No, United Artists was a very extraordinary organization, because once they had agreed on the director, they believed in letting him have his way. They trusted me, and that doesn't often happen.

Symbolism perhaps is a bit in your face, and I've tried my best to control that as best I can as I've grown older and thought that one could approach something with a little more subtlety.

Oh, the relationship with actors and managers and agents and things is a terrible problem sometimes.

I'll never forget the first screening at the Berlin Film Festival. As soon as the film ended there was an outbreak of booing, which made us look at each other with some surprise.

Yes, but I think if you look at it with a sort of gay sensibility and want everything to be positive about gay life, it could be interpreted as antigay.

I've never felt that using something with tongue in cheek has been a bad thing.

I met a hustler at a dinner party. He had been invited because I was looking for an adviser to help me with the street scenes. So we put him on the film.

Hollywood is an extraordinary kind of temporary place.

There are certain actors who are very good at improvising, like Dustin Hoffman and Glenda Jackson.

Still, the film nearly didn't happen a number of times. There were great arguments with United Artists about how to reduce the cost because they were nothing if not conscious of the price of the film.

I thought his performance was absolutely wonderful and had said so, but he seemed, as actors quite often are when they first see.something, to be disappointed. I think he expected more from the film and himself.

We taped all this and then got it transcribed and picked the best lines or ideas or ways to take a scene. I've done that many times, and it can improve the script but also wreck a perfectly good scene.

That attitude toward women as objects may have worked for the late Sixties, but it doesn't do so now.

No, United Artists was a very extraordinary organization, because once they had agreed on the director, they believed in letting him have his way. They trusted me, and that doesn't often happen.

I have a feeling he felt Jon Voight had run away with the film, which he didn't, though he was brilliant in it, in a much less easy part. I just don't know what had got into him, but something had.

I thought his performance was absolutely wonderful and had said so, but he seemed, as actors quite often are when they first see something, to be disappointed. I think he expected more from the film and himself.

But I found a lot of artists at the Cedar Bar were difficult for me to talk to.

Journeys, like artists, are born and not made. A thousand differing circumstances contribute to them, few of them willed or determined by the will-whatever we may think.

I got to sit down with people who I admired, and have conversations with some of the greatest thinkers and artists and performers. It's a huge privilege for me to be a journalist.

I don't believe in art. I believe in artists.

David Cronenberg knows what we actors do as artists.

The truth is, we haven't really figured out yet how artists are going to thrive in modern mass societies. We're all experiments.

Many of the artists who have represented Negro life have seen only the comic, ludicrous side of it, and have lacked sympathy with and appreciation for the warm big heart that dwells within such a rough exterior.

A great thing happening now in art is that artists are using the figure, the body, clothing, life.

The number of contemporary artists who appeal to me is infinitesimal.

I have to plead basic ignorance of most new jazz artists here.

Music is art, art is life, and we are who we are, and all of these aforementioned women, unless they should choose not to, will be performing well into the next many decades because they are great artists.

Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think.

Artists are like everybody else.

When artists make art, they shouldn't question whether it is permissible to do one thing or another.

My proudest achievement has been the success of the shows and artists I have been involved with, because they were made in Britain.

The refusal to rest content, the willingness to risk excess on behalf of one's obsessions, is what distinguishes artists from entertainers, and what makes some artists adventurers on behalf of us all.

I didn't want to save art - I respected the older artists too much to think art needed saving. But I knew it was finished, even though, at that time, I didn't know what I would do.

Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking.

Lesser artists borrow, great artists steal.

I've never understood why artists, who so often condescend to the cliches of their own culture, are so eager to embrace the cliches of cultures they know nothing about.

I want to run for the Senate from Tennessee. Not now, but when I'm 50, when music dies down a little bit. I know lots of artists and actors have those delusions of grandeur, but ever since I was a kid, it's been of interest to me.

Let's look at people as artists and try to support them; just because Picasso painted a couple of bad paintings, that's no reason to say he's a lousy painter.

Idol has pretty much taken me out of my recording and out of my choreography. I have managed to slip in some choreography jobs. And I've been writing songs for other artists.

Great artists are people who find the way to be themselves in their art. Any sort of pretension induces mediocrity in art and life alike.

I hate artists who are not of their time.

Labels only confuse people. The smarter people recognize artists who transcend categories. But I always try to entertain. It's in my nature; writers are born to entertain. If that means working ostensibly within a genre, fine.

I hope and believe we are paving a better future for female artists to come.

For I must tell you that we artists cannot tread the path of Beauty without Eros keeping company with us and appointing himself as our guide.

One of the makeup artists once dyed my dog blue with vegetable blue.

I made it easier for many artists to play in certain areas.

Success breeds volume, and it's just amazing how many young writers, artists, and musicians there are in town.

It's something I've always loved doing. I'm not one of the artists who comes in and just does my bit. I'm there every second of every day. That's my hands-on situation.

I think there is an element of nihilism about, but I don't think most artists feel their work is meaningless.