Although this is a fictitious story the history is real. You don't want to re-write history but you certainly want to portray events and characters as realistically as you can.

It's difficult to gauge that. With a bad guy you just know you're bad. To play a nice guy is harder - unless you are a very nice person like me of course.

It felt good doing a physical job, and going home each evening feeling like I had really done a day's work.

The reason I wanted to be an actor is that I don't want to play me for the rest of my life and make money out of that.

I talked to everyone about the project: actors and extras, members of the crew and passers by.

Now here I am playing a passionate young Irishman who would die for what he believes in.

I'm attracted to seeing how different I can be, pushing the boat out.

There is an odd sense of responsibility attached to appearing in a drama about a real piece of history. A work of fiction is fun.

There are lots of people I admire and respect, but I don't necessarily want to be like them. I'm to happy being myself.

I find it incredibly romantic that people should fight for a cause they believe in and be prepared to die for it.

Although this is a fictitious story the history is real. You don't want to re-write history but you certainly want to portray events and characters as realistically as you can.

I went further and further back through the centuries to get a sense of perspective but now at least I understand why Irish history evokes such strong passions and emotions.

I'm not really very ambitious.

It was only when I finished the course and left my graduation diploma on the bus that I realised I'd become an actor.

I don't have any expectations as an actor and being rich and famous is not my driving force.

Baddies always do get the best lines, that's the honest truth.

I'm more interested in enjoying my life and looking after my family than being hugely successful.

When I left school I went to Australia for a year and worked in the drama department of a school in Perth.

The good guy only gets the girl in a soppy way.

I don't have any expectations as an actor, and being rich and famous is not my driving force.

I'm not really very ambitious. I'm more interested in enjoying my life and looking after my family than being hugely successful.

There are lots of people I admire and respect, but I don't necessarily want to be like them. I'm too happy being myself.

Even if you walk exactly the same route each time - as with a sonnet - the events along the route cannot be imagined to be the same from day to day, as the poet's health, sight, his anticipations, moods, fears, thoughts cannot be the same.

The French are the wittiest, the most charming, and up to the present, at all events, the least musical race on Earth.

A lot of people have gotten into comedy because of certain influences in their lives or events that were painful, and I really have wracked my brain to figure it out. I pretty much have had a normal childhood. Maybe it was too normal.

I've done a lot of Super Bowls and appeared in a lot of big, big events and places and the Masters and what have you, but there was nothing as intimidating as speaking with Billy Graham.

Big shows are more like events and small shows are more like traditional gigs.

I like to create imaginary characters and events around a real historical situation. I want readers to feel: OK, this probably didn't happen, but it might have.

We not only interpret the character of events... we may also interpret our interpretations.

Every person, all the events of your life are there because you have drawn them there. What you choose to do with them is up to you.

Human beings are accustomed to think of intellect as the power of having and controlling ideas and of ability to learn as synonymous with ability to have ideas. But learning by having ideas is really one of the rare and isolated events in nature.

An author who sets about to depict events of the past that have run their course is suspected of wishing to avoid the problems of the present day, of being, in other words, a reactionary.

It seems proper, at all events, that by an early enactment similar to that of other countries the application of public money by an officer of Government to private uses should be made a felony and visited with severe and ignominious punishment.

Of history, how little do we know by personal contact; we have lived a few years, seen a few men, witnessed some important events; but what are these in the whole sum of the world's past.

I, not events, have the power to make me happy or unhappy today. I can choose which it shall be. Yesterday is dead, tomorrow hasn't arrived yet. I have just one day, today, and I'm going to be happy in it.

The events in our lives happen in a sequence in time, but in their significance to ourselves they find their own order the continuous thread of revelation.

And I realized that there was no sports reporter, so I started covering sporting events.

Evil events from evil causes spring.

The reporting of news has to be understood as propaganda for commodities, and events by images.

The decathlon includes ten separate events and they all matter. You can't work on just one of them.

We are the only beings on the planet who lead such rich internal lives that it's not the events that matter most to us, but rather, it's how we interpret those events that will determine how we think about ourselves and how we will act in the future.

Which suggests something about media and war: it's not just that events happen and the media documents and presents them. There is a third element: what the public is ready to accept, what the public wants to know.

All strange and terrible events are welcome, but comforts we despise.

The concept of reason itself appears as an artificial attempt to separate intellectual powers from the frustrations, emotions, and accidents which cause events; the concept of reason is viewed as facade to prevent change.

I seem to have been everywhere in the last 30 years, maybe not in the epicenter but flying around the periphery of extraordinary events and equally extraordinary people.

Yes, it's a prequel. It tells the story about how the girls were born with superpowers, but they weren't necessarily heroes at the beginning of this movie, so the movie is about the events that happen in their life to make them decide to be heroes.

In order to accommodate to change and to the contrast of phenomena, the intellect does not require any shocks and inner upheavals; it is only through such upheavals that the more conservative mind could accommodate to the metropolitan rhythm of events.

We Americans are the best informed people on earth as to the events of the last twenty-four hours; we are the not the best informed as the events of the last sixty centuries.

To be educated, a person doesn't have to know much or be informed, but he or she does have to have been exposed vulnerably to the transformative events of an engaged human life.