God forbid you got seasick because there was no option to go back. So that really did force us to be a group.

One of the unique things is that whether we were out at sea or in the middle of the water tank, a lot of times you just couldn't leave. Especially when we were out at sea.

This is real human drama, we're not creating some amusement park ride for the summer. Even though the movie is really exciting to watch, it's got a real pathos behind it.

There's something about the water - that solitary kind of peaceful feeling. You're on Earth but not quite.

God forbid you got seasick because there was no option to go back. So that really did force us to be a group.

You were there all day long, 12 hours a day. So there was none of this, 'I'm going back to my trailer, my trailer's bigger than your trailer,' that kind of Hollywood nonsense.

I try to take things that challenge me either physically or mentally, or I have to learn a new skill.

Oh, absolutely, it felt more serious than your typical job. One of the things that got us through how difficult the shooting actually was was that we are telling a real story.

A lot of times, good improv is when both people, or however many people are in the scene, really have no idea what the next thing you're going to say is.

A script is like a theory of a movie.

Acting's all about the confidence you exude, especially on film. I mean, nervousness isn't attractive in anyone, but a film camera will seek it out and punish you.

Actually, acting turned out to be the perfect job for me, because I had a lot of different interests. I thought about being a priest at one point. I thought about being a teacher. I thought about being a lawyer. But I think acting is probably the best job for me.

An actor's life is like a series of - it's like the first day of school happening over and over again.

Animation is a great way to work. No early morning call times, no make-up chair. In live action, you're always fighting the clock; the sun is always going down too soon.

Being a father has fulfilled me in parts of my life that sustain me. It gives me a comfort and patience. All actors have this hole inside that they're trying to fill by performing. I'm anxious to keep creating, but I'm not so desperate any more because I have the love and support of my kids and wife.

Being unprepared makes me nervous. I'm old-fashioned show folk.

Despite not looking like a matinee idol, I feel like I have a lot to give. I've never had any trouble with women. People are always surprised with the romantic aspect of my movies.

For a long time, it was like I was part of some special forces unit: I'd land, meet everyone, five minutes later I'd have to do some amazing work, then - boom! - I'm out again. You know, playing supporting parts takes courage.

From the first time I did a movie, people have said, 'Oh, it's all going to change now.' And it would change, but very incrementally. I think I prefer that to some big explosion of fame all of the sudden.

Here's the thing, with comedy - and I learned this from Will Ferrell - you can't be ashamed. If you're doing comedy, you have to fully commit to the joke. Shame is not part of it. If you act shy or uncomfortable about your body, that makes the audience shy and uncomfortable. And in a comedy you just want them to loosen up and laugh.

Honestly, to tell you the truth, being trapped in any video game sounds like a living nightmare to me. In most video games, the point is it's a fight for survival, so I think it would be a terrifying place to live.

I actually envy actors who have a persona: 'This is the way I am. This is the part I play.' And do it over and over and over. To me, that's a lot easier than trying to reinvent yourself every six months.

I always felt really guilty if I spent too much time playing video games. It's a colossal waste of time. And I can't say it's a very satisfying feeling at the end of the day, if you've spent eight hours playing a video game; you just end up feeling kind of spent, and used.

I always say it takes as much preparation and thought to do a small part as a leading part. In some ways, leads are easier because you have the luxury of time to discover the character.

I am one of those people who is not very patient in the makeup chair. I have been offered movies like 'Planet of the Apes' and stuff like 'The Grinch Who Stole Christmas' and I turned them down.

I come from a pretty working-class neighborhood in Chicago. Hard work was just expected of you. It wasn't some noble thing you did; it was a prerequisite. It's what a man did. You get up, you put on your boots, and you work hard. We've lost a lot of that, I'm afraid.

I considered a lot of different jobs as a kid. I thought about becoming a priest or a lawyer. My father had a big linen-supply business and I considered working for him. What dawned on me was: 'If I'm an actor, I get to do the fun parts of every job!' Without having to go to four years of law school.

I did a movie with Leonardo DiCaprio, and his skill level was eons ahead of mine. It was really more like an abattoir - he just slaughtered my character over and over again.

I don't deliberately go into comedy or go into indies, but I do deliberately try to keep changing tact, because I think that is the key to longevity in a career.

I don't know how to be like a Bill Murray or a Will Ferrell, these guys who know how to make a line funny just by, I don't know, some extra-sense perception. I only know character and emotion and real acting; that's all I know how to do.

I don't mind doing scripted material. It's actually kind of a relief, because improvising is a little bit like screenwriting on your feet.

I don't really get off on the anonymous love of strangers, which I think a lot of actors do. They're lacking something in their own personal lives, so they want the adoration of autographs and all that stuff.

I feel like a teenager myself, so I appreciate it when the kids think you're all right.

I give as much as I can, and it's up to someone else to turn it into a movie. Good luck to you!

I grew up listening to a lot of player-piano music in my house and a lot of old Tin Pan Alley songs and American standards. My dad listened to a lot of traditional Irish music and I grew up doing musical theater. So most of the music I was exposed to as a kid was pre-rock n' roll.

I just like surprising people. I never want to get to a place where people see that I am in a movie and they go see the movie and they expect a certain performance one way or the other. That is just inherently boring to me.

I kinda taught myself how to play guitar, and I still play to this day. It's become a pretty big part of my life.

I know I'm not some matinee idol, but I think we're sold this bill of goods by the media, which says that only the most beautiful and dashing people can become movie stars. So when someone like me sneaks in, they have to redo the calculations.

I like people who are able to keep pushing themselves and challenging themselves even after great success.

I like working. I wish I could say I made a deliberate choice to comedy, but it's just what came my way. It's what the studios wanted to make. Some of my friends were doing it, like Will Ferrell and Adam McKay, and they offered me 'Talladega Nights.' It's just nice work if you can get it. It's a joyful day at work, making your friends laugh.

I listen to a lot of Chicago blues, I suppose. It reminds me of growing up, I guess. But I'm also obsessed by close-harmony groups. Actually, I'm fascinated particularly by brother duos, how they blend together. The Everly Brothers, the Stanley Brothers, The McQuarrys. There's something inherently magical about harmony.

I love card games, and I've always loved board games and stuff like that as a kid, and I think it's that part of your brain that's engaged in con movies. It's like this 'Who's outsmarting whom?'

I swear and it comes off a little angry, no matter how funny I'm trying to do it. If I use certain words with a certain intensity, it's like 'Whoa whoa whoa, buddy buddy!'

I view my strongest competition as myself. You're always trying to top yourself, rather than worrying about what other people are doing.

I was a founding member of the 'Dungeons and Dragons' club at my high school. I was in chorus, I was in swing choir. I was an outcast but I was an outcast among a group of outcasts.

I was a solid C student because I was doing so many plays. I was a drama nerd, but I was also kind of a Zelig-like character; I would shift between different groups of people. But the people I spent most of my time with were either chorus or swing choir or the drama nerds.

I was more like a middle child. My youngest brother was the baby, so he got all the attention that the baby gets. And my older brothers were getting into so much trouble that I was left in the middle, doing plays. I was up to no good, but my mother didn't know it!

I was never a very dependable employee for anything. Perfect for the actor's life!

I went to an all-boys Catholic school, and not only were we not allowed to wear pajamas, we had to wear dress shirts, dress pants, a tie, dress shoes... they stopped making us wear blazers, like, two years before I started there, so pajamas... you wouldn't even get in the front door wearing pajamas at my school.