I have improved the way in which I paint. The colours are cleaner and there is more energy in the brush work.

St Michaels Mount is a favourite place of mine; people will walk across to the Mount all day and assume they will be able to walk home. The spectacle of hundreds of people realising that the path they walked over on is disappearing under several feet of water is very amusing.

I paint what I see, not what a camera would see.

I really enjoy squeezing out a big lump of paint directly onto the canvas and leaving it; fresh, immediate and sometimes shocking.

And he that will this health deny, down among the dead men let him lie.

I studied for my degree in London and consequently ended up spending five years away from Cornwall. I deliberately moved away from the coast to experience a different way of life.

On my return to Cornwall I discovered that I was living in a tropical paradise. For now I am content to explore my own home and our nearest neighbour France.

I have been surrounded by artists and paintings throughout my life. My father Ted Dyer is an artist, and from a very early age I have spent time painting and drawing.

I used to own a dingy and can still sail one if pushed, but I like the pleasure boats.

I have lived in Cornwall from the age of 4, so I have always been aware of the artistic heritage that the county has. I feel very proud to be able to connect to this.

Painting is really good fun, I have always enjoyed it. As long as I paint what I want with the freedom that I enjoy, I never tire.

I use about 20 different colours to retain the luminance in my work.

I have improved the way in which I paint. The colours are cleaner and there is more energy in the brush work.

The paintings by Van Gough and Chagall had a big influence on me.

I decided to become a painter when my first four paintings where all published and attracted a great deal of interest. I exhibited one of them and it was sold.

It's a terrible thing wishing that it can be someone else's tragedy.

The lifestyle that an artist can have, the freedom to wander in the landscape with no real pressure or deadlines, was a very attractive one.

During the winter when the weather is too poor to work outside, I do use drawings and photographs, but I change my work so it is not just a time and place study.

Digital media has destroyed much of the magic and mystery of the medium.

My father is a well known artist, Ted Dyer, who has been painting for many years. Our work is very different, but growing up surrounded by paintings, paints, easels and art books does have an effect.

While I was at college studying design I decided to paint. I was also greatly inspired by the colours that I had seen on my travels in the Brazilian Rain forest.

I love the sea's sounds and the way it reflects the sky. The colours that shimmer across its surface are unbelievable. This, combined with the colour of the water over white sand, surprises me every time.

I still take photographs for my own use, personal studies. I do not feel that I can fully express my views through the medium and this is why I have moved towards painting.

My optimism for life carried through my work.

I use a wide selection of colours. It is impossible to produce work like mine using only the primary colours as they only mix a certain range of colour.

In some parts of the world there is very little tidal movement.

The majority of my work is from life. I spend most fine days from May to October painting outside.

My great love is my home county of Cornwall, I love to sit and watch people enjoying themselves on the beaches and in the harbour towns of Cornwall.

I want to paint big, bright, optimistic pictures of the place I love.

The most amazing thing to me about the sea is the tide. A harbour like St. Ives is totally transformed in a very short space of time by the arrival or departure of the sea.

I realised that if I did what I wanted to do, it would work.

I was told I was talented when I applied to Falmouth School of Art and that I should consider skipping the course and proceeding directly to degree level.

I apply paint directly from the tube and with my fingers.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

We need to have a culture that says 'the less energy you can use to be comfortable, the better off you are and the better you should feel about yourself'.

I merely took the energy it takes to pout and wrote some blues.

I didn't know at the time that the energy that I was giving off was like a battle Emcee.

The young people look great on television. They're youthful and have a lot of zip and energy, but when you see them live, they can only do about 20 minutes because they haven't got the training to hold an audience for an hour and a half or so.

It takes a lot more energy to fail than to succeed, since it takes a lot of concentrated energy to hold on to beliefs that don't work.

I try to give positive energy in all my shows.

In modelling, there is no point in trying to prove you have a brain, so why even bother? I'd sooner save the energy for something more meaningful.

I was part of it, and I am still part of it today in terms of what it means to a whole new generation of people who are interested in the enduring energy, achievements, spirit and creativity that exemplified our era.

I always like having kid energy around. I think it's good for a movie, even when you're doing dramatic stuff.

You had to decompress the pressure before the race. I taught my heart to relax. I lay down before the race. It gave me more energy just before the race.

As long as I had easy access to psychedelics at the government-sponsored research project, most of my energy went into psychedelic sessions.

You can have anything you want if you want it desperately enough. You must want it with an inner exuberance that erupts through the skin and joins the energy that created the world.

Nerves provide me with energy... It's when I don't have them, when I feel at ease, that's when I get worried.

Electric cars aren't pollution-free; they have to get their energy from somewhere.

When I see someone who is starved, they don't look alert. They don't have boundless energy. If you're too skinny, it looks like you're near death.