It all depends on which side of the desk you're sitting on.

I hate the crazy, neurotic characters beyond a certain point.

I'm a neurotic New York Jew by birth. Creating characters is second nature to me.

I had never really thought of myself as a writer; any writing I had done was just to give myself something to draw.

I've never sat down and thought about the difference between plot and theme. To me, that's never been important.

I was a very sickly kid. While I was in the hospital at age 7, my Dad brought me a stack of comic books to keep me occupied. I was hooked.

In these litigious times, if you're a beginner, it's becoming harder and harder to get your work to the people who might actually be able to hire you.

A true friend is someone who is there for you when he'd rather be anywhere else.

When I'm my own editor, there's very little difference between the first draft and the final. I write what feels right to begin with. I rarely make any major changes.

Sometimes you're not even sure which of your stories were failures. There are things I've written that I thought were complete catastrophes when I finished with them that have gone on to generate some of my most positive feedback.

A writer writes. Period. No matter if someone is buying your work or not.

I've had editors over the years who couldn't find a clue if it was stapled to their butt.

Were there stories I wrote along the way that were terrible clinkers? God, yes. But they were all a product of their time, and I did the best I could.

I think there's something inherently dishonest in trying to go back and mess with the past.

People who were more concerned with themselves and looking good to their readers then they were with the characters sacrificed a series for the sake of a story.

I would like immortality.

When I got my first glimpse of Hugh Jackman as Wolverine, my breath caught. In that single instant, he was Wolverine.

There is an ancient legend which warns that, should we ever learn our true origin, our universe will instantly be destroyed.

I try not to violate what came before me and to leave lots of wiggle room for those who will follow.

I try to find what makes even the worst, most despicable character sympathetic at his or her core.

Lord of the Rings, I think, is far and away the most brilliantly done stuff.

Art is always in the eyes of the beholder. Only posterity has the right to point out our mistakes.

I always wanted to fire rays out of my fingertips.

Unfortunately, there are writers whose only concern is how good they could make themselves look on a title.

What makes a story is how well it manages to connect with the reader, the visceral effect it has.

It's all about who's where on the food chain. When I'm the story editor, I expect my writers to follow my vision. When I'm working for another editor, I'm obliged to follow their vision.

The bottom line always remains the same: What is the basic humanity of the character? How do I make them resonate with the reader?

It all depends on which side of the desk you're sitting on.

When someone writes to tell me something I've written made them laugh or cry, I've done my job and done it well. The rest is all semantics.

In general, shorter is better. If you can encapsulate your idea into a single captivating sentence, you're halfway home.

You can read a dozen different textbooks or how-to manuals that will tell you the basic rules of what makes a story - a beginning, a middle, and an end.

I've always thought of myself as an organic writer, rather than a cerebral one. I feel my way along as I go, hoping I'll get to the place I intend to reach.

I became an art major, took every art class my school had to offer. In college, I majored in Advertising Art and Design.

If a story isn't working, I'm simply unable to finish it. That's what usually tells me something is wrong.

The most unrealistic thing I've ever read in comics is when some group of characters calls themselves the Brotherhood of Evil or the Masters of Evil. I don't believe any character believes their goals to be truly evil.

I realized the only thing I owed my audience was my own judgment and my own best effort.

These days, it seems that if you're not already in place, you can't get there from here.

A friend is someone who is there for you when hed rather be anywhere else.

If you're wearing a Bluetooth thing and you've got that thing on your belt, you are working for somebody else. You are not the guy in charge. That's a really good social status indicator.

Every company has to identify what I call its strategic resources, and make sure that it grabs as much of its strategic resources as possible.

When you're CEO, you have to have two conditions: first, shareholders need to trust you and want you to head your company. The second is that you need to feel the motivation to do the job. So, as long as both are reunited, you continue to do the job.

I've been writing music since I was a teenager. I play keyboards. I'm not much of a player, but I can write. That will come along. I'd like to do a musical.

I am neurotic, but I live with it. I think most people are, anyway.

I enjoy the crafts on the show enormously, too, when we have experts in showing how to make things. You watch them thinking you'll go home and do the things yourself, which is fun. Some I have done myself later on.

I ask people why they have deer heads on their walls. They always say because its such a beautiful animal. There you go. I think my mother is attractive but I have photographs of her.

The gratification of desire is not happiness.

Now all we need is to continue to speak the truth fearlessly, and we shall add to our number those who will turn the scale to the side of equal and full justice in all things.

Business deals are successfully negotiated every day throughout America. The common thread is a mutual desire to reach an accord. And the media business is no different.

No one would argue that it's in the United States' interest to have independent knowledge of the plans and intentions of foreign countries. But we need to think about where to draw the line on these kind of operations so we're not always attacking our allies, the people we trust, the people we need to rely on, and to have them in turn rely on us.