We tune down a full step when we play but I never miss a note. I've learned how to keep my voice.

We tune down a full step when we play but I never miss a note. I've learned how to keep my voice.

I play piano and guitar. Acoustic guitar. I tried studying classical guitar when I was 16 but it got really hard. I could never play a lead to save my life.

God would have to beam into me what I was doing and what the album actually sounded like because usually when I start a project like that, I already know what the album sounds like before I start it.

Good records - from my point of view, where I grew up which was Led Zeppelin and Jethro Tull... bands that were pushing the envelope a little - musically and in production.

I could play everything but could never take a lead. My brain just doesn't work like that.

To actually put the time and energy into an album that would be better than Pull would be a hell of a lot of work, because I took that band really seriously, way more seriously than people took us. If you go back and listen to the records, you can hear it.

The songs were really complicated. I used to meet people in bar bands who were trying to play our songs and they were really struggling with it. Technically it was really difficult stuff.

It's like, on my solo stuff, every single person who buys the record, gets it. On the other stuff, the masses... when you have a hit on the radio, not everyone's going to get it. They are going to buy it for the hit.

I was just going more for what I've always been influenced by, European music.

A producer should only be there to enable an artist to be himself.

I'm a child of the 70's; influenced mostly by albums that had a wide variety of style.

I wouldn't do just a tour, it would have to be an album, and the album would have to beat Pull.

In general, I don't feel artists should need producers.

Throughout the years I have tried to hone my skills to gain mastery over the music in my head.

The main thing is that I've been studying composition for the last four years. I'd say it's the life experience combined with the lessons that enabled me to go much further.

I think it's important to know your limitations too.

Rock stardom and all that stuff like that was never like my main M.O., my main M.O. is musical growth, and if I become a rock star in the process, great!

We were lumped into the Lite Metal radio bands.

I'm not financially insecure anymore either so I don't have to sit there and get on the latest Poison tour just to make money, which is what a lot of them are doing.

I've studied voice from a few different people for years.

As a musician, basically the masses never thought I was a musician.

I'd like to tour, but again, to tour my music now would take a bigger band.

I was really into Black Sabbath, but heavy guitars can really be very limiting, it's a great frequency and it's great fun to listen to but on the other hand, musically you can do a lot more without it.

It's a little bit more like I want to give this to the people that are really into it first - I don't have a lot of desire to be like Bon Jovi or something like that, I really want to concentrate on the music.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

Genius is not a possession of the limited few, but exists in some degree in everyone. Where there is natural growth, a full and free play of faculties, genius will manifest itself.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

If Davis Cup was a little bit less or once every two years, I would be more inclined to play. But the way it is now, it is too much tennis for me.

I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.

If you watch a game, it's fun. If you play it, it's recreation. If you work at it, it's golf.

You have to like the characters you play.

Good directors say, Here's where the play is. They stand by the heart of the matter. Some of them stand beside it.

The value of music is to be able to play one note at the right time in the right way.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

Well, I play Jews and parrots. Parrots are how I've branched out.

We just have to get it going and play hard every time out.

Art is an expression of who you are. Parts that I play are my sculptures.

There is an audience for every play; it's just that sometimes it can't wait long enough to find it.

I'll play it and tell you what it is later.

I wish the Libertarian Party would get more play in the media but they don't.

I don't feel right unless I have a sport to play or at least a way to work up a sweat.