If you want good sketches, go pick up Sid Caesar. The best of Your Show of Shows. That's the greatest sketch comedy you'll ever see on television.

I don't think anybody is wanting to put me back on the air. But I'm certainly out there trying.

If you want good sketches, go pick up Sid Caesar. The best of Your Show of Shows. That's the greatest sketch comedy you'll ever see on television.

You know what's nice about Montreal? Not only is it a beautiful city, but you have Cuban cigars.

Canada has given us John Candy and Martin Short and Bill Shatner and Lord knows how many other wonderful performers.

When the show is over we still have to pay our rent, we have to buy food. We have to do all the same things that you do.

The third year of MASH was when I realized I was a hit.

Canadians send us great hockey players. You also send us wonderful performers, from the beginning, with Mary Pickford.

I do Broadway because I refuse to succumb to the stereotypical things that Hollywood does to a performer.

I certainly don't have any airs about myself.

I did sketch comedy for years. I've always enjoyed it.

All the plays I do are comedies. I love listening to people laugh. I couldn't do the dramas like 'All My Sons.'

As a kid, I had to be funny.

Before 'M*A*SH*,' people in the industry didn't know what to do with this guy with the big nose.

I can't imagine that I will ever be on anything like 'M*A*S*H' again.

I enjoy 'Murphy Brown,' but I am shocked that people really like 'Married... With Children.' These shows are toilet humor, and none of them have good characters.

I was the first man to put on a dress and play it straight. That was something very fresh. Still is.

I was thrilled as a kid to point out my sister as she danced and sang on the stage, and she was pretty good artistically. She was a great inspiration to me. She was the one who sort of led me into show business.

I would like to do a nice comedy/drama feature with a good part, but nobody's asked me to do a film. Maybe it's because they don't know what to do with a guy in a dress.

I'm after the bucks because bucks give you the power, power gives you the freedom, and freedom lets you send money home to your mother.

It took me years to get out of the bargain basement. I always wanted to walk into a men's store and buy a cashmere sweater.

It's a difficult thing to overcome, but I've been quite fortunate. I haven't been out of work, literally, since 'M*A*S*H' went out of production.

Never stay with friends or relatives. You end up living on their schedules.

Some people came up with story lines where Colonel Potter moves in with Klinger, and we become a 1950s' odd couple. I said, 'Come on, let's do something significant.'

The benefits from stardom as Klinger outweigh any setbacks. It's a double-edged sword. What makes you famous is what interferes with getting other roles.

The dresses I wore are in the Smithsonian now.

You can't explain why people are friends and why those friendships last, but there certainly is magic in it. It's just something that you treasure.

It makes you a better person to know where you came from because whereever you go there is somebody in some town city hamlet whatever that has the same dreams you have.

I mean, all alternative comedy is are comedians that have being doing it for so long, for so long, that they were relaxed enough to start becoming personal on stage.

The kinds of shows that seem to work now, the comedy shows, are those which require very little attention. They're superficial and I like articulate comedy.

A lot of people have gotten into comedy because of certain influences in their lives or events that were painful, and I really have wracked my brain to figure it out. I pretty much have had a normal childhood. Maybe it was too normal.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

I really enjoy comedy. It's a real challenge.

I've mainly been in dramas, so this is one of my first comedy kind of performances in Cecil B. Demented.

Well I sure had been looking for a comedy for years without any success.

Comedy is so hard; it's so much harder than drama. The pacing of it, the energy of it.

Stand-up comedy and poverty. Those were my two main endeavors.

It seems like when I first started, people got into comedy because they wanted to be good comedians.

It is really hard to do comedy; it takes a lot of energy and focus. It's rather like music: It's a lot of hitting notes precisely.

This is one of his most human and most amusing and witty novels. The characters are very Indian. I decided that I wanted to do a comedy, so this was just the right one.

The English can be a very critical, unforgiving people, but criticism can be good. And this is a country that loves comedy.

Black Comedy is a farce that is played in the dark, as you know, with the lights full on. It's the Chinese convention of reversing light and dark, and exactly where anybody is at any given moment is the play.

I'd really been wanting to do a television series. I was looking for a comedy.

I think Andy Kaufman is to comedy what the Velvet Underground was to music - it's like, 80 thousand records sold, but everybody who bought one started a band.

Comedy is really not like any other art form in that it's very specialized and varied in it's content, but generic in it's title.

Comedy may be big business but it isn't pretty.

The duty of comedy is to correct men by amusing them.

My mom and dad are both in stand-up comedy, so that's where I started, that's where I got everything. My roots are holding the mic.

That title, is one of the things I fought for. A lot of people said "But it's stupid, and it's the title of a comedy movie, and people won't take it seriously," and I'm sure there are some people who still don't. But for the most part, people do see that we really have a quality show.