Never read bad stuff if you're an artist; it will impair your own game.

If you put somebody on a crack pipe and give them a 9 mm Baretta, you don't have to be a rocket scientist to figure out what's going to happen next.

Today, there are more opportunities for writers in terms of access to larger success, but it's more difficult to publish a literary novel in the lower ranges. In other words, you almost have to hit a home run. You can hit a triple, maybe, but nobody's interested in a single.

Every rejection is incremental payment on your dues that in some way will be translated back into your work.

Never read bad stuff if you're an artist; it will impair your own game.

I used to save all my rejection slips because I told myself, one day I'm going to autograph these and auction them. And then I lost the box.

Using a first-person narrator is simply a matter of hearing the voice inside yourself.

When you find the right people, you never let go. The people who count are the ones who are your friends in lean times. You have all the friends you want when things are going well.

We decry violence all the time in this country, but look at our history. We were born in a violent revolution, and we've been in wars ever since. We're not a pacific people.

The story of Ulysses and Agamemnon and Menelaus, of Jesus, of the Good Knight of Chaucer, lives in every one of us.

There's nothing like rejection to make you do an inventory of yourself.

You do it a day at a time. You write as well as you can, you put it in the mail, you leave it under submission, you never leave it at home.

That's one of the great advantages of age. You can say, I don't want to, I don't care, you can throw temper tantrums, and nobody minds.

The only thing an artist has to remember is to never lose faith in his vision.

I wouldn't write anything autobiographical. If you've lived a life like Laurence of Arabia, it might be a consideration, but otherwise it's a little bit vain, it seems to me.

THE ALLURE OF Montana is like a commitment to a narcotic; you can never use it up or get enough of it. Its wilderness areas probably resemble the earth on the first day of creation.

Money can't buy happiness but it'll sure keep a mess of grief off your front porch

Age is a peculiar kind of thief. It slips up on you and steps inside your skin and is so quiet and methodical in its work that you never realize it has stolen your youth until you look into the mirror one morning and see a man you don't recognize.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

I'm inspired by nature. Other artist's work is important for developing my perception.

There is only one position for an artist anywhere; and that is upright.

The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

What do you say when someone has truly inspired you? How do you express to an artist how deeply their work has affected you?

An original artist is unable to copy. So he has only to copy in order to be original.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.

I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade.

Art is a private thing, the artist makes it for himself; a comprehensible work is the product of a journalist. We need works that are strong, straight, precise, and forever beyond understanding.

The most colorful section of a bookstore is the display of SF books, with art by people like Wayne Barlow, who is a terrific artist.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.

Let not a man do what his sense of right bids him not to do, nor desire what it forbids him to desire. This is sufficient. The skillful artist will not alter his measures for the sake of a stupid workman.

I so much appreciate it when anybody tries to make something and tries to be an artist - I'm happy to see the work.

The artist is seen like a producer of commodities, like a factory that turns our refrigerators.

I've also been willing to share any help that I could give to any other artist.

An artist, under pain of oblivion, must have confidence in himself, and listen only to his real master: Nature.

What is it they want from the man that they didn't get from the work? What do they expect? What is there left when he's done with his work, what's any artist but the dregs of his work, the human shambles that follows it around?

No artist work is so high, so noble, so grand, so enduring, so important for all time, as the making of character is a child.

I left Jamaica for a while, because as an artist I need to experience different things, see the world, have different energies. Living in one place is not good for me.

A young and vital child knows no limit to his own will, and it is the only reality to him. It is not that he wants at the outset to fight other wills, but that they simply do not exist for him. Like the artist, he goes forth to the work of creation, gloriously alone.

Though the artist must remain master of his craft, the surface, at times raised to the highest pitch of loveliness, should transmit to the beholder the sensation which possessed the artist.

My parents always saw me as an artist, and that greatly influenced me.

I'm the artist formally known as Beck. I have a genius wig. When I put that wig on, then the true genius emerges. I don't have enough hair to be a genius. I think you have to have hair going everywhere.

All works of art are commissioned in the sense that no artist can create one by a simple act of will but must wait until what he believes to be a good idea for a work comes to him.

A visual image in the hand of an artist is merely a tool to trigger a mental image.