Discretion is not the better part of biography.

There is something dark and wintry about the atmosphere of the later Middle Ages.

In sheer genius Pascal ranks among the very greatest writers who have lived upon this earth. And his genius was not simply artistic; it displayed itself no less in his character and in the quality of his thought.

Though, with the ascendancy of Louis, the political power of the nobles finally came to an end, France remained, in the whole complexion of her social life, completely aristocratic.

English dramatic literature is, of course, dominated by Shakespeare; and it is almost inevitable that an English reader should measure the value of other poetic drama by the standards which Shakespeare has already implanted in his mind.

When Louis XIV assumed the reins of government France suddenly and wonderfully came to her maturity; it was as if the whole nation had burst into splendid flower.

In the literature of France Moliere occupies the same kind of position as Cervantes in that of Spain, Dante in that of Italy, and Shakespeare in that of England. His glory is more than national - it is universal.

With a very few exceptions, every word in the French vocabulary comes straight from the Latin.

When the French nation gradually came into existence among the ruins of the Roman civilization in Gaul, a new language was at the same time slowly evolved.

In pure literature, the writers of the eighteenth century achieved, indeed, many triumphs; but their great, their peculiar, triumphs were in the domain of thought.

Unlike the majority of the writers of his age, La Rochefoucauld was an aristocrat; and this fact gives a peculiar tone to his work.

Discretion is not the better part of biography.

During this earlier period of his activity Voltaire seems to have been trying - half unconsciously, perhaps - to discover and to express the fundamental quality of his genius.

Ignorance is the first requisite of the historian - ignorance, which simplifies and clarifies, which selects and omits, with a placid perfection unattainable by the highest art.

The history of the Victorian Age will never be written: we know too much about it.

The old interests of aristocracy - the romance of action, the exalted passions of chivalry and war - faded into the background, and their place was taken by the refined and intimate pursuits of peace and civilization.

The genius of the French language, descended from its single Latin stock, has triumphed most in the contrary direction - in simplicity, in unity, in clarity, and in restraint.

Modern as the style of Pascal's writing is, his thought is deeply impregnated with the spirit of the Middle Ages. He belonged, almost equally, to the future and to the past.

The stability and peace which seemed to be so firmly established by the brilliant monarchy of Francis I vanished with the terrible outbreak of the Wars of Religion.

Englishmen have always loved Moliere.

How far the existence of the Academy has influenced French literature, either for good or for evil, is an extremely dubious question.

But Racine's extraordinary powers as a writer become still more obvious when we consider that besides being a great poet he is also a great psychologist.

The amateur is very rare in French literature - as rare as he is common in our own.

Geography is about maps, but biography is about chaps.

Biographies are but the clothes and buttons of the man. The biography of the man himself cannot be written.

In writing biography, fact and fiction shouldn't be mixed. And if they are, the fictional points should be printed in red ink, the facts printed in black ink.

We have escapist fiction, so why not escapist biography?

No great man lives in vain. The history of the world is but the biography of great men.

Biography lends to death a new terror.

But for a few phrases from his letters and an odd line or two of his verse, the poet walks gagged through his own biography.

I'm an avid biography reader.

Biography - a system in which the contradictions of a human life are unified.

I have had the unfortunate experience of having someone write an unauthorised biography of me. Half of it is lies and the other half is badly written. My feeling is that if I'm going to write my life story, I ought to have my life first.

I became quite taken over by Johnson's personality at some points while writing the biography, and since I went straight on to The Closed Circle afterwards, I did sometimes feel I could hear him whispering in my ear while I was working on it.

I never wanted to do biography just to tell the life of a famous man. I always wanted to use the life of a man to examine political power, because democracy shapes our lives.

I suppose I'm proudest of my novels for what's imagined in them. I think the world of my imagination is a richer and more interesting place than my personal biography.

I had no expectation that the Prince would offer me the unprecedented and unfettered access to the original and entirely untapped sources on which this biography is based.

This is the best biography by me I have ever read.

I read everything: fiction, history, science, mathematics, biography, travel.

The Holocaust is a central event in many people's lives, but it also has become a metaphor for our century. There cannot be an end to speaking and writing about it. Besides, in Israel, everyone carries a biography deep inside him.

Perfect objectivity is always impossible, no matter who writes a person's biography.

Discretion is not the better part of biography.

I am a huge admirer of Elizabeth I, and this intriguing biography gives a wonderful picture of the era.

Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.

It is also one of the pleasures of oral biography, in that the reader, rather than editor, is jury.

The art of biography is different from geography. Geography is about maps, but biography is about chaps.

Mills insisted that a sociologist's proper subject was the intersection of biography and history.

I'm narrating the television series Biography. I'm still involved in my music - I have a new album out. I have an animated project in development. I'm writing a lot of things and you never know if one of them is going to become a six or seven year project.

I just love biography, and I'm fascinated by people who have shifted our destinies or our points of view.