No, you're either born a writer, a storyteller, or you're not.

No, you're either born a writer, a storyteller, or you're not.

I became a loner. I became a mountain man. A lot of those things are very good qualities and they help you do your work, help you be singular and keep the artistic integrity of your work intact, but they don't make it very easy to live your life.

I've always been able to survive by writing, though.

There is a certain kind of respect for authenticity today that there wasn't back in the days when they did 'Cleopatra,' where everything looked like a giant motel. People want to have it be authentic in the look, and authentic in the way people behave.

I find that screenwriting is at best kind of a hackwork in some ways.

I've always had trouble with authority.

Yeah, I think that's it... It's like Jesse James. He became really popular because he lasted so long. You know, there is some degree of truth to the fact that time will dignify anything, too.

Most artists think they're frauds anyway.

Egotism is not a good quality. It's not something to be admired or even tolerated. It wouldn't be tolerated in a field commander and it shouldn't be tolerated in a movie director.

Yeah, there's absolutely. I mean, remember when The Searchers came out, it was a relatively big hit for a Western, and I think it made 5 million bucks - I don't even think it made that.

I felt that the Star Wars series became very pretentious as time went on. Just heavy and leaden.

I suppose when I started out I would have liked to have been the darling of critics or something, but everybody wants to be loved and admired.

I think Francis at half form is better than anybody else by 50%, you know? I think it's just that he has never... he has a late pick of the things that are ambitious enough for him.

You never know when you're going to be considered un-hip... The people that really pass judgment on you really have nothing to do with what you do, usually.

Everybody's a filmmaker today.

Most of the good executives do pretty well. Because to be a good executive you have to be strong, and you have to have a simple attribute that people have forgotten about - courage.

Writing requires a great deal of skill, just like painting does. People don't want to learn those skills.

I hardly said a word to my wife until I said 'yes' to divorce.

Also, they don't understand - writing is language. The use of language. The language to create image, the language to create drama. It requires a skill of learning how to use language.

'm a general, I do something. I go out and fight wars and win them.

A lot of directors don't know what they want to do. Every director I've seen that was a good director that I've admired knew exactly what he wanted to do. They didn't sit there and think about it.

Matter of fact, the style that people use today, I invented in a way.

I also thought of myself as the Sonny Barger of the film industry.

A lot of people thought of me as a threat to Western civilization.

You know, I find it very strange when movies that I made that were just excoriated - I mean that I was just vilified for - are now looked at as classics.

The filmmakers always have a great level of control.

Films are always pretentious. There's nothing more pretentious than a filmmaker.

I mean, the old film critics just excoriated me.

I suppose when I started out I would have liked to have been the darling of critics or something but everybody wants to be loved and admired.

Films are always pretentious. Theres nothing more pretentious than a filmmaker.

Arnold Bennett was a writer I admired. He was actually taking notes at his father's deathbed.

The good parts of a book may be only something a writer is lucky enough to overhear or it may be the wreck of his whole damn life and one is as good as the other.

For a country to have a great writer is like having another government. That's why no regime has ever loved great writers, only minor ones.

I'm a writer who likes to be influenced.

In relation to a writer, most readers believe in the Double Standard: they may be unfaithful to him as often as they like, but he must never, never be unfaithful to them.

A true critic ought to dwell upon excellencies rather than imperfections, to discover the concealed beauties of a writer, and communicate to the world such things as are worth their observation.

A writer may tell me that he thinks man will ultimately become an ostrich. I cannot properly contradict him.

The most important training, though, is to experience life as a writer, questioning everything, inventing multiple explanations for everything. If you do that, all the other things will come; if you don't, there's no hope for you.

It is not often that someone comes along who is a true friend and a good writer.

Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there.

It's essential not to have an ideology, not to be a member of a political party. While the writer can have certain political views, he has to be careful not to have his hands tied.

I was never really a writer, I was always more of a performer.

Without books I would not have become a vivacious reader, and if you are not a reader you are not a writer.

Well see, I'm a good enough writer that not everybody in my books talks exactly like I do.

So while it is true that I find really dark stuff funny sometimes, it's also true that as a writer of books I want to have the whole range of human emotions.

Here I am, where I ought to be. A writer must have a place where he or she feels this, a place to love and be irritated with.

Nowadays I'm not even sure if newspapers take into account whether a person is a good writer.

Remember Graham Green's dictum that childhood is the bank balance of the writer? I think that all writers feel alienated. Most of us go back to an alienated childhood in some way or another. I know that I do.