It wasn't a problem for me drawing humans although I had originally come to the studio with the idea that what I had to offer them was my knowledge in the drawing of animals.

I joined Walt Disney, went to work, December 2nd 1935, so obviously, I'm not too young!

Yes, the first job I had at the studio was Snow White. I don't like the term particularly, but I got stuck with the human characters. They just didn't have that many people who could draw humans.

Animation had been done before, but stories were never told.

Before I got through high school I had attended 22 different schools. In the time before I was well acquainted with the latest school, I would amuse myself by drawing and found that I was pretty good at it.

Throughout my career, when I was finished with the drawing for one film I would go up to the story department and help develop sequences. Sometimes these were for scenes that I would animate later on.

Some of these sketches were done at the very beginning of the Pirates project, when I was trying to find a direction for myself. That was the early sixties... maybe 61 or 62.

What we were in on, really, was the invention of animation.

Disney had made such a great deal of money on Snow White that the banks gave him the go-ahead on the next three films. But he was heavily dependent on the foreign market.

Drawing is giving a performance; an artist is an actor who is not limited by the body, only by his ability and, perhaps, experience.

My father was something of a rainbow-chaser.

It wasn't a problem for me drawing humans although I had originally come to the studio with the idea that what I had to offer them was my knowledge in the drawing of animals.

His feeling was the name Walt Disney represented all of us. Walt was hanging by his teeth financially and really I think he was for most of his career. Not at all like today.

There is something I feel when I animate something; you can never really understand the character you're animating unless you've had the opportunity to turn it around. Once you've done that, you know it is a three-dimensional object.

The first professional training I received of any kind was when I was 14 years old and we were in Kansas City, Missouri. I attended the Kansas City Art Institute for one summer.

Later, my father died up in Marysville. So, my mother and I got in the car and came down to Hollywood.

I had some connections from the newspapers that I did work with up there, so there was a newspaper publisher in Hollywood, and they promised me work and so on.

At that time, the people that were in the animated film business were mostly guys who were unsuccessful newspaper cartoonists. In other words, their ability to draw living things was practically nil.

Drawing is giving a performance an artist is an actor who is not limited by the body only by his ability and perhaps experience.

Man has done a lot to make himself dangerous and animals get the worst of all of it. But then, man too is an animal.

Biology will relate every human gene to the genes of other animals and bacteria, to this great chain of being.

When I see professional clowns, mimes, or people who makes ballon animals, I think of their relatives and how disappointed they must be.

Animals often strike us as passionate machines.

My object will be, first, to show by what connections the history of the fossil bones of land animals is linked to the theory of the earth and why they have a particular importance in this respect.

Hence the same instant which killed the animals froze the country where they lived. This event was sudden, instantaneous, without any gradual development.

Towns are suffering from all these things, we should unite until we are all satisfied, man cannot be killing each other as if we were animals, as if we had no culture; that is a lack of culture.

Animals are such agreeable friends - they ask no questions; they pass no criticisms.

The only way to save a rhinoceros is to save the environment in which it lives, because there's a mutual dependency between it and millions of other species of both animals and plants.

I've always been fascinated by the way that children and animals suffer stoically in a way that I don't think adults do.

Ever occur to you why some of us can be this much concerned with animals suffering? Because government is not. Why not? Animals don't vote.

Animals are reliable, many full of love, true in their affections, predictable in their actions, grateful and loyal. Difficult standards for people to live up to.

When we seed millions of acres of land with these plants, what happens to foraging birds, to insects, to microbes, to the other animals, when they come in contact and digest plants that are producing materials ranging from plastics to vaccines to pharmaceutical products?

It's been my dream to have four babies by 30. I look after animals, so I'd have a lot to give my kids.

Yes, I've kissed a lot of guys. I like to kiss, but that's it. I don't go home with anyone. I sleep with my animals, like my baby monkey, Brigitte Bardot.

The desire to take medicine is perhaps the greatest feature which distinguishes man from animals.

The tabloids are like animals, with their own behavioural patterns. There's no point in complaining about them, any more than complaining that lions might eat you.

Early experiences convinced me that animals can and do have quite distinct personalities.

Without civilization, we would not turn into animals, but vegetables.

God sleeps in the minerals, awakens in plants, walks in animals, and thinks in man.

History is a people's memory, and without a memory, man is demoted to the lower animals.

Although I agree that wild horses are a symbol of the American West, I also believe that it is the responsibility of Congress to ensure that these animals are managed, protected, and controlled in an effective manner.

Man, of all the animals, is probably the only one to regard himself as a great delicacy.

The proportion between the velocity with which men or animals move, and the weights they carry, is a matter of considerable importance, particularly in military affairs.

Working on behalf of companion animals is so important. We start to realize how healing they are.

The theoretical understanding of the world, which is the aim of philosophy, is not a matter of great practical importance to animals, or to savages, or even to most civilised men.

I always felt people should live with animals.

Man's unique reward, however, is that while animals survive by adjusting themselves to their background, man survives by adjusting his background to himself.

It isn't true that convicts live like animals: animals have more room to move around.

They are the most fascinating, intelligent, resourceful, adaptable animals I have ever seen. Grizzlies are a real symbol of true wildness.