Big shows are more like events and small shows are more like traditional gigs.

Big shows are more like events and small shows are more like traditional gigs.

A performance is only as good as the audience you are playing to. A lot of times you feed off of the audience, and we always try to give them all we've got and sometimes you don't get a lot back, but we've never been dead whenever we've performed.

I heard the Bloc Party record Japan before it came out in the UK as they are on the V2 record label. I think it has a great vibe and has great songs. I also think the Kings of Leon are right up my street.

The story behind every song is individual to itself.

The Millennium Stadium thing was for the Tsunami concert. It was a thing that I think every band in the country would have liked to be a part of at the time that it happened.

Like all bands, the first two albums are always the ones most written about, and the most covered. When a band gets to their third of fourth album, the story of the band has already been told.

To remain relevant though, I think making great records is the key.

The song Dakota was first written in Paris. I was doing a promo trip. It was snowing and the hotel room was really cold and boring and for some reason I just had a go of the guitar and the song came pretty quick.

Ewan McGregor and Charley Boorman came to see our show, We all had a drink before they set off on their travels, and we kept in touch.

When you are on tour in the UK it takes a few hours to get anywhere. A lot of the time you can have a beer, close your eyes for two minutes, and then you are there. In the U.S. it is much more like a road trip as all the cities are so spread apart.

The press will naturally come and go as it has done with all artists, from David Bowie to Neil Young to U2.

Avril Lavigne sold a massive amount of albums and she has to top that with her next release. We have four great albums behind us, and it's not going to be as hard to live up to that.

It's better for the listener to interpret their own meanings to the music.

I don't have a special place or ritual for writing songs, basically I write songs whenever an idea hits me, in my hotel room, on the road, in the plane.

I'm not a betting man.

Revising a screenplay is much more frustrating than revising a song because you have to read through the entire work again while you are changing stuff. It is a lot easier to edit a song.

Japan is quite weird because they wait for you to say something before they respond. You can literally hear a pin drop, they don't make a sound until you say something to the crowd.

We changed every lead in our whole system, and to this day we still don't really know why it did it. We think wires were touching and faulting. That was it really, but it didn't make it any easier.

We didn't really want to be an overnight success as that brings with it its own problems.

I like to open for a band as it brings on sort of a challenge and it makes things more interesting. It reminds me of when we were just starting out because we would open for other bands in the beginning.

When I first knew I was having children, I thought I wanted boys, but then I thought I'd be better with girls. I'm quite sensitive, and you get more cuddles with girls. And they like their dads.

Whether I'm telling stories in songs or if directing is the next step, being a storyteller is what I like doing.

Even if you walk exactly the same route each time - as with a sonnet - the events along the route cannot be imagined to be the same from day to day, as the poet's health, sight, his anticipations, moods, fears, thoughts cannot be the same.

The French are the wittiest, the most charming, and up to the present, at all events, the least musical race on Earth.

A lot of people have gotten into comedy because of certain influences in their lives or events that were painful, and I really have wracked my brain to figure it out. I pretty much have had a normal childhood. Maybe it was too normal.

I've done a lot of Super Bowls and appeared in a lot of big, big events and places and the Masters and what have you, but there was nothing as intimidating as speaking with Billy Graham.

Big shows are more like events and small shows are more like traditional gigs.

I like to create imaginary characters and events around a real historical situation. I want readers to feel: OK, this probably didn't happen, but it might have.

We not only interpret the character of events... we may also interpret our interpretations.

Every person, all the events of your life are there because you have drawn them there. What you choose to do with them is up to you.

Human beings are accustomed to think of intellect as the power of having and controlling ideas and of ability to learn as synonymous with ability to have ideas. But learning by having ideas is really one of the rare and isolated events in nature.

An author who sets about to depict events of the past that have run their course is suspected of wishing to avoid the problems of the present day, of being, in other words, a reactionary.

It seems proper, at all events, that by an early enactment similar to that of other countries the application of public money by an officer of Government to private uses should be made a felony and visited with severe and ignominious punishment.

Of history, how little do we know by personal contact; we have lived a few years, seen a few men, witnessed some important events; but what are these in the whole sum of the world's past.

I, not events, have the power to make me happy or unhappy today. I can choose which it shall be. Yesterday is dead, tomorrow hasn't arrived yet. I have just one day, today, and I'm going to be happy in it.

The events in our lives happen in a sequence in time, but in their significance to ourselves they find their own order the continuous thread of revelation.

And I realized that there was no sports reporter, so I started covering sporting events.

Evil events from evil causes spring.

The reporting of news has to be understood as propaganda for commodities, and events by images.

The decathlon includes ten separate events and they all matter. You can't work on just one of them.

We are the only beings on the planet who lead such rich internal lives that it's not the events that matter most to us, but rather, it's how we interpret those events that will determine how we think about ourselves and how we will act in the future.

Which suggests something about media and war: it's not just that events happen and the media documents and presents them. There is a third element: what the public is ready to accept, what the public wants to know.

All strange and terrible events are welcome, but comforts we despise.

The concept of reason itself appears as an artificial attempt to separate intellectual powers from the frustrations, emotions, and accidents which cause events; the concept of reason is viewed as facade to prevent change.

I seem to have been everywhere in the last 30 years, maybe not in the epicenter but flying around the periphery of extraordinary events and equally extraordinary people.

Yes, it's a prequel. It tells the story about how the girls were born with superpowers, but they weren't necessarily heroes at the beginning of this movie, so the movie is about the events that happen in their life to make them decide to be heroes.

In order to accommodate to change and to the contrast of phenomena, the intellect does not require any shocks and inner upheavals; it is only through such upheavals that the more conservative mind could accommodate to the metropolitan rhythm of events.

We Americans are the best informed people on earth as to the events of the last twenty-four hours; we are the not the best informed as the events of the last sixty centuries.