I seemed to belong to three countries: I had an apartment in Paris, a house in Hollywood, and when I married British theater director Peter Hall, I moved to London.

I went to the Tokyo Film Festival in Japan because I love Japanese cinema.

I hate biographies which say, I was called to such and such an office, and he offered me so and so, and I got so and so money. I find that very tedious. The best biographies are written by other people.

Cinema will always have an important role to play in society.

I think it's the end of progress if you stand still and think of what you've done in the past. I keep on.

When I did small films like Lily and Buenos Vista, everyone thought my career would be ruined.

I went to Kerala in India, to learn Ayurveda, which was fantastic.

I regret not doing a film that I was offered with Clark Gable because the script was not good enough.

Fred Astaire was a more formal, trained dancer who loved waltzing and only danced with the girls.

The studio system collapsed only when Elizabeth Taylor charged $1 million for Cleopatra.

It's very difficult to marry into another civilization.

I seemed to belong to three countries: I had an apartment in Paris, a house in Hollywood, and when I married British theater director Peter Hall, I moved to London.

It's the first film that I made where the director was not present under the camera, and it threw me.

We were all ruled by the studio system. I signed a contract for seven years.

I had two children. I had a nanny to manage my kids.

The most important thing is to remain active and to love what you are doing.

You have actresses like Meryl Streep and Julia Roberts, who have roles specially written for them.

I was trying to be very at ease in this arrogant person, and very worldly, but something human came into the part. I hate to say that. I wanted to be totally worldly.

I know a lot of Americans in Paris who have married Frenchmen. They keep bringing up their experience, the clash of civilizations, the clash of personalities.

There were many good actresses in my time like Jane Powell and Debbie Reynolds, but I was the only dancer.

James Ivory comes close to the actors for the first rehearsal. He more or less lets you direct yourself and then will only correct you if he finds it incorrect.

I got as little as a $75 a week when I started.

The American is wholeheartedly for love and romance at any cost.

No matter what you do, your person comes through. You can't completely change yourself on the screen. I had in mind someone colder and more in control, but I couldn't do it. This human note just crept in and maybe it's better.

I toured the Middle Eastern countries with the ballet.

I longed to break out of the system and do different roles.

In order to have great happiness you have to have great pain and unhappiness - otherwise how would you know when you're happy?

We all respect sincerity in our friends and acquaintances, but Hollywood is willing to pay for it.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

I've always thought John Travolta is one of the greatest movie stars Hollywood has ever produced.

It could be my downfall, but I don't think it is - Hollywood is run on perception, and if you stray off the path of what you want to do with your career, it's suicide.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

Growing up in Hollywood it seemed like every kid was the child of some star. We had no idea that other people would think we were special, because there was no other lifestyle to compare it to.

I remember having to take detours around the Hollywood sign to avoid having to see this grotesque poster of myself on Sunset Boulevard.

Hollywood is kind of a bad world.

It's so crazy in Hollywood.

I don't think I ever understood Hollywood.

I came across awful characters when I got some kind of status and came to Hollywood. Then you have directors trying to sleep with you, assuming that you will do things because of the way you dress.

Hollywood is sexist and age-ist, and that covers all the bases, I guess.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

Hollywood today is all about being consistent. All thinking in mainstream film business takes place in one box.

Everyone is treating it like a Hollywood story. In Madison, it's a neighborhood story.

Hollywood is what you make it; you have to choose company with care because you become what they are.

Hollywood is a world all its own.

Silence is the sure sign that you're on your way out in Hollywood.

What is the thing that Hollywood demands most? Sincerity. No place in the world will pay such a high price for this admirable trait.

If you can believe it, Hollywood wanted to change my birthdate. I was born after Valentine's Day, so they wanted to change it to February 14. A Latin lover should be born on Valentine's Day. I said no.

In Hollywood if you are not working, you are a leper. True, you are probably living in the most expensive leper colony in the world.