I know a lot of people who are very good at their craft who have learned - people behind the camera - who really have a lot to offer because they know what they're doing, they know what to do, they've made their mistakes.

My son tried to work in films and he ultimately gave it up, he finally couldn't make a living, he couldn't support himself. He worked all the time and he didn't make enough money to have a house, have an apartment.

Part of the film business is, if you want an apple, you buy an apple.

I think the same way about theatre, you go out there and you are creating a world for a moment that can actually have a real impact on people, present some kind of story that gives you something to think about when you walk away, feeling enriched - if it works out well.

I only know from my own personal experience, and I personally feel that there's a cyclical nature to things, so you don't want to start making generalizations about how bad things have become in comparison to the old days.

I got a phone call from Douglas Campbell and from Jerome Guthrie, who offered me a job out of the blue.

I've been awfully busy, and I haven't gone to many movies.

Every actor wants to have a character that changes, that has some kind of movement, that gets from point A to point B, that doesn't just supply one note.

This outfit called Los Angeles Theatre Works does readings of plays.

So when you make an impression in a certain kind of role, that tends to be the type of role that you get offered.

Well, my brother was a schizophrenic, so I understood it in a different way from seeing my brother.

But it's true, it's nothing new that decisions about what movies are to be made, and how they're to be made, and who's to be hired to do what, and whether you hire somebody to do their job, or whether you hire somebody to fill a position and you tell them what to do.

There may be the kinds of things that you may find interesting, but then there's also the practical reality of needing to make a living and this is what you have to choose from.

Certainly Amadeus because it was a very powerful time for me, we filmed it in the Czech Republic at a time of lots of social and political change going on in that part of the world.

Ive done Hay Fever and this one was called Another Time by Ronald Harwood.

I just hope that some of the movies I'm in are still welcome years from now.

I would like to feel that I have a range and that it's not just a matter of being a comic actor or a serious actor, because those are really artificial classifications, I think.

If you're an employer, you want to hire an employee who'll do their job, not do your bidding.

Well, I think that there is a connection between being a lawyer and a doctor and an actor. They kind of, in some ways, have the same appeal, I suppose.

And from my character's point-of-view in Ravenous, he had been collected by Robert Carlyle's character, he had become infected by this ravenous, cannibalistic power, and he was making the best of it.

I know a lot of people who are very good at their craft who have learned - people behind the camera - who really have a lot to offer because they know what they're doing, they know what to do, they've made their mistakes.

A lot of the reasons why something is a favorite thing are all things you don't necessarily see, the place, the people, the time, where you are, what it meant to you at the time.

My job is to help the functioning of the story, not to draw attention to myself, but to make my characters function within the story, to work for the benefit of the story, to make the whole thing work.

I've gotten to go wonderful places, meet interesting and intelligent people, and I started of course in the theatre and continue to work in the theatre where there is some intelligence involved in it.

Some of the best lessons we ever learn are learned from past mistakes. The error of the past is the wisdom and success of the future.

But no, I don't generally have trouble with spelling mistakes.

Lutherans, whose arguments and mistakes will not be difficult to contest or discover, do not want to attribute any value to works, and they do not understand enough the scope of the justification.

If I had to live my life again, I'd make the same mistakes, only sooner.

Like most of those who study history, he (Napoleon III) learned from the mistakes of the past how to make new ones.

In examining the potential of individuals, we must focus on their strengths and not just their mistakes. We cannot be limited by what they may have spilled in the kitchen.

I don't make mistakes. I make prophecies which immediately turn out to be wrong.

We have made mistakes. In our haste to do all things for all people, we did not foresee the full consequences of our actions. And when the people raised their voices, we didn't hear. But our deafness was only a temporary condition, and not an irreversible condition.

The successful man will profit from his mistakes and try again in a different way.

What you really remember at the beginning was that you have to throw a budget together. We made some terrible mistakes at the beginning in my own budget that took us at least a year to catch up on.

Learn from your mistakes and build on your successes.

To make mistakes is human; to stumble is commonplace; to be able to laugh at yourself is maturity.

You're not the only one who's made mistakes, but they're the only things that you can truly call your own.

We didn't make no mistakes. We didn't make no mistakes.

In tennis, you can make a couple of mistakes and still win. Not in golf. I played three rounds in that Tahoe event, and I was drained. Mentally, not physically.

Mistakes are the portals of discovery.

The greatest of all mistakes is to do nothing because you can only do a little. Do what you can.

To swear off making mistakes is very easy. All you have to do is swear off having ideas.

I'd rather not pinpoint my mistakes.

Words will not be able to ever express how sorry I am for this, and I have profound regret and sorrow for the multitude of mistakes and harm I have caused.

You must learn from the mistakes of others. You can't possibly live long enough to make them all yourself.

I'm not a God, I make mistakes.

Once we realize that imperfect understanding is the human condition there is no shame in being wrong, only in failing to correct our mistakes.

It's like first grade where you make all your mistakes and people see it and yet some people see that there's something there that's really valuable. That's the way it went for more than 2 years almost 3 years of playing.

I wouldn't change one thing about my professional life, and I make it a point not to dwell on my mistakes.