I would like to provoke ambiguous responses in my readers.

I'm getting a wider circle of fans now. More women, more middle class people.

Rock and rollers can get you the youth buzz, and younger people are fanatical readers.

I am a writer. I could not afford to take 15 months off from my writing career to play detective.

I don't know anybody in the underworld. I make this stuff up. I don't know any criminals.

I put on such a good show, the story is outrageous, and people don't want to hear that I'm basically a reasonable human being. As long as it continues to get me print, I'll continue to perform in an exuberant manner.

I have a very intense marriage.

I've been tremendously moved by a bunch of odd books. Ross McDonald is very important to me. I love the Lew Archer books.

Raymond Chandler once wrote that Dashiell Hammett gave murder back to the people who really committed it.

As much as I transferred my mother to Elizabeth Shore of The Black Dahlia, as much as her dad mutated into an obsession with crime in general, well, I have thought about other things throughout the years.

Every one of my books is written from the viewpoint of cops, with the exception of my book Killer on the Road, which is written from the viewpoint of a serial killer.

My mother and I will continue on some level that I haven't determined yet. I think my mother's a great character, and I have to say that giving my mother to the world has to be the biggest thrill of my writing career.

I'm clenched down, I'm locked in on it, which is my general approach to life.

Noir is dead for me because historically, I think it's a simple view. I've taken it as far as it can go. I think I've expanded on it a great deal, taken it further than any other American novelist.

Anybody who doesn't know that politics is crime has got a few screws loose.

I am conservative by temperament. I disapprove of criminal activity. I am very solidly and markedly on the side of authority. The truth is I would rather err on the side of too much authority than too little.

I was a WASP kid going to a high school that was 99 percent Jewish and I wanted attention and I wanted to make a spectacle of myself because I couldn't stand to be ignored.

As a kid, I sensed history going on all around me, but the basic thrust of it didn't move me.

I haven't been to a movie in a year and a half.

I like to be alone so I can write. But focus can hurt you. I don't want to be some stress casualty in early middle age.

As critical acclaim and response has built up, every interview I give is a chance to puncture the myth I've created about my work and refine it.

I would like to provoke ambiguous responses in my readers.

I want to see these bad, bad, bad, bad men come to grips with their humanity.

When I was a kid, Eisenhower had been President forever, and all of a sudden, everything in the world was all about Jack Kennedy. I was 12, interested in politics; my father was from Massachusetts, had an accent like Kennedy.

I am the most well-adjusted human being I know. I started out this investigation as a very happy man with a great career. I've got the life people dream about: I am rich, I am famous, I've got a fabulous marriage to an absolutely, spell-bindingly brilliant woman.

The truth of the matter is, you lose a parent to murder when you're 10 years old, and in fact at the time of the murder you hate your lost parent, my mother in my case.

I love thinking about American history, thinking about LA history. I love brooding on crime.

I think the great unspoken theme in noir fiction is male self-pity. It pervades noir movies.

I have the mouth of a sailor.

Consumerism has brought us anxiety. Set aside time to play with your children and turn off the TV when they sit down to eat.

I love coming to Australia. It's one of my favourite places.

I've been preparing to run a big company all my life.

What do I wear in bed? Why, Chanel No. 5, of course.

Instead of hating, I have chosen to forgive and spend all of my positive energy on changing the world.

In dreams, we enter a world that's entirely our own.

From journalism I learned to write under pressure, to work with deadlines, to have limited space and time, to conduct and interview, to find information, to research, and above all, to use language as efficiently as possible and to remember always that there is a reader out there.

I don't really count myself as a very sophisticated businessperson. I'm a creative artist. All I know from business I've picked up along the way.

I believe we have the best football coach in the country in Urban Meyer. I had the privilege of hiring him, as you know, and I think he is doing fabulous work.

Recovery itself is a very un-glamorous daily process of being willing to fall down again, to break again, to cry again, to get up and try yet again until 'success' manifests as ever-greater sustained healing.

In Britain you're more used to challenging drama. In America, TV is just boring, and numbing, and bloody terrible.

Kyle Baker's work is really funny, but it's also got a very clear vision.

The difference between a nation and a nationality is clear, but it is not always observed. Likeness between members is the essence of nationality, but the members of a nation may be very different. A nation may be composed of many nationalities, as some of the most successful nations are.

When I'm home, I'm Daddy, and everything is completely normal.

It's very weird waking around a corner and being nose to nose with myself on the side of a bus. And Times Square - that's the craziest one.

It's good to be in a role when you can learn something new.

Faith is a recognition of those things which are above the sense.

To be always intending to make a new and better life but never to find time to set about it is as to put off eating and drinking and sleeping from one day to the next until you're dead.

When there's a war, people get married.

There are people out there with three jobs and small children. Being an actor is a walk in the park compared to working as a cleaner overnight. I'm lucky I'm not plucking chickens.