Oh, I still like to play and I still play when I want to.

The way Will Moore taught me, and the way I play it, the blues is just something different.

I do benefits. I do them all the time. There's so many people out there that needs help that I can't say I won't help them.

Since you knew they was goin' to cheat you anyway, I recorded under any name with all of 'em.

You can go to Europe, and there's no turnin' back - any parts of Europe. Wherever you are, there is no stop and go for the blues. The blues go but it don't stop.

In my career, people in the record business have been rockin' in the same ol' boat. They all crooks - I'll say it clear and loud - especially the big ones.

Groups are corporations now. They have pension plans. Musicians have saw the daylight.

They wasn't gonna give you nothin'. I didn't care as long as they let me play my music. Cash on the spot... You cheat me and I'm gonna get me some money, too.

I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.

I went on to Cincinnati. I had got a taste of the big cities and them bright lights. I stayed there until I was about 18 or 19 and then I went on to Detroit.

I don't do nothing I don't want to do.

If they played more blues, people would just get it - they try to hold it back but just about can't hold it back now because the blues is really going.

I am a happy man. I've had a good life.

I like dropping into a small club and playing with some people, trying to help them get a start.

I want to play music when I want, write a song if I want or watch a baseball game if I want.

It don't take me no three days to record no album.

I've got enough money to live me two lifetimes so I don't have to do nothing I don't want to.

The one thing the blues don't get is the backing and pushing of TV and radio like a lot of this garbage you hears. They choke stuff down people's throat so they got no choice but to listen to it.

I hitchhiked, took trucks 'n' trains - anything that would pick me up. I stopped in Memphis for about six months and they found me and come got me. Stayed about a month an' split again.

I remember back in Detroit, I used to go to the Apex Bar every night after I got off work. The bartender there used to call me Boom Boom. I don't know why, but he did.

I like the small clubs.

I don't play a lot of fancy guitar. I don't want to play it. The kind of guitar I want to play is mean, mean licks.

The blues tells a story. Every line of the blues has a meaning.

Oh, I still like to play and I still play when I want to.

My style is all to myself.

All my life I been doin' what people tell me to do. Now, I'm telling them.

I don't think about time. You're here when you're here. I think about today, staying in tune.

I just get an idea and then all of a sudden I've got a song.

Like you and your woman ain't gettin' along and you're in love. You can't sleep at nights. Your mind is on her - on whatever. You know, that's the blues. You can't hug that money at night. You can't kiss it.

But I don't want to do no big tours or go out on the road.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

Genius is not a possession of the limited few, but exists in some degree in everyone. Where there is natural growth, a full and free play of faculties, genius will manifest itself.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

If Davis Cup was a little bit less or once every two years, I would be more inclined to play. But the way it is now, it is too much tennis for me.

I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.

If you watch a game, it's fun. If you play it, it's recreation. If you work at it, it's golf.

You have to like the characters you play.

Good directors say, Here's where the play is. They stand by the heart of the matter. Some of them stand beside it.

The value of music is to be able to play one note at the right time in the right way.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

Well, I play Jews and parrots. Parrots are how I've branched out.

We just have to get it going and play hard every time out.