Funny, I don't feel any more powerful today than yesterday.

Books that do a tenth of what Left Behind has done are smashing successes.

I've written enough books with real celebrities, such as Walter Payton and Hank Aaron and Billy Graham, to know that fame looks good only to people who don't have it.

Of course, bad marriages are so pervasive that they have invaded the faith community too.

Left Behind takes what to some people may be unbelievable predictions from the Bible and shows how they might play out. It makes the events of biblical prophecy understandable and thus believable.

The theater of the mind is impossible to compete with, and I like the idea that with a few suggestions, each reader forms in his or her own mind what a character or a place looks like.

In my opinion, Jesus is God's attempt to reach man. But while I believe Jesus is the way to God, it makes no sense to hate people who disagree.

While writing my first 90 books, I was magazine editor, publisher, book publisher, executive, etc., so I was established in publishing. three of my seven or so books were biographies of sports stars and really opened doors for me in that area.

Ironically, in today's marketplace successful nonfiction has to be unbelievable, while successful fiction must be believable.

Good fiction must be entertaining, but what makes fiction special - and True - is that the realness of a novel allows it to carry a larger message.

Broken relationships are a source of heavy heartbreak that seem to affect every family.

I love inventing worlds and characters and settings and scenarios.

The uninitiated have real questions and valid concerns over how the things of God appear to them.

As for dialogue, I think it keeps things moving to cut to the chase.

When you come to Christ as a real young person, I think when you become a teen-ager either you rebel or you search, doubt, and wonder.

There is a comfort zone of knowing where things are going and having characters in place, but the action gets more and more dramatic and is very challenging to describe.

Actually 'Soon' has more than the Left Behind series, but I really believe less is more.

People want to find out what happens to the characters, and want to keep reading, and turning the pages.

Funny, I don't feel any more powerful today than yesterday.

Gil Thorpe is a great diversion and is to book writing as poetry is to prose.

It's made me more expectant of the imminent return of Jesus, and also more sensitive to the people around me. Knowing Jesus will return soon makes me want all the more to tell people about him and all that he offers.

I fear it's because religion is man's attempt to reach God, and when he feels he has succeeded, he cannot abide anyone else's claim to have done the same.

I was raised as a Christian but the transaction has to be made by yourself - you and God - at some point.

People are scared to death and they're looking for something beyond themselves.

I was raised in a Christian home and, in fact, my mother led me to Christ as a youngster.

I don't see success as the goal. Obedience is the goal.

SOON was the first novel where I used a rough outline. Usually I have characters and an idea and write as a process of discovery. Like working without a net.

My dream remains to inform and entertain through fiction in the form of novels and movies that compete in the marketplace of ideas.

Fiction has a unique role in conveying Truth. In fact, only fiction that is Truth with a capital T is worthwhile.

I put off writing the first Left Behind book for a year because I got invited to assist Billy Graham in his memoirs, and had we known what we were putting off for a year, we might not have put it off.

Writers write. Dreamers talk about it.

When I was a junior camp counselor and it was my job to tell the campers a bedtime story or devotional, I would tell them a rapture story.

The Christian market has less competition and lower standards.

In the prequel we're going to tell about the characters before Left Behind, and the book would end with the rapture instead of start with the rapture like the first one did.

He just kind of talks them through, and then I get the fun part cause I get to make up the stories.

Tim sends me a fairly ambitious workup in notebook form noting the passages we're going to cover and the chronology of the biblical events, and his commentaries on those things he's read and written.

I think all fiction should be fair game for the Christian market, except porn, of course.

There is a comfort zone of knowing where things are going and having characters in place but the action gets more and more dramatic and is very challenging to describe.

It's funny, 'cause it seems like just yesterday that I was the youngest player just starting out. But now there are young players all over the league, and they'll ask me questions about playing overseas or finding an agent.

When Frank the Pug is singing I Will Survive, the only reason it's funny is that Will is in that shot trying not to get angry. A shot of a dog singing I Will Survive on its own will not get a laugh.

I sometimes lie awake at night trying to think of something funny that Richard Nixon said.

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

You amaze me. You're 229 years old and that's what you think is funny.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.

It is funny that men who are supposed to be scientific cannot get themselves to realise the basic principle of physics, that action and reaction are equal and opposite, that when you persecute people you always rouse them to be strong and stronger.

Half of the great comedians I've had in my shows and that I paid a lot of money to and who made my customers shriek were not only not funny to me, but I couldn't understand why they were funny to anybody.

There's a constant flow of child actors. It's kind of funny to watch the new crew come through. I think, You poor little things. You're going to have to struggle for a long time.

For sheer sexiness, a man must be beautiful. Funny. yes. Clever, no.

I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.