I grew up in a house full of women: my mother, grandmother, three sisters, and two female cats. And I still have the buzz of their conversations in my head. As an adult, I have more female friends than male ones: I just love the way that women talk.

I did know that the book would end with a mind-boggling trial, but I didn't know exactly how it would turn out. I like a little suspense when I am writing, too.

For many years I had heard about an underworld consisting of people who act out a vampire fantasy while I was living in New York. Fortunately for me there are also several books on the phenomena.

This summer, I'll be bringing out a mystery that involves a young lawyer and a court scene the likes of which I don't think you've ever seen. Hollywood said this is James Patterson meets John Grisham.

I grew up in a house full of women: my mother, grandmother, three sisters, and two female cats. And I still have the buzz of their conversations in my head. As an adult, I have more female friends than male ones: I just love the way that women talk.

Other than my hundreds of arrests I really don't have that much experience with the law. While the majority of people aren't corrupt, there certainly is an awful lot of corruption in this country.

Always expect the unexpected. Right around Thanksgiving, when the new Alex Cross will be out. It's called Four Blind Mice and it's a pretty amazing story about several murders inside the military.

I read some, and then visited with people involved in this curious, exciting and somewhat misunderstood sub-culture. I met with a fang maker, who offered to fit me for an exquisite pair.

The vampire underworld is much larger than most people could imagine. It exists in all the cities mentioned in the book, but also in many, many more. Teenagers, especially, seem to like to act out vampire fantasies.

A good love story always keeps the pot boiling.

A lot of people like the idea of eternal love and eternal romance. The notion of love that is more profound and deeper because it is eternal is very powerful.

A lot of times you get people writing wonderful sentences and paragraphs, and they fall in love with their prose style, but the stories really aren't that terrific.

A lot of writers fall in love with their sentences or their construction of sentences, and sometimes that's great, but not everybody is Gabriel Garcia Marquez or James Joyce. A lot of people like to pretend that they are, and they wind up not giving people a good read or enlightening them.

Commercial books don't even get covered. The reason why so many book reviews go out of business is because they cover a lot of stuff that nobody cares about. Imagine if the movie pages covered none of the big movies and all they covered were movies that you couldn't even find in the theater?

Every once in a while, I'll have a 'Do you know who I am?' moment, at least in my head. I hate that.

Generally I find that kids ask better questions than you get with adults. Something that kids will do a lot is, they're so nervous, and they're not really paying attention, so they'll ask the same question someone just asked. And you're trying to be nice and not embarrass them any more than they are already.

Hollywood is a peculiar beast - people in Hollywood are nuts.

I always figured there would be a kid audience and an adult audience, and there is. That's true for 'Hunger Games' and 'Twilight' and 'Harry Potter.' And 'Maximum Ride,' for sure. In particular what happens is a lot of parents share the books with their kids, and the mom has read it, and the kids, and they talk about it.

I believe we should spend less time worrying about the quantity of books children read and more time introducing them to quality books that will turn them on to the joy of reading and turn them into lifelong readers.

I didn't care for most of the books I was being asked to read in school. I started reading like crazy right after high school when I got a job in a mental hospital. I was working my way through college, and I did a lot of night shifts, and there was nothing to do. So I read like crazy, serious stuff, all the classics.

I don't get a chance to be funny with the thrillers. I like to be funny, and I think I am really funny. So with 'Middle School: The Worst Years of My Life', it was fun to let loose.

I don't think of myself as a writer.

I get up every morning and chop wood, and I pretty much do it seven days a week, and I like to do it. I still have time for my wife and my son, who's 14, and at this point, my head is still above water.

I have a folder in my office with about 400 ideas in it. So it will take me another 40 years to get through those.

I have a number of writers I work with regularly. I write an outline for a book. The outlines are very specific about what each scene is supposed to accomplish.

I love to tell stories. It's a delight for me.

I never read detective novels. I started out in graduate school writing a more serious book. Right around that time I read 'The Day of the Jackal' and 'The Exorcist'. I hadn't read a lot of commercial fiction, and I liked them.

I think e-books are terrific in their own right. I love being able to get on a plane and basically carry around seven books and it weigh 10 ounces.

I was always a good student, but I didn't read that much until I was 18 and I was working my way through college.

I'm a very good storyteller; I have a lot of compassion for people. That's very useful for a novelist. A lot of novelists are snots. They're just mean people. I'm not a terribly skilled stylist, nor do I want to be. I want a lot of people to read one of my stories and go, 'That was pretty cool.'

I'm big on having a blistering pace. That's one of the hallmarks of what I do, and that's not easy. I never blow up cars and things like that, so it's something else that keeps the suspense flowing. I try not to write a chapter that isn't going to turn on the movie projector in your head.

I'm not a writer's writer. I'm not a craftsman. I could be, and that would be a one-book-a-year operation.

I'm very conscious that I'm an entertainer. Something like 73 percent of my readers are college graduates, so you can't condescend to people. You've got to tell them a story that they will be willing to pay money to read.

If I'm writing and a chapter isn't coming, I just move ahead.

In my office in Florida I have, I think, 30 manuscript piles around the room. Some are screenplays or comic books or graphic novels. Some are almost done. Some I'm rewriting. If I'm working with a co-writer, they'll usually write the first draft. And then I write subsequent drafts.

It seemed to me that I could write commercial fiction. I wasn't sure whether I could, or whether I wanted to write serious fiction at that point. So I said, 'Let me try something else,' and I wrote a mystery - but I didn't know much about it.

It's our job - as parents, grandparents, aunts, uncles - to find books our kids are going to like.

Kids don't read as much as you'd like them to, just in terms of seeing the world from different perspectives. I mean, that's the great thing about books, still. Here's television, here are the movies, and it's pretty limited in terms of the perspectives.

Life is hard, and a lot of people come home tired from work. If they're gonna spend half an hour reading, they want some entertainment and a sense of achievement. So that's what I give them. That's all I'm trying to do. Is that really so wrong?

My favorite books are actually very complicated - 'One Hundred Years of Solitude', 'Ulysses'.

My style is colloquial storytelling. It's the way we tell stories to one another - it's not writerly, it's not overdone.

One of the nice things about books as opposed to television and movies to some extent is it's not a passive entertainment. People really do get involved, and they do create, and they do have their own visions of what different characters look like and what should happen. It's great - it means their brains are working.

People always come up to me and say, 'you should do standup.' It's nice to discover things about yourself. That keeps everything lively and fun.

People like to talk more than they like to act. They like to sit there and complain and vent. Somehow they think that changes things, when it doesn't.

Somebody said the key to life is to work hard, play hard, rest hard, and I've pretty much adopted that.

The best way to get kids reading more is to give them books that they'll gobble up - and that will make them ask for another.

The more you read, the better you get at it.

The subject for a lot of non-fiction is very emotional, but if you read it, it's the most boring, dry stuff. I wanted 'Torn Apart' to be extremely accessible and readable.

There are a lot of things we as individuals can't do much about. We can't solve global warming as individuals, or health care problems, but as individuals, most of us can get our kids reading. We can do that.