Because our daughters have school and it's just such a hassle going down to New York all the time, we can really only go on the weekends, we kind of... Steve came up here and worked out stuff for the second half of the record.

You know, we have our own audience, and it's not like - they just know we're not going to do certain things.

And then, I was thinking of doing a record just like starting with voice, because I did this one song that was just kind of a cappella, and I did it for this art piece I did where people could come and play music to go with a voice.

But everything has been so gradual that it's sort of all come from, just hard work and basically being at it.

There's only so many small shows you can do. A lot of the smaller things are more side project things. Not everything is appropriate for Sonic Youth to do.

The last two records I liked playing a lot.

Anyone becomes mannered if you think too much about what other people think.

I try not to think too much about what the audience is thinking and what they think I should do.

I see it as more of a teenage activity than, you know, she's only 11, but you know, I think it's great that she knows so many girls who want to play music. And I see it more as a teen activity than I do as going into music.

I just think that playing bass, like punk rock bass with a pick, wasn't meant to be done for 25 years.

I mean, I don't even think of myself as a musician, really.

Unless you're singing something that's kind of in rhythm with the bass, the melodies, it's just difficult.

It's really hard for me to sing and play bass.

Well, it was kind of accidental that Jim started playing with us, although it wasn't sudden... we hadn't really looked around to think who could be a fifth member.

Because our daughters have school and it's just such a hassle going down to New York all the time, we can really only go on the weekends, we kind of... Steve came up here and worked out stuff for the second half of the record.

I have a really hard time writing my own lyrics for this record, because one, I had to write so many and also I was kind of perplexed by the idea of how I was going to sing and play... because at that time, we hadn't really thought about asking someone else.

I just happened to start playing music for the conceptual ideas.

I mean, most of it is probably more obscure and just more noisy than either of those two bands, but Thurston has stuff all the time that he's involved with that is fairly obscure and experimental.

A friend of mine introduced me to Thurston Moore because she thought I would like him. He was playing with the tallest band in the world, the Coachmen. They were sort of like Talking Heads, jangly guitar, Feelies guitar. Anyway, it was love at first sight. His band broke up that night. And we started playing.

Everyone's so interior now, they're not really looking around them. They're on their phones.

I do retweet some of the things that people say about the things I've done, but I don't necessarily want to use it to promote myself because I find that it gets kind of boring. There should just be a whole different site for that. Because it's just kind of boring and gross to use it just self-promotion.

I don't have any desire to do something that sounds explicitly rock. Like, I don't have a burning need to be a rock musician. I feel like I've taken that as far as I can take it, for me.

I don't see myself as a rock star. I don't see myself in that way. I'm interested in work that offers some sort of critical dialogue.

I feel most free onstage. The audience, it's an abstraction. You don't really see anyone out there, but you feel the audience inside you.

I grew up listening to John Coltrane and jazz, so they were subtle influences. I sometimes think about doing some kind of weird jazz record, but I don't know... It's on my list of things to do. I don't want to have to then go promote it.

I like that show 'Ray Donovan' - I'm obsessed with that. He's in Hollywood, he's some kind of a fixer, but he's also kind of a thug. And 'Scandal,' the D.C. one with Kerry Washington.

I like the adrenaline of playing improv - it makes me feel really calm.

I love Northampton. As exciting and glamorous as New York can be, I'm always really relieved to get back there.

I never really thought of myself as a musician. I'm not saying Sonic Youth was a conceptual-art project for me, but in a way, it was an extension of Warhol. Instead of making criticism about popular culture, as a lot of artists do, I worked within it to do something.

I never thought about doing anything other than making art.

I picked up the bass kind of postpunk-style. There's a real art to not learning how to play an instrument and being able to still play it.

I still don't really feel like a bass player.

I think of myself as unconventional, I guess. I maybe always had a problem with authority, like a stubbornness about what's expected - despite wanting to get some recognition through performing - but also not always wanting to do the expected thing.

I try not to think too much about what the audience is thinking and what they think I should do. I'd be self-conscious if I did. Anyone becomes mannered if you think too much about what other people think.

I was very aware of performers who have a persona, whether it's Siouxsie Sioux or Patti Smith or Lydia Lunch, and I'm just this middle-class girl coming from a more conventional upbringing, this California person. But in a way I felt like it's important to represent the normal.

I went to art school, and I wanted to be an artist since I was 5. I basically moved to New York to do art, and I just sort of fell into doing music at an early age.

I'll leave a store if I hate the music. If it's just, like, techno, I feel like my brain is going to explode.

I'm a relatively shy person, but I love being challenged and putting myself in positions that are scary.

I've done art on my own, and I've also collaborated with other people to make art. And collaborating with other people is always interesting because you end up doing things you probably wouldn't do otherwise.

I've never been good with structure - doing assignments for the sake of them or doing things I'm supposed to do.

In rock music, people have certain assumptions that it makes people more enlightened, and it really doesn't.

It is fun to smash guitars.

It's amazing how many things you can do when you're just pretending.

It's hard to say when the life of a band starts and stops... but playing music together is an act of trust. When that's broken, it's impossible to continue.

L.A. prides itself on newness or being the last frontier or just not liking old things and tearing them down to build new things. But Malibu history is interesting to me. My mom's family was one of the early families in California, so there's history going back to the 1840s or '50s.

No one talks about woman power. The Spice Girls - they're masquerading as little girls. It's repulsive.

Part of my desire to play music was because I wanted to escape the art world and the politics of it; the petty gossip-y art world. But you know, I feel like they're both equal forms of expression.

Rap music is really good when you're traumatized.

Sometimes I think fashion is more of a conversation between men than it is for women.