The Western poet and writer of romance has exactly the same kind of difficulty in comprehending Eastern subjects as you have in comprehending Western subjects.

Broad tolerance in the matter of beliefs is necessarily a part of the new ethics.

There is one type of ideal woman very seldom described in poetry - the old maid, the woman whom sorrow or misfortune prevents from fulfilling her natural destiny.

French novels generally treat of the relations of women to the world and to lovers, after marriage; consequently there is a great deal in French novels about adultery, about improper relations between the sexes, about many things which the English public would not allow.

The proverbial philosophy of a people helps us to understand more about them than any other kind of literature.

Accordingly the Northern races of Europe found their inspiration in the Bible; and the enthusiasm for it has not yet quite faded away.

But what is after all the happiness of mere power? There is a greater happiness possible than to be lord of heaven and earth; that is the happiness of being truly loved.

A great many things which in times of lesser knowledge we imagined to be superstitious or useless, prove today on examination to have been of immense value to mankind.

But every great scripture, whether Hebrew, Indian, Persian, or Chinese, apart from its religious value will be found to have some rare and special beauty of its own; and in this respect the original Bible stands very high as a monument of sublime poetry and of artistic prose.

The Western poet and writer of romance has exactly the same kind of difficulty in comprehending Eastern subjects as you have in comprehending Western subjects.

Is woman a religion? Well, perhaps you will have the chance of judging for yourselves if you go to America. There you will find men treating women with just the same respect formerly accorded only to religious dignitaries or to great nobles.

A proof of really great art is that it is generally true - it seldom falls into the misapprehensions to which minor art is liable.

The time of illusion, then, is the beautiful moment of passion; it represents the artistic zone in which the poet or romance writer ought to be free to do the very best that he can.

I often imagine that the longer he studies English literature the more the Japanese student must be astonished at the extraordinary predominance given to the passion of love both in fiction and in poetry.

As a result, the highly civilized man can endure incomparably more than the savage, whether of moral or physical strain. Being better able to control himself under all circumstances, he has a great advantage over the savage.

The great principle of Western society is that competition rules here as it rules in everything else. The best man - that is to say, the strongest and cleverest - is likely to get the best woman, in the sense of the most beautiful person.

In the world of reality the more beautiful a work of art, the longer, we may be sure, was the time required to make it, and the greater the number of different minds which assisted in its development.

Of course, the simple explanation of the fact is that marriage is the most important act of man's life in Europe or America, and that everything depends upon it.

There are two methods for the literary study of any book - the first being the study of its thought and emotion; the second only that of its workmanship. A student of literature should study some of the Bible from both points of view.

To ancient Chinese fancy, the Milky Way was a luminous river, - the River of Heaven, - the Silver Stream.

It is true that short forms of poetry have been cultivated in the Far East more than in modern Europe; but in all European literature short forms of poetry are to be found - indeed quite as short as anything in Japanese.

There was very little suicide among the men of the North, because every man considered it his duty to get killed, not to kill himself; and to kill himself would have seemed cowardly, as implying fear of being killed by others.

One of the great defects of English books printed in the last century is the want of an index.

It is no exaggeration to say that the English Bible is, next to Shakespeare, the greatest work in English literature, and that it will have much more influence than even Shakespeare upon the written and spoken language of the English race.

It has been wisely observed by the greatest of modern thinkers that mankind has progressed more rapidly in every other respect than in morality.

The highest duty of the man is not to his father, but to his wife; and for the sake of that woman he abandons all other earthly ties, should any of these happen to interfere with that relation.

Some persons have ventured to say that it is only since Englishmen ceased to believe in the Bible that they began to discover how beautiful it was.

Perhaps there is an idea among Japanese students that one general difference between Japanese and Western poetry is that the former cultivates short forms and the latter longer ones, gut this is only in part true.

For this reason, to study English literature without some general knowledge of the relation of the Bible to that literature would be to leave one's literary education very incomplete.

At last, in 1611, was made, under the auspices of King James, the famous King James version; and this is the great literary monument of the English language.

But the history of the changes produced by a universal idea is not a history of changes in the individual, but of changes brought about by the successive efforts of millions of individuals in the course of many generations.

Any idealism is a proper subject for art.

The subject of Finnish poetry ought to have a special interest for the Japanese student, if only for the reason that Finnish poetry comes more closely in many respects to Japanese poetry than any other form of Western poetry.

Contemporary literature in the West has shown some signs of ethical change.

Carnival is a butterfly of winter whose last real flight of Mardi Gras forever ends his glory. Another season is the season of another butterfly, and the tattered, scattered, fragments of rainbow wings are in turn the record of his day.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

Divide each difficulty into as many parts as is feasible and necessary to resolve it.

The honest truth is that if this government were to propose the massacre of the first-born, it would still have no difficulty in getting it through the Commons.

A lot of these industries are having difficulty finding reliable workers with the skills they require.

Bad company is like a nail driven into a post, which, after the first and second blow, may be drawn out with little difficulty; but being once driven up to the head, the pincers cannot take hold to draw it out, but which can only be done by the destruction of the wood.

I think the biggest difficulty is that when I'm here in America, there's a necessity of using English, so I really have a great sense of really wanting to learn, but unfortunately when I head back to Japan, the necessity vanishes and so does my enthusiasm about learning.

I'm sure that you could go back and make a graph showing that all the killings of black males increased in times of economic difficulty. As a matter of fact, a black man was lynched last year.

Conquering any difficulty always gives one a secret joy, for it means pushing back a boundary-line and adding to one's liberty.

Let there be no illusions about the difficulty of forming this kind of a national community. It's tough, difficult, not easy. But a spirit of harmony will survive in America only if each of us remembers that we share a common destiny.

The accumulation of skill and science which has been directed to diminish the difficulty of producing manufactured goods, has not been beneficial to that country alone in which it is concentrated; distant kingdoms have participated in its advantages.

For example, in painting the form arises from abstract elements of line and color, while in cinema the material concreteness of the image within the frame presents - as an element - the greatest difficulty in manipulation.

The difficulty of literature is not to write, but to write what you mean; not to affect your reader, but to affect him precisely as you wish.

The mind unlearns with difficulty what it has long learned.

I should point out, however, that at first some difficulty was experienced in observing the phenomena predicted by the theory, owing to the extreme smallness of the variations in the period of oscillation.