There are wonderful museums with lots of photographs of 1920's musicals.

I would loathe to work on modern films.

I did a film called Dracula and it was very nice because I had lots of trips to New York on Concorde.

Richard Chamberlain on The Slipper and the Rose was lovely to work with. He wore the clothes so beautifully and sang his songs so well.

I liked Live and Let Die, where money was no object.

I saw a very good Hollywood film the other day. It was about Cole Porter.

That's another thing about today's stars that makes me glad that I'm not doing it any more. The stars come with ten people all around them. I don't know how you ever make any personal contact with them.

But with period clothes, people know less so they accept the pretty drawing that I give them.

I didn't know whether I wanted to be an actress or a singer then.

There are wonderful museums with lots of photographs of 1920's musicals.

When you look at Darling and the Oscars, it has to be luck. It was a black and white film and it was the last time that there was a black and white Oscar.

Sometimes the producer has more say and the director takes what he is given. On other occasions, you don't see the producer very much and the director is the one who it is all about.

I don't understand what modern clothes are about at all.

A lot of it, as it is in any job in life, is being in the right place at the right time.

I have to go back to my younger days, when I just adored Hollywood musicals.

John Schlesinger had one of his friends designing it and he had never done a film before. Ten days before it started, they didn't have any costumes. I was rung up and joined up.

I find shoestrings very hard work. I like big budgets.

I don't know much about football but everyone seems to say that it is all about possession.

With the black and white films, one was concerned with tone.

You are lucky that I can't sing tonight because I might get carried away.

God comes to us in theater in the way we communicate with each other, whether it be a symphony orchestra, or a wonderful ballet, or a beautiful painting, or a play. It's a way of expressing our humanity.

The actors nowadays, both young men and young ladies, don't always wear their period clothes as well as they might. They tend to stomp around a bit in them.

I got the boot once from Stanley Donen. The film was called The Little Prince.

I liked The Slipper and the Rose, as I have already mentioned, because it was such a lovely film to do.

I fell in love with Dorset and ended up living there for a while.

You had to make sure that the tone of your dress was not the same tone as the curtains, for instance.

It's nice when you work with someone who has an eye for clothes and will show what you've given them.

I really have a generation gap about modern clothes.

On the speech day, the production designer, who has a lot of say in things, and sometimes I didn't agree with him but I had to do what I was told, wanted the speech day to be all in neutral colours for the women, which was a good thing.

I wish we did have responsibility for the hair. I have been screwed up by the hair on many occasions.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

A great department store, easily reached, open at all hours, is more like a good museum of art than any of the museums we have yet established.

I think there is a new awareness in this 21st century that design is as important to where and how we live as it is for museums, concert halls and civic buildings.

I went to the museum where they had all the heads and arms from the statues that are in all the other museums.

As for pictures and museums, that don't trouble me. The worst of going abroad is that you've always got to look at things of that sort. To have to do it at home would be beyond a joke.

The number of great museums and nonprofits versus the number of corporate headquarters is incredibly out of whack.

I love doing normal things - movies, shopping, going out with friends, writing, reading, taking hot bubble baths - that's a big one for relaxation. I also love to go to art and history museums.

I open events for museums and I do charity work and photography.

Murals in restaurants are on a par with the food in museums.

Since then I have held many jobs at museums in Colorado and Wyoming. I have also taught summer courses at the University of Colorado.

There are wonderful museums with lots of photographs of 1920's musicals.

When I was growing up, my mother would take me to plays and museums, and we'd talk about life. Those times helped shape who I became.

Instead of stubbornly attempting to use surrealism for purposes of subversion, it is necessary to try to make of surrealism something as solid, complete and classic as the works of museums.

One of my major goals is to develop a web of the small Wyoming museums and create a major museum system. There are about eight of these museums, and they are all scattered.

If you're middle aged... where're you going to go to meet someone? You're not going to go to a bar, you're not going to go to a night club; and there are the museums.

Individually, museums are fine institutions, dedicated to the high values of preservation, education and truth; collectively, their growth in numbers points to the imaginative death of this country.

I felt I had to share Idaho with my friend from New York because he'd shared New York with me, so I was going to share the beauty of nature with a man who went to museums and clubs late at night. But there was nothing to do where I lived at night.

I love England though; I've been back a few times and just love it. My favorite thing to do there is going to museums and all the castles. Oh, and my husband and I went mountain biking across England on our honeymoon!

The Smithsonian museums are among this country's most endearing treasures and I look forward to helping maintain and enhance their coveted works of art.