Everyone said that if you want to be a real actor, go to New York. If you want to sell out, go to LA. And I thought - I want to sell out!

If you have Julia Roberts in a movie you're never really afraid for her because you know she's not going to die.

Everybody knows that love goes away.

I had a problem with cops pulling me over all the time for speeding. When I was doing Hill Street Blues, the cops said how much they loved the show as they were writing me up; meanwhile my insurance went through the roof.

Everyone said that if you want to be a real actor, go to New York. If you want to sell out, go to LA. And I thought - I want to sell out!

I would rather be loved by somebody who respected me.

A way you can get really good abs in film is you get your makeup artist to paint shadows - faux washboard. But if you see me in a movie and I have great abs, it means I have a great body double.

I have my cards read every time I pass a tarot-reader booth. I would be so embarrassed to have one of those 900 numbers appear on my phone bill, because I don't know how I would explain it to my business manager. It would almost be like saying, 'Okay, I'm white trash.'

I have to tell you, I'm not like Demi Moore, where the tears trickle prettily down my cheeks. My whole face screws up and it's like, 'Oh please, get a room.'

I met my boyfriend, a pro poker player, at a tournament. He tried to dissuade me because it's a seedy gritty world. Listen, I've played till 4 in the morning. I've played with a half million dollars on the table.

I still haven't made a film that defines who I am.

I won $100,000 in Vegas, which buys furniture for my beach house. That takes nerves. You can't think if I'm wrong I'll blow $30,000.

If I was like some of the characters I played, I'd probably be dead by now.

My mother had all these maxims - like, classy girls never chew gum, never read comic books, never get their ears pierced, never get their hair dyed.

That Hollywood thing, where everybody hugs and kisses everybody else - I always stiffen. It's an assumed familiarity. It's phony.

My favorite actor is Wallace Beery.

I've been a very lucky actor.

I don't think I could be happy as an actor if there was a tyrant on the set.

When I was starting to get noticed as an actor in the 1970s for something other than the third cowboy on the right who ended up dying in every movie or episode, Burt Reynolds was the biggest star in the world.

Most parts that can be played by one actor can equally well be played by another, but not this.

I think, frankly, that I'm a better director than I was an actor.

I knew an actor's career goes up and down and back up again. Your standing in this business can't be your whole identity; otherwise, you're doomed.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.

I never dreamed about being an actor, because that was out of reach. Coming from a small town that was big in farming, and also big in clothing factories, you don't dream about being a professional football player or an actor.

My goal was always to be recognized as a good actor but no one was interested in that, simply because society just wants to warm towards your appearance. This is the great blemish of society.

If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable.

To be honest with you, when I got into this I never thought about reviews. I never thought about what people would say about me. I was just a young guy who was excited to become a comedian and an actor and I just wanted to get to do what I got to do.

It was very natural for me to want to disappear into dark theater, I am really very shy. That is something that people never seem to fully grasp because, when you are an actor, you are meant to be an exhibitionist.

I think that I've still not been successful at playing the role of the retired actor, and I'd like to work on that.

And once you cease to be a real person, you stop being a good actor.

When I decided I wanted to be an actor, I said I wanted to work with quality actors and directors.

There are roles I want that my agency might not want me to do because of the subject matter or whatever. Or there are roles that people won't bring to me because they don't think I'll do it. And that is a big strain because an actor wants to act.

Reality is, I'm an actor and an entertainer, and I really wouldn't know what to do with another profession.

I still feel like I'm trying to make it. It's hard to shed the struggling actor thing.

Only a great actor finds the difficulties of the actor's art infinite.

Follow the wisdom of the great actor, James Cagney, you hit your mark, you look the other guy in the eye, and you tell the truth.

I was always a character actor. I just looked like Little Red Riding Hood.

In other words, I wouldn't like to be an actor if I could only be real. I like to get wild, behaviorally wild, and it's crazy to think of any form where it's just one way.

An actor entering through the door, you've got nothing. But if he enters through the window, you've got a situation.

Oh, well, in Los Angeles everybody is an actor, or a producer, or a writer, or a director, or an agent, or... So everybody understands the hours.

I didn't want to be an actor.

I'm always looking, as an actor, for activities. I think it's far more interesting to watch what people do than what they say. You always want to watch behavior, because the dialogue as written by our illustrious leaders is great. Eminently playable.

That's always something that's really important for an actor - to find an opportunity to do a scene where there is a moment like that, where you manage to connect with everyone.

In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth.

And, you know, when you are a kid, everybody wants to be an actor. I think that everybody wants to be in show business, frankly.

An actor is at most a poet and at least an entertainer.

To wait, for an actor, is not like someone who's waiting to see the doctor. It's not the kind of wait where you get bored.

Every actor wants to direct.