And whenever I'm in a situation where I'm wearing the same as 600 other people and doing the same thing as 600 other people, looking back, I always found ways to make myself different, whether it be having a red lining inside of my jacket, having red shoes, it hasn't changed.

And trust, yes, which is important, but that is what I aim towards. Now that is difficult for some people, and with that desire to get things as good as possible, I would say that I'm probably regarded as quite prickly to work with.

Americans enjoy uniformity in a way that the British don't; they wanted everybody of a sort of nice chorus line height and here I was, this person who was a good three inches taller than anyone else on the end of the line.

No, I don't believe in hard work. If something is hard, leave it. Let it come to you. Let it happen.

Actors often behave like children, and so we're taken for children. I want to be grown up.

Paris Hilton, that's very interesting what she did. I've never done that. I haven't really sort of ever got into that. As time passes, maybe I should record it and put it in a vault so that when I get a little old don't have the energy I can remember how life used to be.

A trip to the mainland was a big event and happened maybe once a year, although now you can get across in a speed boat in seven minutes but then it was a long way away.

I think I would not be described as a character actor in that I don't take on characteristics which are very alien to me.

I liked the theater. I liked the people. I liked the time that we worked.

Because I'm now successful, what I'm being offered as an actor is more and more of the same.

So the better my partner or my opposition, however you like to think about it, the better my game.

Godspell was a good leap for me, it was a good shop window.

I envy children who know that they're going to become doctors, know they're going to go into the forces or whatever. I think choice is one of the hardest things, but that's what I try to give my children, to say you can do anything.

I succeeded on sort of chutzpah and charm. No technique at all, didn't know what I was doing, but it worked and the character suited me.

What I try to do as an actor is constantly find that, find ways to risk, find opportunities to fall on my face if it's going to be worth it, and then maybe I'll surprise myself.

An acting assistant stage manager in a theater in Canterbury, a rep theater. A small wage but just enough to get by on, and I made props and I walked on, and I changed scenery, and I realized that I just loved it.

It's always great to play a man who sets himself up to be punctured.

So nevertheless, what I'm saying is that what one is - one's parameters are constantly narrowed by one's success, and my desire is to widen my field even if I risk failure.

My father was a CPA. He worked hard in the aircraft industry, and would come home more and more infrequently. He was about to leave my mother, which he did when I was 15.

At age 10 or 12 he's going to boarding school in the Isle of Wight. The Isle of Wight is, of course, down at the bottom of England just off South Hampton.

The sad thing about any business I suppose, but in mine you see it particularly, is that you're always asked to do what you've already done.

I constantly experience failure in that my work is never as good as I want it to be. So I live with failure.

I was not naturally intellectual, but somebody whose interest had to be whetted, still the case sadly.

Now in my theater training I showed no aptitude at all.

I was the youngest. The yule lamb. The one who always got away without doing the washing up. My sister was four years older, and my brother six years.

We all have our time machines. Some take us back, they're called memories. Some take us forward, they're called dreams.

And whenever I'm in a situation where I'm wearing the same as 600 other people and doing the same thing as 600 other people, looking back, I always found ways to make myself different, whether it be having a red lining inside of my jacket, having red shoes, it hasn't changed.

However, I wasn't very good at the sciences, or didn't have a lot of help in the sciences or something but certainly didn't set science for my A level. And when I came to take my A levels I didn't get a good enough result to go to University.

I had done a fair bit of traveling during the holidays in my school days with my guitar and discovered that I could live on it. Admittedly, I traveled with a sleeping bag but I could always find somewhere to lay my head.

My next step must be to go to drama school. Well, I get into drama school, so I did that.

So I continued through my next school, which takes me up to the age of 17, moving from the bottom stream of one year into the bottom stream of the next year, all the way through. I showed other talents which gave me self-respect, which is fine.

'Lolita' was a great wound in the side for me. I stuck my neck out maybe further than I should have and castigated the studio for not getting behind it.

A comic book and a straight drama all have the same elements. If you're playing tragedy, you have to be aware of the comedy; if you're playing comedy, you have to be aware of the tragedy. If you're playing comic book, you have to be aware of the reality.

Civility, politeness, it's like a cement in a society: binds it together. And when we lose it, then I think we all feel lesser and slightly dirty because of it.

Commerce seems to be covering every aspect of our lives now. Which me, because I'm a romantic, is sad for me to say.

Film wise, I invariably look at my work and reckon I could have done it better. I'm also conscious that I'm in a profession where we get more praise than we should compared to the usefulness of what we do.

He's a man who... well, one of the great things about Shakespeare is that his characters are inconsistent, and that's something I think makes him a writer above most writers because inconsistency is what we, as people, are full of. We maybe don't see it in ourselves too often, but we are inconsistent.

I believe inanimate objects have a spirit.

I believe that most people would like to cooperate in reducing waste, but to encourage them, the national policy should be clear, well advertised, and consistent. Even within Greater London, there is a huge discrepancy between council policies. I believe a national waste management initiative should be designed and implemented by government.

I came to London. I spent nine months doing domestic work and gardening because I knew I wanted to get a West End show. So, when I was offered jobs in Stoke or Leicester or whatever, I'd say no. Eventually, I got 'Godspell.' It was gently building.

I do this work, but I am uncomfortable in situations where you're hyped into something you're not. Just because you're in a long limo doesn't mean anything.

I do what I do because I like doing it. I'm well paid for it. I get far too much adulation compared with what it's worth.

I don't like rules.

I don't mind getting older. I'm enjoying not having that raging ambition I've had all my life.

I don't watch a lot of television. I try to watch all the good movies, but I've got about twenty of these television series that I should be watching. I haven't seen 'The Wire.' I haven't seen 'Mad Men.' I haven't seen Kevin's thing. What's that called? 'House of Cards.' I hear it's wonderful.

I had people when I was younger trying to feel me up. Older men. I just told them to get lost.

I have developed a life which seems to need a relatively high income.

I have played characters where I haven't been absorbed - you know, what I call a typical film leading man role where you just have to look gorgeous and be attractive and charming. It bores me. I like a bit of dirt, a bit of sand in the oyster.

I keep working with fairly inexperienced directors. You know, if you have a good crew, a good cameraman, you know, I know what I'm doing. If the actors know what they're doing, we can all pull together, and it works.