So the actual riffing came out of us just sitting there and doing it the way I think some people think we really did it, which is all spontaneously, and it really was.

South Park started as a little video Christmas card.

Mystery Science Theater is really a postmodern show, it's really derived of many influences.

The name Crow was inspired by a number of things. I thought it would be cool to have a robot with sort of a Native American feel to it.

But if you think you aren't creative that's cool, too. I think being around people who aren't creative is kind of refreshing and nice.

The first twenty shows at TV 23 were really a workshop.

But after that, I was extremely happy with the story and the look of the show at the beginning of season two - everything was working together. I felt like it was finished conceptually.

Beanie and Cecil was the first cartoon I remember watching and I think there are analogies.

A lot of the shows that really become hit shows are often demonstrated, like Mystery Science Theater.

Besides, it doesn't make any sense to have these characters living in the year 3000 when all their points of reference are from the pop culture of the 80's and the 90's.

If you notice any of the press from when I was with the show, I would always deny it being the year 3000.

Then we tried to come up with ideas for the sketches, and then, when we actually shot the movie, we really just sat down - never previewed the movie - we just really winged it.

Well, really the way worked was that I had probably built fifty robots before Mystery Science Theater, and I had sold them in a store in Minneapolis in a store called Props, which was kind of a high end gift shop.

A lot of times when I sit down with the other comics and try to talk theory, they say I'm being too serious.

Well, we had more money and more time the first season than we did at TV 23.

Then a friend of Jim's suggested we make a theme song to explain the story, and this is where the Mads came from. Josh and I wrote it into the theme song.

Gypsy was the name my brother gave a pet turtle he had. I always thought it was so peculiar.

They would hear 3000 and think it was the year 3000, I was hoping it would sort of disorient them and prepare them for the strange message they were about to receive.

So the actual riffing came out of us just sitting there and doing it the way I think some people think we really did it, which is all spontaneously, and it really was.

When we did the pilot, I sort of pictured this guy pirating a signal and then this story unfolding of him building this satellite and these robots and watching these bad movies.

The internet is a total inversion of television. It's the opposite.

There is no executive order; there is no law that can require the American people to form a national community. This we must do as individuals and if we do it as individuals, there is no President of the United States who can veto that decision.

Young people discovering their sexuality must know they walk with a strong tradition and that they are not alone. They have a right to information without being pressured.

Many are needed to plant and water what has been planted now that the faith has spread so far and there are so many people... No matter who plants or waters, God gives no harvest unless what is planted is the faith of Peter and unless he agrees to his teachings.

DJs and people in the street know what they like.

People who keep stiff upper lips find that it's damn hard to smile.

Some people are directors and I think they should stay behind the camera.

We dominated Survivor - there is no way we would not dominate that, too. I can see it already, us making deals with people. That's the best part, and with the Race, it would be even more fun because I've got a lot of tricks up my sleeve.

I'm getting a wider circle of fans now. More women, more middle class people.

We must support initiatives that provide clear, concrete measures and milestones that our troops need for defeating the insurgency, building up Iraqi security forces, and handing over Iraq to the Iraqi people.

Yeah, that's what kind of, we get the idea a little bit yeah, because other people from different countries also try as hard as they can to get a medal or a gold medal in the Olympic Games. And you know, if they can work hard, we can work hard as well.

Well concerning the world records that I did, I think it helps a lot to me, yeah. I think it's a very individual thing because I heard some people say, like, oh I don't like it at all. But I definitely, for me it really made a big difference.

My goal is, of course, for this show to do well, and I would love it if people liked it.

I hate wasting people's time.

Religions get lost as people do.

I also do not like the idea of soft money, these issue ads - people don't know where the money is coming from, millions and millions of dollars outside of the control of a candidate - there's no accountability.

The people of England are the most enthusiastic in the world.

The avantgarde are people who don't exactly know where they want to go, but are the first to get there.

My theory is if you have a religion, it's a good one. Because some people don't have any at all.

It's sometimes shocking to find out what people really believe in.

That's Tommy, this great producer who comes in contact with people and must have a mental library of personnel who are great for this and great for that, and he brought this whole group of musicians to the project that I'd never worked with before.

Rock and rollers can get you the youth buzz, and younger people are fanatical readers.

Sitting at home the way I do, I'd just love the hear from people. It'd be a great help in passing the time.

I guess I strike people as very serious, or very intense.

My parents were amazing people who had no business being together - and they knew it.

Some people don't like competition because it makes them work harder, better.

I took Laura on a trip once where we followed the Immigrant Trail for about six hundred miles. She really learned a lesson. People forget too often how it was back then.

Don't underestimate the people. Let them decide.

I'm lucky enough that directors sometimes seek me out for little projects that people don't even know about, that just surface later on.