I think in this movie, every time I see his work, I'm blown away by it because he, to me, he really embodied the character so powerfully and so real, so truthfully to me.

After 14 years, it better be a real marriage, you know? We do have a great time together. We are really lucky.

Hollywood is sexist and age-ist, and that covers all the bases, I guess.

I don't know if you're married, but sometimes there are times where one is really together with their partner. And then there are times when you're both just in your own thing, but you're there together.

While it is challenging working with a kid, because they're so of the moment all the time. My acting style is to try to take something from my life that the character can relate to and that I can relate the character to.

I do it because I want to exercise people's compassion and I do it because I really believe that for some reason what I do is important and meaningful.

I think in this movie, every time I see his work, I'm blown away by it because he, to me, he really embodied the character so powerfully and so real, so truthfully to me.

I was very young when we got married and I don't know why it worked out like it did or how I was smart enough to know that this was the right guy, but somehow I got lucky.

Sometimes when you do a part, the wall between you and the characters can be very porous. You can sort of move in and out of your character's persona and being. And that just couldn't happen on this one because of working with him.

I've always been able to let stuff go when I'm done with work.

I feel my job as an actor is to explore all sides of humanity.

It's that I'm 39. I feel hot and sexy, actually... I feel it inside myself. I don't feel dried up and tired and no longer interested in sex is what I'm trying to say.

Whether it be in a small movie or a big movie, I would always be attracted to this role.

Hollywood movies are run on fear and they don't want to make bold choices. They, generally, speaking want to keep things status quo. That's not really interesting for me.

I think it's important to do great work.

I do know that I have to work hard for every single thing that I get, really hard, and that's okay.

Ultimately, you know, I'm a grown-up, I've been in this business a long time. I've got kids. I've got to do my stuff. But I also need to keep it there so I can bring it up again the next day at work or whatever.

I have too much respect for the characters I play to make them anything but as real as they can possibly be. I have a great deal of respect for all of them, otherwise I wouldn't do them. And I don't want to screw them by not portraying them honestly.

You know, I grew up with brothers so I'm used to being the only girl.

Shame is such an intense emotion. It just can drive you.

We do spend time talking about it and we puzzle through it together. We ride the roller coasters together - the high highs and the low lows.

He put a ring in the toe of a stocking. On Christmas Eve, we opened our stockings and it was there at the bottom of the toe. Then he got down on his knees and he was shaking.

Some of the best roles are for women in these independent, smaller movies.

It's not that I don't see myself as hot and sexy. Don't get me wrong. No, it's not that.

I think that certainly my choices empower me.

I can't get hired in a studio movie. Everything is so uphill.

I think it's important to do smaller films because I think that's where a lot of new things are happening.

It's easier in some ways being on the life raft and the other guy's in the boat and you can row alongside and be supportive. In some ways, that's an easier role.

Also everyone's hearts are in the right place when you do a small movie. You're not doing it for the money; you're not doing it for the possibility of an Oscar nomination. You are doing it because you love the material.

But when you're in something together, it's very hard to be objective and you're very subjective.

It's not always thankless. Let's face it - it's not always thankless. I've gotten a lot of really great recognition and I've worked with amazing people.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.