I am both proud and honored to be on the Board of Directors for the Texas Ballet Theater.

I have always been intrigued with singing and I actually started my career in musical comedies.

I now have great color sprinkled throughout my herd.

You can take the girl out of Texas but not the Texas out of the girl and ultimately not the girl out of Texas.

The ranch was raw land when I bought it and, for better or worse, I have designed every aspect of it from the corrals, the arena, to the barn, to the house.

I have always written poetry but I have never applied it to songwriting.

My desire is to stand up and brush myself off when I make mistakes and ask for forgiveness.

Longhorns are unique - each and every one of them is a different color with a different design.

I love to ride horses, hike in the woods with Juliette and appraise Longhorns.

Acting manifested as the primary focus over the years but now I am stirring the pot once again with my voice.

I wrote my children's book because I believe there are children that are hurting and may need to know that there is love out there for them- God's love.

My desire is to walk with God every day.

However, I do firmly believe in maintaining the integrity of the animal.

In 2003, I had the pleasure of acting in three films.

Thus, during the winter of 2003 I ventured into a new arena as a professional photographer.

I am both proud and honored to be on the Board of Directors for the Texas Ballet Theater.

My desire is to be a forgiving, non-judgmental person.

I don't believe in messing with mother-nature too much.

My Longhorns are registered and I am a member of the Texas Longhorn Breeders Association.

The second purchase was my ranch, Mockingbird Hill. The third purchase was Longhorn cattle.

I have learned how to plant coastal hay, fertilize and bale it.

My desire is to let go of my ego and let in His direction.

I, also, found the opportunity to work with the actors extremely gratifying and rewarding.

Dance is very, very old. With Louis XIV at Versailles is where ballet started.

I wanted to be a ballet teacher.

Classical ballet will never die.

I've got no plans to be a ballet dancer at the moment.

When life takes me on a new journey, I simply remember the smile my first ballet recital put on my face and I move forward.

Ballet is sort of a mystery to me. And I don't want to unravel that mystery.

The moment the curtain rose on that first ballet, I knew something wonderful and new had come into my life. I can still see the first scene. The ballet was Divertimento No. 15.

My grandmother had a Miss Margaret's School of Dance to teach tap and ballet to kids, but I never studied it. I was raised a Mormon and they're dancing fools. It's the only vice they have - dancing.

The real beauty of it - key to my life was playing key chords on a banjo. For somebody else it may be a golf club that mom and dad put in their hands or a baseball or ballet lessons. Real gift to give to me and put it in writing.

My background is somewhat unusual, as I trained to be a ballet dancer. I worked in the theatre for eight or nine years as a contemporary dancer. But as an actor one does read Shakespeare and does try to learn the classics.

However, the moral center of New York City, I believe, is the New York City Ballet.

I have ballet class every other day for two hours. And for "Six Feet Under", last week there was a sequence where I had to do a whole choreographed dance number, so I had four hours of dance practice every day.

I do take class because I still dance, and yes, I do slip into class with the Royal Ballet from time to time.

And it is always Easter Sunday at the New York City Ballet. It is always coming back to life. Not even coming back to life - it lives in the constant present.

It's no good running a pig farm badly for 30 years while saying, 'Really, I was meant to be a ballet dancer.' By then, pigs will be your style.

For 24 hours a day, for 10 years, all I thought about was being in a band. That's all I did. I had no other social life. I don't want my life to be like that now. I've spent the past 10 years having a real life as well. But Spandau Ballet is such a difficult shadow to outrun.

When other little girls wanted to be ballet dancers I kind of wanted to be a vampire.

The New York City Ballet is always about the realm of possibilities, the realm of what the human body can do, what the human spirit can do. And it's about listening, it's about listening to remarkable music and how we respond to that.

I used to dance when I was younger - ballet and modern dance.

At the ballet, you really feel like you're in the presence of something outside the rest of your life. Higher than the rest of your life.

I went to ballet school for nine years, and there was an agent for the whole school who happened to be there visiting one of the performances. She suggested an audition.

Wrestling is ballet with violence.

My Mom is a ballet director, so I had this idea in me that classical training is the best foundation for anything you do, so I wanted to get a classical background and voice.

I wanted to give people - which is fairly bizarre considering my whole life is contemporary dance really - I wanted to give people a really fulfilling sense that they had seen a white classical ballet - in a very pure form.

I grew up studying ballet; I grew up honing my craft.

Figure skating is an unlikely Olympic event but its good television. It's sort of a combination of gymnastics and ballet. A little sexy too which doesn't hurt.