There is another interesting paradox here: by immersing ourselves in what we love, we find ourselves. We do not lose ourselves. One does not lose one's identity by falling in love.

Anybody can put things together that belong together. to put things together that don't go together, and make it work, that takes genius like Mozart's. Yet he is presented in the play Amadeus as a kind of silly boy whom the gods loved.

Most artists have experienced the creative block. We get stuck in our work. We beat our head against the wall: nothing. Sometimes, it is because we are trying something at the wrong time.

Personality is essential. It is in every work of art. When someone walks on stage for a performance and has charisma, everyone is convinced that he has personality. I find that charisma is merely a form of showmanship. Movie stars usually have it. A politician has to have it.

It is the element I miss in electronic music - no performance, no loving immersion. Maybe that is why I was never particularly drawn to electronic music.

When I went back to visit my native Berlin after World War II, I noticed that the only thing I really remembered from my childhood Berlin days is the shoe store.

I strongly suggest that we play down basics like who influenced whom, and instead study the way the influence is transformed, in other words: how the artist made it his own.

Most people think an artist tries to be original, but originality is the last thing that develops in the artist.

The fact that Stravinsky used the classics as a major influence is obvious. What is interesting is how he used them, how he turned Bach into Stravinsky.

To understand Mozart's contradictory qualities would indeed be to understand genius.

Any creator owes a debt to past creation.

Yes, influences are enriching, and they can be found in every work of art, even the most original.

Great music does not just make me feel good. It means something. It makes us understand. It makes us happy.

I still do not know where the notes will come from when I accept a commission for a new work.

If one uses music that one does not really love, then one will not succeed in making it one's own.

That is why the analogy of stealing does not work. With a thief, we want to know how much money he stole, and from whom. With the artist it is not how much he took and from whom, but what he did with it.

The best way to investigate the elusive phenomenon called the creative process may well be to target all the misconceptions, to explain what the creative process is not.

To come to grips with creativity, I must ask creative, adventurous questions - the kind which, in all likelihood, cannot be answered.

The creative act is like writing a letter. A letter is a project; you don't sit down to write a letter unless you know what you want to say and to whom you want to say it.

It is obvious that anything a scientist discovers or invents is based on previous discoveries and inventions. The same applies to the arts.

There is another interesting paradox here: by immersing ourselves in what we love, we find ourselves. We do not lose ourselves. One does not lose one's identity by falling in love.

To me, Mozart is our Shakespeare, the one who wrote the most dramatic, psychologically most baffling music. He combined ideas that no one else would have thought of putting together.

Truth implies meaning.

Since age seven, I've been composing and have never stopped composing, yet, the creative process is as elusive to me as it has ever been.

My students frequently ask what their next project should be. My advice: immerse yourself in the music you love and you will find what you want to do; you will discover your next project.

Why do we pigeonhole and label an artist? It is a sure way of missing the important, the contradictory, the things that make him or her unique.

Mozart wrote so many works in his thirty-five years that it would take a lifetime just to write out the notes. We literally do not know how he did it.

Truth is a big concept.

For years that may mean imitation. Then, one day, it is like a door opening, and a new thought comes in. Why not try this instead. Suddenly he is doing something original, almost in spite of himself.

As I sit down and start to work, I often panic. I stare at the empty piece of music paper. How can I say that my piece will be ready for performance next January when I do not have a recipe for making it happen?

In the nineteenth century the more grandiose word inspiration began to replace the word idea in the arts.

I don't dare postulate about science, but I know that it takes both emotion and intellect in order for art to happen.

I grew up with art from the innocent age of ten - with art, but with no sense of identity.

When you break up, your whole identity is shattered. It's like death.

MSNBC got some very good people. They've got a good-looking set. All They're first-class. Somewhere along the way, they kind of lost their identity as a news channel, and they started doing a lot of other sort of magazine-type programming.

I knew an actor's career goes up and down and back up again. Your standing in this business can't be your whole identity; otherwise, you're doomed.

Narrative identity takes part in the story's movement, in the dialectic between order and disorder.

As I look back over my life, before I had any real identity, I was a traveler. I grew up an Army brat, a runaway, an activist, and a musician. All my life I've been traveling.

Vietnamese must be made to feel that they are racial inferiors with no right to national identity.

Every piece has its own identity which we develop by the rule 'We know no limits.' We follow the inspiration of the moment and don't worry if what we're playing is alternative, progressive or fusion rock.

We say we want to create beauty, identity, quality, singularity. And yet, maybe in truth these cities that we have are desired. Maybe their very characterlessness provides the best context for living.

As problems like identity theft become more prevalent, now more than ever, Americans need to take their financial health seriously - and this information is of the utmost importance.

Identity theft involving these cards is a growing form of white collar crime, facilitating illegal immigration, banking and accounting fraud, tax evasion, and other nefarious activities.

Against the dark background of this contemporary civilization of well-being, even the arts tend to mingle, to lose their identity.

After that I couldn't show my face outside. I lost my identity and balance. I was still living with my parents, and they were my only friends. For so many people, this thing with the nurse was confirmation that I must be mad or mentally ill.

When you're in a band that's so big when you're young, you kind of lose your identity a little bit. You just become part of the band. I just needed to get away from it.

From the equality of rights springs identity of our highest interests; you cannot subvert your neighbor's rights without striking a dangerous blow at your own.

Social Security Number Cards by themselves were never intended to be personal identity documents because they cannot confirm that a person presenting a card is actually the person whose name appears on the card.

Let me say that the path I did take for a brief period of my life was not of reckless drug use, hurting others, but it was a path of quiet rebellion, of a little experimentation of a darker side of my confusion in a confusing world, lost in the midst of finding my identity.