nourished by poetry than it was a hundred years ago, when books of poems were best-sellers.

My earliest poems sing of the absolute necessity of allowing love to invade and pervade one's life. That can make the miracle happen in reality. Try it.

Everything that ever happened is still happening. Past, present and future keep happening in the eternity which is Here and Now.

And to Shakespeare I owe my vision of the world as a theater, wherein all humans are acting out their parts.

In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.

If bitterness wants to get into the act I offer it a cookie or a gumdrop.

Some artists shrink from self awareness, fearing that it will destroy their unique gifts and even their desire to create. The truth of the matter is quite opposite.

I became hooked on the idea of being able to shoot an image and process it myself, and end up with a product.

At the end, the realization is that she had to get to a place in her life where she could drop her guard and make peace with the fact that whether she had a small amount of time, that she had to kind of live it completely through, instead of living by the rules.

All enterprises that are entered into with indiscreet zeal may be pursued with great vigor at first, but are sure to collapse in the end.

I don't write drafts. I write from the beginning to the end, and when it's finished, it's done.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

They haul you up there for, you know, week after week in this kind of star chamber proceeding. Then at the end of it they say, well, we found nothing, but now it's time for special counsel.

The difference between talking on your cell phone while driving and speaking with a passenger is huge. The person on the other end of the cell phone is chattering away, oblivious.

Madame, all stories, if continued far enough, end in death, and he is no true-story teller who would keep that from you.