He knew a lot about his grandparents - and perhaps he feels he's been endowed with abilities to go into people's heads who are long dead - but, to a certain extent, he's making it up.

At the same time, it's a family story and more of an epic. I needed the third-person. I tried to give a sense that Cal, in writing his story, is perhaps inventing his past as much as recalling it.

When I wrote The Virgin Suicides, I gave myself very strict rules about the narrative voice: the boys would only be able to report what they had seen or found or what had been told to them.

It wasn't conscious, but I guess that one book is the reaction to the other. The first is so imprisoned in a male point-of-view, and the second is a point-of-view that can go anywhere it wants.

He knew a lot about his grandparents - and perhaps he feels he's been endowed with abilities to go into people's heads who are long dead - but, to a certain extent, he's making it up.

The book has many different characteristics: some are extremely old-fashioned storytelling traits, but there are also a fair number of postmodern traits, and the self-consciousness is one.

Basically you come up with the fictional idea and you start writing that story, but then in order to write it and to make it seem real, you sometimes put your own memories in. Even if it's a character that's very different from you.

But I care about the reader, and I'm trying to keep the reader's attention for as long as I can.

I had a briefcase at one point, but it was a kind of 1980s New Wave briefcase. It was made of some kind of cardboard and it had metal hinges. It was kind of faux industrial looking, and I used to carry my books in it rather than a backpack. I didn't want to have normal student accoutrements.

I have a good memory for early life. My visual memory is good about childhood and adolescence, and less good in the last 10 years. I could probably tell you less what happened in the last 10 years. I remember what houses looked like, sometimes they just pop into my head.

I have a lot of novels that I haven't finished. I usually get 150 pages in and I realize it's not going anywhere. I don't publish everything I write. I must have six unfinished novels at least.

I studied English literature in the honors program, which means that you had to take courses in various centuries. You had to start with Old English, Middle English, and work your way toward the modern. I figured if I did that it would force me to read some of the things I might not read on my own.

I think it is important to remind people of the extent of our free will.

I think the suicides in my first book came from the idea of growing up in Detroit. If you grow up in a city like that you feel everything is perishing, evanescent and going away very quickly.

I want an ending that's satisfying. I'm more of a classical writer than a modernist one in that I want the ending to be coherent and feel like an ending. I don't like when it just seems to putter out. I mean, life is chaotic enough.

I was directed because I knew I wanted to be a novelist, but I didn't have a very good job or a way of getting published. I found those years to be among the most difficult of my life.

I was unemployable when I got out of college.

I'm hopefully making the reader feel a lot about the characters and then about their own life.

It was a recession when I graduated, but I was so unequipped to have a job anyway, I don't think it would have mattered if the economy was booming. I think I was expecting bad jobs. But as it went on through my 20s, I began to wonder how things were going to turn out.

It was painful, but sometimes you must have these painful moments where you tear yourself away from something that isn't working.

One of the reasons that art is important to me is sometimes it actually feels more coherent than life. It orders the chaos.

That's the way I will write characters, put a fair amount of myself in them, and then everyone else who was like that person, I will pick and choose.

The Pulitzer Prize is an idea; it's a vote of confidence. Like literature, it exists purely in the mind.

Usually my ideas are small.

We're all well-acquainted with depression, we all know what the low moods are, but the mania was not something I knew much about. I didn't know that it would make someone dress extravagantly or start to pun, and to stay up and drink.

Well, marriage doesn't function in the way it used to in terms of deciding our fate, but it's in our heads, and it determines a lot of our actions. Like, right now, if you think about gay marriage - and they just started having the first gay marriages in New York - it shows what a potent idea marriage remains for people.

You can tell when something's not moving forward anymore. When the doubts you have about it don't go away.

They thought depression was like bieng depressed. They thought it was like being in a bad mood only worse. Therefore they tried to get him to snap out of it.

Pregnancy humbles husbands. After an initial rush of male pride they quickly recognise the minor role that nature had assigned them in the drama of reproduction.

I think especially when youre in college each book that youre reading tends to tell you who you are.

Their desire was silent yet magnificent like a thousand daisies attuning their faces toward the path of the sun.

Depression is like a bruise that never goes away. A bruise in your mind.

Depression is like a bruise that never goes away. A bruise in your mind. You just got to be careful not to touch it where it hurts. Its always there though.

Something crucial about depression ... The smarter you were the worse it was. The sharper your brain the more it cut you up.

Planning is for the worlds great cities for Paris London and Rome for cities dedicated at some level to culture. Detroit on the other hand was an American city and therefore dedicated to money and so design had given way to expediency.

Dieting fooled you into thinking you could control your life.

Id never seen a creature with so many freckles before. A Big Bang had occurred originating at the bridge of her nose and the force of this explosion had sent galaxies of freckles hurtling and drifting to every end of her curved warm blooded universe.

Heartbreak is funny to everyone but the heartbroken.

You can tell when somethings not moving forward anymore. When the doubts you have about it dont go away.

It was possible to feel superior to other people and feel like a misfit at the same time.

Paris was a museum displaying exactly itself.

We couldn't imagine the emptiness of a creature who put a razor to her wrists and opened her veins, the emptiness and the calm.

And there's a lot of that stuff with people bringing their kids, kids bringing their parents, people bringing their grandparents - I mean, it's gotten to be really stretched out now. It was never my intention to say, this is the demographics of our audience.

And, I think, as a kid, I had a strong motivation to do something of my life. And, I think that's the strongest motivation I really got. And, that came obviously from my parents and my grandparents.

My parents and grandparents have always been engaged in teaching or the medical profession or the priesthood, so I've sort of grown up with a sense of complicity in the lives of other people, so there's no virtue in that; it's the way one is raised.

We have managed to acquire $13 trillion of debt on our balance sheet. In my view we have nothing to show for it. We haven't invested in our roads, our bridges, our waste-water systems, our sewer systems. We haven't even maintained the assets that our parents and grandparents built for us.

It was sort of just a family sport. My mom and dad were pretty keen golfers when I was young and so were my grandparents, and I just sort of tagged along with them.

I enjoyed my grandparents very much. My mother and father would always allow me to stay with them.

No, like I said, my dad was never really part of the tennis. His involvement around what I did with the tennis and with my mom and my grandparents was really not a part of my life.