A low budget is uncomfortable.

This was basically the first time I got to act in action scenes, with things blowing up all around me. It sounds corny, but I think every actor would like to - at least once in his or her career - play the person who saves the entire world.

It's cool to play a sinister bad guy who also has a human side.

Material Girls was so different for me, I'd never done a teen movie.

It was a wonderful experience to work with Sylvia. She pushed me to be more powerful with my acting, and she told me scores of the most incredible stories I've ever heard. She is amazing.

I also couldn't pass up the opportunity to be in the same movie as Jack Nicholson and Glenn Close.

A low budget is uncomfortable.

In choosing any role, I ask the same questions: what kind of part is it? is the role challenging? does the director have a vision? is the story moving? etc.

On a low-budget film, you don't have all the luxuries.

I was in Kansas for about a month, and we worked most of the time in a very small town, so it felt like the production basically took the whole town over. In a way, we were the Martians in Kansas.

Balancing my film career and my music will be something I'm just going to have to deal with, as it happens. I think I can balance it out; the choices will probably be pretty clear. If there's a movie I just have to do, I will work the music around it.

I like both music and acting, and they both have a lot in common - timing, immediacy, stuff like that. But acting is more regimented. You wait around for hours, you don't get to write the script, you get hired. Music represents me better. I'm not acting; I'm just expressing myself.

I love seeing people having fun. Everyone over in L.A. is too cool for it. That's the problem.

I'm remixing an R.E.M. track called 'I've Been High' from their last album, 'Reveal.' It's a beautiful song, but record execs didn't put it out as a single because it didn't sound like the R.E.M. we're used to. So I asked Michael Stipe if I could have the tapes to do a remix, and he agreed.

I've been into music for a long time. I started playing drums when I was 8 and piano when I was 10, then bass and guitar when I was 18.

I've built an 8-track studio in my house that's virtually identical to what they used at Abbey Road, and I also own the 16-track set-up that Led Zeppelin used to record 'Houses of the Holy.' I'm interested in producing, but I'm mostly recording my own stuff.

I've had offers to sign a record deal, but the people I've talked to have wanted to package me and have me meet with songwriters who've written stuff for Whitney Houston, that sort of thing. That's not at all my style.

One day when I was like 9, I heard the Beatles on the radio, and I asked my dad who they were. He told me they were the best band in the world, and I became obsessed. He started giving me their albums in sequential order, and I listened to them - and only them - until I was probably in high school.

In reality shows, you have to perform once and prove yourself, and after that, it is a process to prove yourself every day.

The American Dream, the idea of the happy ending, is an avoidance of responsibility and commitment.

There's tons of creative people in television that have one failure after another, and they just step up higher. I could never get over that. When I had a failure, there was no such thing as just getting over it.

The biotech game is quickly changing. The people must demand their use of these treatments.

When I come up against the real world, I just vacillate.

My purpose is to make films that will help people to live, even if they sometimes cause unhappiness.

Three coaches at Notre Dame made a big difference in my life, not that I played any football when I attended Notre Dame. But Frank Leahy, Ara Parseghian, and Lou Holtz - they all made a difference to me, and I respected them for their attitudes about life and how they handled loss.

My mum - and my granny and I - would close the curtains, turn on the TV and snuggle up and watch 'Come Dancing.' It was actually my granny who was the biggest fan; she loved the show, and she passed on her passion for it to me. I loved the dancing but also the frocks and the glamour.

Dont doubt me because thats when I get stronger.

Blessed be God, that we live in these latter times - the latter times of the reign of darkness and imposture. Great is our privilege, precious our opportunity, to cooperate with the Saviour in the blessed work of enlarging and establishing his kingdom throughout the world.

freedom only gives you something to be sorry for.

I've never been that confident. I don't tend to think, swaggeringly, 'I'm going to ace this.' It's just not who I am.

Unfortunately, I never knew my father and when I did, it was very briefly.

Remember, a line cannot exist alone; it always brings a companion along. Do remember that one line does nothing; it is only in relation to another that it creates a volume.

When I look back at the way that I was in that documentary I cringe.

It is not just for a few states to sit and veto global approvals.

Music is a unifying force.

I never thought that one day that this NAS Jax would be the center of aviation excellence in the Southeast and from pole to pole.

A girl who is interesting and educated and can spark conversation - I find that extremely sexy.

The result of long-term relationships is better and better quality, and lower and lower costs.

During Breaking The Waves, I was on my own in a hotel room. I think I would have been impossible to live with. When you go home, you have to pretend to be the person you are at home.

The only thing I want to think about the moments before a race is competing. I don't want the little things to distract me.

I don't want you to think that I'm up late reading a stack of Spider-Man comics and eating a tray of lemon cookies while sucking my thumb. I'm not doing that. But I am loyal to the influences of my childhood.

The world is going on a high-speed connection; the Arab revolution is still dial-up. So we have to give it a little time to download. Regimes come and go, but art endures.