It's been a long time since I've written old-fashioned sword and sorcery; I'm hoping it's like riding a bicycle.

I've read short stories that are as dense as a 19th century novel and novels that really are short stories filled with a lot of helium.

A good short-story writer has an instinct for sketching in just enough background to ground the specific story.

One of my great passions is the collection of historical trivia.

For me, writing a short story is much, much harder than writing a novel.

Neophyte writers tend to believe that there is something magical about ideas and that if they can just get a hold of a good one, then their futures are ensured.

My writing has to support more than my research habit, but I love to curl up with a book about some dusty corner of history.

It took me about 12 years to reach my million-word mark. The challenge now is to continue to challenge myself.

I'm a writer first and an editor second... or maybe third or even fourth. Successful editing requires a very specific set of skills, and I don't claim to have all of them at my command.

It's been a long time since I've written old-fashioned sword and sorcery; I'm hoping it's like riding a bicycle.

There is nothing that compares to an unexpected round of applause.

I'm not constrained by being a genre writer. Any story I can imagine, I can cast as a fantasy novel and probably get it published.

I write sets of books, but I've also written a lot of orphans.

Editors of open anthologies actively seek submissions from all comers, established and unknown. They are willing to read whatever the tide washes up at their feet.

Ideas aren't magical; the only tricky part is holding on to one long enough to get it written down.

No one uses a ribbon typewriter any more, but your final draft is not the time to try to wring a few more sheets out of your inkjet cartridge.

Short-story writing requires an exquisite sense of balance. Novelists, frankly, can get away with more. A novel can have a dull spot or two, because the reader has made a different commitment.

When I'm not writing or tweaking my computer, I do embroidery. When I'm not plunging into the past, tweaking, or embroidering, I'm reading books about history, computers, or embroidery.

When I have an idea, it goes from vague, cloudy notion to 100,000 words in a heartbeat.

It's possible to become so comfortable with one's style and structure that one ceases to grow.

The money can be decent, but I really don't recommend the work-for-hire route as an entry into publishing. Too many things can go wrong.

Once you've invested hundreds of hours in creating a coherent universe, your story's grown to around a half-million words and can't be written as anything less than a trilogy.

I'm dense when it comes to discouragement.

I'm one of those writers who, when writing, believes she's god-and that she hasn't bestowed free will on any of her characters. In that sense there are no surprises in any of my books.

That bedrock faith that I could write was what blinded me to attempts to discourage me.

I think my prose reads as if English were my second language. By the time I get to the end of a paragraph, I'm dodging bullets and gasping for breath.

I'm always trolling for trivia.

During the many centuries that magic, here on this planet, was presumed to have worked, there were at least as many theories as to how magic worked as there were cultures and religions.

I do have a small collection of traditional SF ideas which I've never been able to sell. I'm known as a fantasy writer and neither my agent nor my editors want to risk my brand by jumping genre.

If you write, one of the questions you're always trying to answer is, Where do you get your ideas? And, if you write, you know how pointless a question this is and how difficult it is to answer.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The Ancient Mariner would not have taken so well if it had been called The Old Sailor.

If we're not on them, they go back to their old ways.

If you want to grow old as a pilot, you've got to know when to push it, and when to back off.

Generally students are the best vehicles for passing on ideas, for their thoughts are plastic and can be molded and they can adjust the ideas of old men to the shape of reality as they find it in villages and hills of China or in ghettos and suburbs of America.

In those days, when you got boxed, that was it. A lot of old people were there because somebody wanted the farm. It was about property. People are treated like property.

I think people feel starved of nice, glamorous entertainment. They want to see costumes and gaiety and a singer; old-fashioned entertainment - it won't die easily.

Not that I wouldn't have been equally happy to see the old buddies and see it all start up again that way. But this was more of a work situation, and a very good one.

Yippee! I can't believe I made it. It feels like a long haul to get here. I'm so fine with it. People want you to have some sort of breakdown, but I'm relieved to be 40 years old, and I've lived a life.

There is a contest old as Eden, which still goes on - the conflict between right and wrong, between error and truth. In this conflict every human being has a part.

I was on TV for almost sixteen weeks during American Idol. It's at the point now where it's old.

I'm not an old, experienced hand at politics. But I am now seasoned enough to have learned that the hardest thing about any political campaign is how to win without proving that you are unworthy of winning.

Land began to be seen as something to be owned privately and exploited for private interests, and never was entirely reconciled with the old ideas that land should be utilized in common for the good of all.

I like to take pictures of lots of things: people-such as my nephews, my dogs, and just interesting objects that I see. For instance, I might take a picture of flowers by the side of the road, an old sign or a fence.

I was in the game for love. After all, where else can an old-timer with one leg, who can't hear or see, live like a king while doing the only thing I wanted to do?

So the old Copenhagen interpretation needs to be generalized, needs to be replaced by something that can be used for the whole universe, and can be used also in cases where there is plenty of individuality and history.

For me, the great problem growing up in England was that I had a very narrow concept of what God can be, and it was damn close to an old man with a beard.

Our society must make it right and possible for old people not to fear the young or be deserted by them, for the test of a civilization is the way that it cares for its helpless members.

I would not be gotten into a schoolhouse until I was eight years old. Nor did I accomplish much after I started. I doubt if I had gone to school six months in all when my father died. I was fourteen at the time.