I remember going to Bob Preston's dressing room because I was losing a laugh - as you do in a long run. He said, 'Give me the script. That's where you're going off the road.' That's comedy. It's never the line itself; it's in the foundation.

The Emmy should be an ensemble award, too. I kept howling at everyone else's performances.

I came to New York late; I was already past 30.

I loved the gentlemanly way they treated each other. It was unlike anything I was used to. I started helping them strike the set and, at 11, began taking acting classes privately.

I love this company. I don't know how it was selected. It's a bunch of machers. They mean business.

When I got this role, my daughter Molly said, 'Dad, you've come full circle.

I remember going to Bob Preston's dressing room because I was losing a laugh - as you do in a long run. He said, 'Give me the script. That's where you're going off the road.' That's comedy. It's never the line itself; it's in the foundation.

My education was doing good plays and also stinkers. When you do a stinker, you learn how to act. I like having to audition. It's nice to do rehearsals. But it's with an audience that you get to love it!

This whole thing about winning and losing is muddy waters. But I can remember, as a young actor, just walking around this city and not being able to get arrested.

As my manager says, 'These are wonderful problems.'

My part had three lines. I said, 'You look wonderful, sir,' three times. All my friends said, 'Do not take that role - and do not understudy. You'll regret it the rest of your life.' I did both of those things, and I've never regretted it once.

And I'd watch George C. Scott from backstage. He was one of my mentors.

I mean, all alternative comedy is are comedians that have being doing it for so long, for so long, that they were relaxed enough to start becoming personal on stage.

The kinds of shows that seem to work now, the comedy shows, are those which require very little attention. They're superficial and I like articulate comedy.

A lot of people have gotten into comedy because of certain influences in their lives or events that were painful, and I really have wracked my brain to figure it out. I pretty much have had a normal childhood. Maybe it was too normal.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

I really enjoy comedy. It's a real challenge.

I've mainly been in dramas, so this is one of my first comedy kind of performances in Cecil B. Demented.

Well I sure had been looking for a comedy for years without any success.

Comedy is so hard; it's so much harder than drama. The pacing of it, the energy of it.

Stand-up comedy and poverty. Those were my two main endeavors.

It seems like when I first started, people got into comedy because they wanted to be good comedians.

It is really hard to do comedy; it takes a lot of energy and focus. It's rather like music: It's a lot of hitting notes precisely.

This is one of his most human and most amusing and witty novels. The characters are very Indian. I decided that I wanted to do a comedy, so this was just the right one.

The English can be a very critical, unforgiving people, but criticism can be good. And this is a country that loves comedy.

Black Comedy is a farce that is played in the dark, as you know, with the lights full on. It's the Chinese convention of reversing light and dark, and exactly where anybody is at any given moment is the play.

I'd really been wanting to do a television series. I was looking for a comedy.

I think Andy Kaufman is to comedy what the Velvet Underground was to music - it's like, 80 thousand records sold, but everybody who bought one started a band.

Comedy is really not like any other art form in that it's very specialized and varied in it's content, but generic in it's title.

Comedy may be big business but it isn't pretty.

The duty of comedy is to correct men by amusing them.

My mom and dad are both in stand-up comedy, so that's where I started, that's where I got everything. My roots are holding the mic.

That title, is one of the things I fought for. A lot of people said "But it's stupid, and it's the title of a comedy movie, and people won't take it seriously," and I'm sure there are some people who still don't. But for the most part, people do see that we really have a quality show.

I mean comedy is something that's very personal and people have strong opinions about.

I would recommend that anyone who wants to do comedy on TV to do radio first.

Years have passed since I have set foot in a comedy club. If the comic is doing badly it's painful, and if the comic is doing brilliantly, it's extremely painful.

I'm doing comedy development at National Lampoon.

Comedy is ridiculously hard. And if the rhythm is not right, if the music or the line is not right, it's not funny.

I left Indiana, and I ain't been back since. I've been doing comedy and paying my bills.

Harpo Marx looks like a musical comedy.

I want to do drama, light comedy, the whole range.

And if you have great writing, it's really easy, but if it's not so great and you have to work a little harder, I could tell where the work needed to be done but comedy is just fun.

I'd like to come back because I really miss doing situation comedy.

Comedy. I think that's something I'd really like to do.

I will always love to perform standup comedy.

Life is a comedy for those who think... and a tragedy for those who feel.

Dying is easy; comedy is hard.

The development of the comedy club industry destroyed the uniqueness and intimacy of the profession but it also created jobs for comics and bred some great performers.

I like comedy, I love it very much, I love laughing.