I don't want to be in some big beautiful place that nobody want me, because I play the blues.

The blues is the foundation, and it's got to carry the top. The other part of the scene, the rock 'n' roll and the jazz, are the walls of the blues.

I've been waiting for that bright sunshine to show up and shine in my back door someday.

In the blues, it just takes so long for us to get recognized.

I don't want to be in some big beautiful place that nobody want me, because I play the blues.

But let's face it, I still have to look at my self and look at the things I've done down the stretch.

In the States, it takes you a lifetime just to get from Chicago's South Side to the West Side.

So I cut out all the drinkin' and hangin' out and stuff like that early on.

Before I left, I opened a lot of doors for a lot of people to play the blues.

And I can do the rock clubs if I have to.

But you know, I still had a dream of being able to go back home and tour.

I think I'm the most positive guy still going in my generation, and I'm out there to prove that.

But I did that, and I created another blues scene, another something I can sing about.

But there was not a job that could say that Luther Allison didn't do his job.

I mean, look how many musicians have come through and played beside me, and I'm workin' and they're not.

I focused on how these people became how they were.

We played the same thing in Europe we played in the States.

I have as much input to the blues; I just never got the chance, the opportunity or maybe the respect.

I look in music magazines now and see things on Luther Allison, and my name's getting out there more, thanks to all the good people at Alligator Records and at my management company.

When I got to Chicago I had to find my way.

I want people to recognize Luther Allison when I play.

But my big thing was always the blues.

Well, I've had to deal with everything in my life... leavin' the family, learnin' what not and what to do.

I want to play in a place people want to hear me.

What I want to do, is play music for somebody who believe in me.

Me being a skinny guy, I could crawl into the steel pit.

Well, I first started going to Europe in the late '70s.

Buddy Guy finally got a break and made it. And Buddy Guy deserves it.

But I never had that commercial opportunity to be played on the radio, so how could I be popular?

I had the qualifications, but I was not chosen.

The blues is the foundation and its got to carry the top. The other part of the scene the rock n roll and the jazz are the walls of the blues.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

Genius is not a possession of the limited few, but exists in some degree in everyone. Where there is natural growth, a full and free play of faculties, genius will manifest itself.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

If Davis Cup was a little bit less or once every two years, I would be more inclined to play. But the way it is now, it is too much tennis for me.

I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.

If you watch a game, it's fun. If you play it, it's recreation. If you work at it, it's golf.

You have to like the characters you play.

Good directors say, Here's where the play is. They stand by the heart of the matter. Some of them stand beside it.

The value of music is to be able to play one note at the right time in the right way.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

Well, I play Jews and parrots. Parrots are how I've branched out.