I've always had a love for poetry and when I got signed to a record label I thought, 'How odd that I'm doing a record before a book of poetry,'

My whole goal is to keep my spirit intact. If that doesn't happen, none of this is worth it.

I get bored very easily. I have a voracious appetite and I do not feel alive if I'm repeating something I'm good at. So I'm always looking for new challenges.

I'm becoming more and more myself with time. I guess that's what grace is. The refinement of your soul through time.

Being part of the natural world reminds me that innocence isn't ever lost completely; we just need to maintain our goodness to regain it.

I'm half alive but I feel mostly dead.

Forgiveness is the needle that knows how to mend.

I have this theory- that if we're told we're bad, then that's the only ideal we'll ever have.

I've always had a love for poetry and when I got signed to a record label I thought, 'How odd that I'm doing a record before a book of poetry,'

The things you fear are undefeatable, not by their nature, but by your approach.

Amazingly, I've been sort of an anomaly in the music industry. I feel like I've been able to exist as kind of a throwback artist.

For now I'm just enjoying being a mom. I don't want to be more famous and more rich. I want to be a good mom.

Hard times make you bitter or make you more compassionate.

I consider myself a product of Alaska. The love and the debt that I feel to my home state, you always want your hometown to be the proudest of you.

I developed a loyal following. No one knew I was homeless.

I didn't mean to be a songwriter; I just was writing for fun, you have all day to do it. I was homeless so that's all I had to do.

I enjoy hard work; I love setting goals and achieving them.

I guess I'm a Gemini through and through, but I'm mercurial. I get bored doing the same things.

I have a life that I enjoy; I try and value the things that I think are worth valuing and everything else is icing. You know, it is a kick to go down the red carpet in that dress and then you go back home.

I have always been a workaholic.

I hope that my life ends up being my greatest work of art, not just my music.

I love shows about creating and cooking. Sometimes they're so extraordinary, you end up setting yourself to fail.

I sort of came out at the dawn of the Internet in the mid-90s and I think it helped break my career. I think I was one of the first artists to really benefit from the grassroots swell that can happen online. I don't know if I would have broken out without it.

I think being raised spending so much time outdoors was really important - while you're in it, you might not know, but now I think of the things I was thankful for.

I think family mealtime is really important. There's a lot of research that shows kids are going to do better in school and have more self-esteem if you can all sit down and eat together.

I want my whole life to be a great work of art, not just my art. And that means paying attention to my entire life and trying to make sure my whole life is balanced.

I was Renee Zellweger's fat doppelganger. If she ever played in a movie where she needed to be fat, apparently I could be her stunt double.

I was homeless and I was in San Diego and I started singing in a local coffee shop and people started coming to hear me sing.

I was raised really poor and so was my husband.

I was really inspired while I was pregnant and I wrote a whole album for my baby. I wanted to write a kids album that didn't annoy parents. I used The Beatles 'Rocky Raccoon' as sort of a starting place for my writing.

I was turning 20 during my first record. Those decade birthdays always kind of cause me, it seems, to reflect, look back, and then look forward. I just was closing this period of my life where I was living in a car and scrambling my whole life to then signing a six-record deal with Atlantic.

I wrote the song 'Angels Standing By'... to try and soothe myself - rock myself to sleep, basically - because I was so scared and stressed.

I'm a Gemini and I have a lot of different moods. Sometimes I'm very serious and introspective and pensive, but other times I'm completely goofy and girlie. So, I like my songs to cover all my moods.

I'm somebody who, as a child, had a lot of insecurity about stable housing, where I was going to be living, if I was going to have a roof over my head, all those types of things. And I know the impact it can have on you psychologically and emotionally.

I'm the classic absent-minded professor: I'm very focused on something, and meanwhile, I've left the refrigerator door open for hours.

I'm trying to be in the moment and really enjoy my pregnancy. I feel really lucky.

I've always been a workhorse, and I've been supporting myself since I was 15.

I've been writing lullabies since the beginning. I kind of did it for myself to help myself fall asleep when I really worried, like when I was homeless and I'd fall asleep in my car.

If someone is willing to help you understand your own worth when you're vulnerable, that's a very touching thing. It makes you want to help other people.

If you write a hit song for Britney Spears, it's worth several million dollars. Just one song! And it might have taken you two hours to do it. It's like mining for gold. It takes a lot of skill and a lot of technique.

It's like a garden: Whatever you water the most will do the best. At some point, you decide whether you'll water your career or your relationship more.

It's really fun to see young kids trying to find excellence in themselves.

Like every girl, I felt amazing pressure to look like the popular girls, but no one told me the popular girls were all air brushed in magazines.

Lots of people have gone from public housing to do great things in the world and have a tremendous sense of duty to their fellow man because of it.

Love bravely, live bravely, be courageous; there's really nothing to lose.

My husband and I have kept a good balance between the work and the rest. I feel so lucky having a job, and I know so may people who focus too much on work, and their home lives suffer.

My second record I used a producer, which was frustrating in a way, because I think a lot of the punky spirit and provocative nature of the lyrics didn't come across - the music was pretty.

Once you are successful, there's a very seductive rhythm at work that keeps you wanting to outdo yourself. By the end of 'Spirit' I felt like I didn't want to get into that trap. It almost makes you cartoon-like.

Records have never really been my strong suit. I've always been a much better live act. I didn't understand the language of the studio. You sing differently in a studio. The language, the craft - it's just a whole different deal. I avoided the problem on my first record by doing a live album.