I really tried to make movies I wanted to see. I thought that if I was good enough, somebody would always need me.

I made three movies in 1995 and I was unhappy with all of them: Sleepers, Incognito, and Speed 2.

Training Day was such a Hollywood movie; I didn't like it.

Now, being on the cover of Vanity Fair is as important as being in great movies. The lines are very, very blurred.

I don't find movies interesting. I just want to do the movies that made me interested in getting into movies, and they're few and far between.

I never turned down a movie because they wouldn't give me enough money.

I think The Exorcist is the best American horror movie ever made. Friedkin was at the top of his game.

I don't like people who use the press to advance themselves in a way that they haven't earned as an actor, performer or director.

When you look at some of the most respected actors there are and the crap that they're in... it didn't used to be that way.

It's interesting to help someone find their vocabulary. There would not have been a De Niro without a Scorsese.

Pacino's always played the suffering prince. I just find that interesting.

You can take a handful of dollars, a good story, and people with passion and make a movie that will stand up against any $70 million movie.

I was making a lot of independent movies before the independent movement.

I think that's what I really liked about Narc: My character has a real operatic range in a way that older movies used to have.

I would never do something like Speed 2 again. If I'd wanted to make those kind of movies I could have signed up for five of them while it was in the can. It wasn't worth it to me. That was just an innocuous, boring movie.

I try to stay under the radar.

I have a problem with the blatant celebrity exhibitionism that happens in this business and being sold purely as a brand.

I really tried to make movies I wanted to see. I thought that if I was good enough, somebody would always need me.

Mostly I do films that mainstream Hollywood wouldn't touch.

You know how many movies it took Tom Cruise before he was making 5, 6 million dollars? It probably took a billion dollars in box office.

Everybody acts like they're in a movie in most movies. That's why they stink.

It's easy to be a movie star. The shoes are already there. They just put you in the shoes.

When actors talk about research, they're just patting themselves on the back.

I don't have a problem with fame. I got into this business intending to be very successful, but I wanted it to be at my price.

I have all this time between projects, and I'm not so sure that's a healthy thing. It's scary, because at 36 I'm woefully unqualified for anything else.

If I was coming into the business today, I wouldn't be in it. Knowing what I know, absolutely not.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

My mom took me to see Carnal Knowledge and The Wild Bunch and all these kind of movies when I was a kid.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.

Sure, 'Twilight' is really huge right now and everybody's freaking out over it, but it will go away soon and I will be back to doing what I'm used to doing: weird little movies that nobody sees.

There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.

Making movies is eating candy. It's a very expensive candy, so you value when you can do it. So when you can do it twice at once, it's like, you know, a kid in a candy store!

It just proves good movies don't need 100 million dollars to be good.

In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

When I go to movies I generally want to be taken to another world.

There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.

You can make movies for a select audience, but you have to market it to them.You can make movies for a select audience, but you have to market it to them.

Well, it was actually - I brought the idea of doing a documentary to HBO back in 2000, when there were some press reports sort of were bandied about that there were going to TV movies based on some of the books that were out.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

Racing Stripes was so much fun to do. It's one of the funniest movies I've seen in a couple years.

I think the audience would like to see movies that are stunning to watch. I really think they'd like to see spectacles.

I feel like I'm a fighter. I've fought my whole life to get to where I'm at. I like fight movies. When someone gets knocked down, I like to root for him to succeed.

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.

Star Wars, the original movie, was all the various old genre of pictures: the swashbucklers, the war movies, all those things were put n there in a different look.