The only film I ever made for money was something called 'Music From Another Room', which I really didn't like.

My goal was always to be recognized as a good actor but no one was interested in that, simply because society just wants to warm towards your appearance. This is the great blemish of society.

I'm not Tom Cruise. Very few British actors are. If you look at the body of work I've done it's pretty obvious I'm not going to make a 'Mission: Impossible.'

Face it, I didn't become famous until I took my clothes off.

When you step back and watch people, you realize that we use every single body part. Movement, dance - I find it genius because it's ultimate expression, really.

London is my home... I know what's right and wrong here, and it's nice to have somewhere familiar to go back to.

I think it's a bigger risk following a part that plays up your looks than it is to try and carve out a career as an actor.

I've always thought Prince Charming in 'Cinderella' was the most boring role; I'd rather be the Wicked Witch.

I'm not called Jude Law, I have three names; I'm called 'Hunk Jude Law' or 'Heartthrob Jude Law'. In England anyway, that's my full name. That's the cheap language that's thrown around, that sums you up in one little bracket. It doesn't look at your life. But if one looks beyond, there is actually a little bit more.

I'm incredibly boring; I had a very happy childhood. I never starved, nor did I have a silver spoon in my mouth. I'm one of those terribly middle-of-the-road, British middle class, South London gents.

I honestly have no interest in celebrity whatsoever. If anything, I always cringe at it because it takes away from what I am, which is an actor who wants to be better and do better things.

You heard it from the heart, you saw it in their eyes. Then I got used to the fact that I couldn't feel my fingers and my feet. That for me was the essence of the battle.

I'm only wanted by directors for the image I give off, and it makes me angry. I always wanted to be an actor and not a beauty pageant winner.

I'm happiest at home hanging out with the kids... Having a family has been my saving grace because I don't work back to back on anything or I'd drive myself to an early grave with guilt and worry for my family, whom I'd never see.

If I have a look around at the moment I feel great relief because finally others are entering the limelight. Men like Robert Pattinson must now play the Adonis. For me it was always a restraint, a restriction.

In a way it was like washing your laundry in public and, yep, there you go, you've seen my underwear. And now I feel like there's nothing left, you've seen it all and I can get on.

The only film I ever made for money was something called 'Music From Another Room', which I really didn't like.

When you suddenly appear on the scene and you are the new face, everything centers on you. I experienced this in my mid-20s and I found it rather hard.

I suppose I'm intrigued with the bad traits of society, because I'm a part of society, and the bad traits pose the dangerous questions for our future.

Success, and even life itself, wouldn't be worth anything if I didn't have my wife and children by my side. They mean everything to me.

I would never know how to sell myself as a sex symbol. That's not how I'm programmed.

You can't spend your life apologizing.

My only obligation is to keep myself and other people guessing.

There's no regret. You can't regret. I mean, I've felt regret but I've also refused to allow regret to sow a seed and live in me because I don't believe it. You feel it, it's like guilt, it's like jealousy, it's like all those horrible things. You've just got to snip them and get them out, because they're no good.

I don't want to do anything that I'm not passionate about.

We all have times when we go home at night and pull out our hair and feel misunderstood and lonely and like we're falling. I think the brain is such that there is always going to be something missing.

Personally speaking there's only so long you can go from film to film to film. There's an inspiration an actor gets from the stage.

I'm kind of ashamed to be a celebrity. I don't understand wanting to read about other people's dirty laundry. I think celebrity is the biggest red herring society has ever pulled on itself.

I sometimes shy away because I don't want to be too 'showy-offy' but the older I get I think, 'You have a handkerchief, put it in your pocket.'

I was an optimist, a great champion of the human spirit. And I lost that for a time. I feel like I've regained a bit of that in the last few years but there was a period of my life in which I had a very low opinion of people in general.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I have a movie coming out called Spun, which will be at the Toronto Film Fest.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.

And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.

A good film script should be able to do completely without dialogue.