As the books grew bigger and more ambitious, the situations in question sometimes became political ones, and so it became necessary to start painting in the social background on a scale which eventually became panoramic.

The writer I feel the most affinity with - you said you felt my books are 19th century novels, I think they're 18th century novels - is Fielding, Henry Fielding, he's the guy who does it for me.

I think it's also the case that I'm not as widely travelled, or as well-educated in history, as most of the other novelists I meet: so I have to write about my own country, at the present time, because it's more or less all I know about!

The biggest markets for my books outside the UK are France and Italy, and those are the two countries where I also have the closest personal relationships with my translators - I don't know whether that's a coincidence, or if there's something to be learned from it.

But at the same time, I have trouble keeping things out of books, which is why I don't write short stories because they turn into novels.

But we are entitled to look for continuity in politics.

Luckily, in my case, I have managed, by writing, to do the one thing that I always wanted to do.

Thatcherism has become bigger than she ever was.

I became quite taken over by Johnson's personality at some points while writing the biography, and since I went straight on to The Closed Circle afterwards, I did sometimes feel I could hear him whispering in my ear while I was working on it.

As soon as you start writing about how human beings interact with each other socially, you're into politics, aren't you?

They were written in the early '90s when I was strapped for cash.

I have two ideas for novels at the moment, neither of them all that conventional, but I'm not ready to choose between them yet, let alone settle down to the process of writing.

But you can try to read books at the wrong time or for the wrong reasons.

It's only a drawback in the States, where most people seem to have no real interest in other countries and the notion of a novel which might offer insight into life in the UK doesn't seem to appeal very widely.

Contemporary Britain seems an endlessly fascinating place to me - but if I knew a little bit more about other places, and other times, maybe it wouldn't.

As the books grew bigger and more ambitious, the situations in question sometimes became political ones, and so it became necessary to start painting in the social background on a scale which eventually became panoramic.

I live a perfectly happy and comfortable life in Blair's Britain, but I can't work up much affection for the culture we've created for ourselves: it's too cynical, too knowing, too ironic, too empty of real value and meaning.

The more melancholy side of my literary personality is much in tune with BS Johnson's.

You would go mad if you began to speculate about the impact your novel might have while you were still writing it.

My only regret is that I signed away the world rights and in America they've been far and away my most successful books, but I never saw a cent from any of it.

I'm one of those unlucky people who had a happy childhood.

But I have always - ever since The Accidental Woman - written novels about individuals attempting to make choices in the context of situations over which they have no control.

It seems to me that you would have to write a novel on a very small, intimate scale for it not to become political.

Ah, well, I have no talent for nonfiction, that's my problem.

Writers never feel comfortable having labels attached to them, however accurate they are.

As I said, I had no publisher for What a Carve Up! while I was writing it, so all we had to live off was my wife's money and little bits I was picking up for journalism.

I'm one of those unlucky people who had a happy childhood.

There were a lot of adventure books for boys, historical novels by Kenneth Roberts, and whatever mystery novels the alarmed librarian imagined might not corrupt an eager but innocent youth.

It is chiefly through books that we enjoy intercourse with superior minds. In the best books, great men talk to us, give us their most precious thoughts, and pour their souls into ours.

It is the interest one takes in books that makes a library. And if a library have interest it is; if not, it isn't.

I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.

I was drawn to boxing because I got beat up as a kid. I was the kid with the piano books in a New York neighbourhood.

It's clear to me that there is no good reason for many philosophy books to sound as complicated as they do.

The proper study of mankind is books.

I have written about 10 books, all just practical encouragement for moms.

Whites were the winners, blacks were the losers, we wrote the history books, and they didn't feature.

Good books, like good friends, are few and chosen; the more select, the more enjoyable.

You could say, in a vulgar Freudian way, that I am the unhappy child who escapes into books. Even as a child, I was most happy being alone. This has not changed.

Jewish villages were built in the place of Arab villages. You do not even know the names of these Arab villages, and I do not blame you because geography books no longer exist.

As I have studied the Bible and the Book of Mormon, I have come to know through the power of the Spirit of God, that these books contain the fullness of the gospel of Jesus Christ.

There are some friends you don't meet for twenty years and when you meet them again it's as if no twenty years has happened - you're lucky when that happens. I feel the same about books.

Then I found books that were written much later, as late as 15 years ago. It was very superficial material, but enough to tell me that the genesis of this story was worth exploring.

To buy books would be a good thing if we also could buy the time to read them.

Well, it was actually - I brought the idea of doing a documentary to HBO back in 2000, when there were some press reports sort of were bandied about that there were going to TV movies based on some of the books that were out.

In my subconscious, my books were part of a single emotional journey.

I get letters from readers who say that they have always hated reading, but somebody suggested one of my books, they actually finished the book and enjoyed it, and they're going on to read another book. I'm thrilled that they have figured out that reading is fun.

I never buy magazines, I never even buy books.

Books are funny little portable pieces of thought.

Without books I would not have become a vivacious reader, and if you are not a reader you are not a writer.