As for the historical inspirations I drew on in writing The Snow Queen, I suppose I would call them more cross-cultural inspirations, though they frequently involve past societies as well as present day ones.

Humans may be the only creatures on Earth who spend significant time thinking about the fact that someday their lives will end.

Throughout the ages, stories with certain basic themes have recurred over and over, in widely disparate cultures; emerging like the goddess Venus from the sea of our unconscious.

The futures and ultimate fates of the characters in The Snow Queen are profoundly changed by choices made in their own minds or hearts, as well as choices unexpectedly forced on them by things beyond their control.

Studying anthropology, I developed a kind of holistic view of human existence, in which the dichotomies you listed are all necessary and vital aspects of life.

Beyond that, I seem to be compelled to write science fiction, rather than fantasy or mysteries or some other genre more likely to climb onto bestseller lists even though I enjoy reading a wide variety of literature, both fiction and nonfiction.

Besides, wouldn't it be wonderful if no one ever had to worry about the random cruelty of fatal illness or the woes of old age attacking them or their loved ones?

These days too many of us seem inclined to cover our ears, close our eyes, and blindly follow the most narrow, conservative tenets of religion; or else seek comfort in the ancient traditions of New Age ritual.

The ecosystem of our world is a closed system: it would run out of gas, collapse of its own weight.

I was thinking about what I wanted to write next, after my first novel, and had decided that I wanted to write a story with a lot of strong female characters in it.

Here was a fragment of Goddess myth that, through all its permutations, had somehow escaped being turned on its head. It was the perfect springboard for the sort of novel I wanted to write.

Everything born has to die, in order to make room for the future.

Perhaps the thing that makes humans truly unique on Earth is that we are never satisfied with our situation; maybe that is what's taken us so far.

And so The Snow Queen also became a story about the need to seek equilibrium, in our own lives, with the natural world, even within the universe at large.

What does immortality mean to me? That we all want more time; and we want it to be quality time.

For every path you choose, there is another you must abandon, usually forever.

Myth is, after all, the neverending story.

As for the historical inspirations I drew on in writing The Snow Queen, I suppose I would call them more cross-cultural inspirations, though they frequently involve past societies as well as present day ones.

There's no such thing as a free lunch, at least on the karmic level.

We are all born with a unique genetic blueprint, which lays out the basic characteristics of our personality as well as our physical health and appearance... And yet, we all know that life experiences do change us.

Moon is also a naive native girl when she sets out for Carbuncle.

Probably I chose immortality because mortality is a universal human obsession.

Each time, storytellers clothed the naked body of the myth in their own traditions, so that listeners could relate more easily to its deeper meaning.

Humans are upsetting a fragile balance that their own human ancestors established.

The contradictions are what make human behavior so maddening and yet so fascinating, all at the same time.

Fear of the unknown is a terrible fear.

What I do not want to write is didactic political tracts.

The mers were also designed to reproduce only at long intervals, in order to maintain the natural balance of the environment in which they were placed.

I wanted to show those characters discovering it is possible to find common ground, as they make their way through a plotline that I hope is engrossing enough to keep the reader a willing participant.

But our society does not grant nontraditional forms of intelligence equal recognition, no matter how much it would help us get along or truly enrich our lives.

The contradictions are what make human behavior so maddening and yet so fascinating all at the same time.

Indifference is the strongest force in the universe. It makes everything it touches meaningless. Love and hate don't stand a chance against it.

I did work out every day. I needed it to have the endurance to do what needed to be done and not get hurt. I have such a new respect for action stars now.

I mean the only thing that is hopefully good about us is after the arguments we can actually still face each other the next day or the day after and talk about something else and sort of get over it.

My favorite singer to this day is Nat King Cole. I've tried to emulate his phrasing. It is so absolutely beautiful to listen to his lovely voice.

I want to have babies one day but not right now. When I do it I want to do it really well. I want it to be my best project in life.

I think I've become a much better singer and a much better player. Years and years of playing a couple of hours every day will do that.

I am tomorrow, or some future day, what I establish today. I am today what I established yesterday or some previous day.

I just wrote one song at a time. Kinda like an alcoholic. One day at a time.

Working mothers do an hour more per day than working fathers do and working mothers do on average an hour more per day with the kids than working fathers do.

When it is time to get to work, I go away completely and don't do anything except the work. And that can be 16 hours a day.

George Pal had total control, and he was there on the set every day. You never met a more charming man in your entire lifetime - what a lovely gentleman.

I'll tell you what I did need to learn was tolerance, and I think I've been actually given a daily opportunity to practice that, and it's - it's - and I know that that sounds almost like a backhanded slap, and it is in a way because I haven't been successful at it every day.

Since the beginning, I always loved the game. When you grow up in Montreal, one day you want to be a professional hockey player. When I was six or seven, I knew that was what I wanted.

Depending on what day of the week it is and what time of the month it is, I'm a good friend or not a good friend. I'm more or less a good mom or not a good mom, more or less a good mate or not a good mate. That's just life, whether or not you're public.

Even if you walk exactly the same route each time - as with a sonnet - the events along the route cannot be imagined to be the same from day to day, as the poet's health, sight, his anticipations, moods, fears, thoughts cannot be the same.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

Even a stopped clock is right twice a day.