I aim my arrangements at what will fit and colorfully frame the song in the best way possible.

Under my contract with Capitol, I have complete freedom to do just about anything I want in my own way.

You know, they wanted to do a Broadway album and every show was kind of a bomb. There was no music at all.

I'm not an intellectual composer.

Any good music must be an innovation.

I've been down there 6 times and there's nothing like Brazilian percussion.

I don't think the record company is aware of it. Because they just bury my albums and don't release them.

I love doing concert music.

That was when the Spanish came in and conquered the Aztecs. I thought that was a clever thing.

I write emotional music.

I was working all the time I was in college. I was working so much that I could hardly do my college work.

I don't know what the problem with Capitol is. Some one's got to wake 'em up. Prod 'em a little bit.

I did the Broadway album unfortunately in a year when there were no hits.

In a sense, a hit belongs to the person who made it popular, but if a tune is good enough to attain tremendous success, then it certainly deserves more than one version, one treatment, one approach.

I aim my arrangements at what will fit and colorfully frame the song in the best way possible.

Regardless of who originally made it popular, any hit song becomes a challenge to the ingenuity and imagination of other musicians and performers.

Well, that's the secret of commerciality, a simple style and you stick with it.

I don't try to make 15 musicians sound like two each.

I've never believed in cheapening music by going according to what some people think is public taste.

When I want 30 musicians in the orchestra, I get 30.

I just wrote one song at a time. Kinda like an alcoholic. One day at a time.

Then, in that hour of deliverance, my heart spoke. Does not such a country, and such defenders of their country, deserve a song?

If you give it good concentration, good energy, good heart and good performance, the song will play you.

But in the finished art of the song the use of words has no connection with the use of words in poetry.

I guess a good song is a good song is a good song, ya know.

In the past 3-4 years I've developed a habit of keeping numerous small cassette recorders in my house and in a bag with me so that I'm able to commit to tape memory song ideas on a constant basis.

I don't ask for the meaning of the song of a bird or the rising of the sun on a misty morning. There they are, and they are beautiful.

The band set up in January and just started rehearsing. If there was a song, we'd just rehearse it as a band, and it would get arranged as a band, and it got changed around a lot.

Peace Train is a song I wrote, the message of which continues to breeze thunderously through the hearts of millions of human beings.

I love listening to Radio Head's 'Everything in its Right Place' because it's all major chords, it makes you feel really good. It's soothing, it's got a beautiful voice, crazy textures. When I'm down I listen to that song and it really makes me feel good.

I've always wanted to sing, just as I've always known that one day I would have my own niche in the annals of song. It was a feeling I had.

I have eighteen titles in the German language. I had a number one song in 1965.

Listen kid, take my advice, never hate a song that has sold half a million copies.

There's a lot of rage... you have to express it somehow. If I didn't express it in song, I'd become incredibly violent.

I do not mind having written the song at all. I just wish that I had written it in a different key, as the high d is hard to play. I am glad that I wrote something that brought joy to millions of people.

It's like, it's up to the people to fall in love with the song. The record company can only do so much.

People assume that the meaning of a song is vested in the lyrics. To me, that has never been the case. There are very few songs that I can think of where I remember the words.

I guess you could write a good song if your heart hadn't been broken, but I don't know of anyone whose heart hasn't been broken.

A song has to become as much a part of you as a tailored suit.

A so-called happy marriage corresponds to love as a correct poem to an improvised song.

Most musicians count at the beginning, and never count and talk to their musicians after that. They only talk to them at the end of the song. But I would count with them and talk.

In an age of incompetence, I've been able to last in this crazy business. I actually know how to play my ax and write a song. That's my job.

The only thing that's a little tricky about it is sometimes people assume that if it's a new song, it's a reflection of what you're feeling or going through now.

When I write a song, it's all about the riff - the riff first, then the words come later.

There's not one Tin Pan Alley song on my record.

Song Sung Blue took a lot of compressing and refining, and it has one of my favorite lyrics.

The Siren waits thee, singing song for song.

Each member does whatever they want with the song and it totally changes it from whatever idea I hear around it. It turns it into a Sonic Youth song and completely away from it being a solo song.

People get passionate about a song. It's been my experience if you put out radio candy, something commercial, it doesn't sell records.