We all love musical architecture; there's no doubt about that.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

Drums just always sounded like the most fun part of that good music for me.

The Band never really played big concert tours. We never sold millions and millions of albums.

I was in high school, trying to get out of high school. The only thing slowing me up was grades.

I never subscribe to the stay-at-home policy. I'm not sick of the road or sick of eating in good restaurants around the country. I like to travel.

I've had all the lessons I could get. I've learned from everybody I've ever met.

The way to do it is to put as much life into the song as I can. You can either get it to breathe or you can't.

Good times don't last long sometimes.

I like to get within handshaking distance of the crowd. If it happens, they know it, we know it, and that's all we came here for.

The Jungle Bush Beaters didn't last too long as a group, but we had a pretty good time while we did.

The rock star stuff never came up for us. The Band was never attacked by groupies before, during or after any show that we ever played.

Well, somebody's got to sing. They won't hire you unless you sing.

Don't we all want what's best for each other?

A friend of mine took me to Memphis advised me that I should get in the musicians' union. He gave me a set of drums and said, Stay on the job, son.

I love horns, and the bigger the band, the better it sounds to my ear.

Most of our stuff was trial and error. You live with a tape recorder, you turn it on, you play the song and you listen to it.

Forever Young, by Dylan, is one of my favorite songs.

With horns and a full rhythm section, the drums always looked like the best seat in the house.

We all love musical architecture; there's no doubt about that.

Lord, when the song wants to pick up and go a little faster towards the end, it's hard for me to resist.

If you pour some music on whatever's wrong, it'll sure help out.

By the time The Band did The Last Waltz, the chemistry had changed, and it wasn't a thrill anymore to live that studio kind of life.

I like walking on the edge.

There were no rules, other than that the song should sound good and be fun to play.

When the second record came out, they started calling it The Band. I voted to call it The Crackers. I'm no fool.

My dad and I played music. He teaches me a song or two every time I'm home.

Drums usually seem to tune themselves.

I don't fool with a lot of things that I can't have fun with. There's not much reward in that.

If things are going slow, I'm itchy.

I played some Yamaha drums that I like a lot. And I like the Yamaha people a lot too. They've been really nice to me and The Band.

Anytime I switch to another instrument, I immediately turn it into another kind of drum so that I can understand it better.

The crowd is just as important as the group. It takes everything to make it work.

Conway Twitty was always our local hero while I was growing up. He had a series of good bands. I wanted to sit in, if Conway would let me. And he did a couple of times.

If you feel like you're getting into a rut with a song, a night off usually fixes it.

We're all dealt with the same hand here, so to speak. I feel like I've had it a lot better than most people. I've had the opportunity to travel and play music all my life.

You can either make it come around or you can't. By the time we would be ready to record a song, we would know for sure that it was the best way we could do it.

Dad and mom would have preferred that I be a doctor, a lawyer, a scientist, or a great humanitarian.

I don't think I'm a millionaire, but I'm comfortable.

I've always thought it was easier for girls to sing harmonies because their voices can go to that higher plane so much more easy than a male voice.

With horns and a full rhythm section the drums always looked like the best seat in the house.

In addressing a task, one almost always has several possible options, sometimes only a few, and they may all be practical and functional. But they lack the aesthetic aspect that raises it to architecture.

People can inhabit anything. And they can be miserable in anything and ecstatic in anything. More and more I think that architecture has nothing to do with it. Of course, that's both liberating and alarming.

The organizational architecture is really that a centipede walks on hundred legs and one or two don't count. So if I lose one or two legs, the process will go on, the organization will go on, the growth will go on.

The intellectual architecture means focusing on doing great work instead of focusing on agency politics.

Architecture is not an inspirational business, it's a rational procedure to do sensible and hopefully beautiful things; that's all.

The new architecture of transparency and lightness comes from Japan and Europe.

Every man's work, whether it be literature, or music or pictures or architecture or anything else, is always a portrait of himself.

All architecture is great architecture after sunset; perhaps architecture is really a nocturnal art, like the art of fireworks.