I was exposed to the arts, but there was no one in my family who was an artist.

I really don't like when things are all polished and perfect - the perfect love story and the hair is perfect.

You express different energies at different times in your life.

Not to get overly psychological about this, but it's probably why I became an actress in the first place: for that kind of freedom and refuge, as well as for the fact that I just love acting so much.

Politics itself is so unsexy, isn't it? But when the politics in creative works are really explored - not used as a vehicle - the results can be really interesting.

I grew up on musicals, and I know they are quite the thing now, but I'm actually a little indignant, because I started taking singing lessons years ago - I put the time in!

All of us have read the stories about young people in Hollywood and all the challenges they have to confront there, and I think that artistically, I really didn't understand the commercial side of the film business, so I went back to a purely artistic setting.

I don't prefer much of film over stage. The only thing I prefer is the paycheck.

I've just been really lucky to not be too much of a stereotype.

With acting, it was really more of a general kind of experience of really just loving being in the theater.

You have your structure, but within it, it gets fuller and you can highlight other parts of the performance.

I was exposed to the arts, but there was no one in my family who was an artist.

A man like Wilde was not free to live out of the closet as a homosexual, and women in general were not able to be truly themselves; there was no place for a woman's voice to be heard or for her to express her sexuality.

I am really not of the school of naturalism. I like style, and you can use more style in theater than in film roles. I love to sink my teeth into a part.

Comedy is what I really want to do and propel.

I can't tell stories to save my life. I like to have fun, and I go out and have a lot of fun. But I'm not really an entertainer that way. I'm much more shy.

I don't prefer much of film over stage... The only thing I prefer is the paycheck.

I feel like theatre gives me the grounding, and keeps me alive, basically. Film gives me the thrill, and it's like a one night stand. But I do enjoy being around people who love it so much.

I find that protein wakes up my brain and gets me ready for the rest of my day.

I love being outside and getting fresh air.

I never got into coffee.

I prefer to express myself physically, or non-verbally. I prefer just to react without having a lot of dialogue.

I think the fantasy of being a movie star is more powerful than the reality. So, for me, even if it's not a great film or a great play I'm doing, to know that you went for it. You had an experience that made you grow artistically and personally. What's really satisfying is knowing that you did a good job.

I'm a person who has to eat! I graze every few hours.

I'm not that big a fan of marriage as an institution and I don't know why women need to have children to be seen as complete human beings.

I've just been lucky. I'd like to have more choices, and I'd like to have a leading part.

Singing really oxygenates your blood. You stretch your lungs and take in much more air into them than before. It's really good for your health.

You can't really be old in L.A., it's kind of like a crime.

Letting journalism be from the perspective of the journalist. It's usually a no-no, and journalists are encouraged to be completely objective.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

I'm inspired by nature. Other artist's work is important for developing my perception.

There is only one position for an artist anywhere; and that is upright.

The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

What do you say when someone has truly inspired you? How do you express to an artist how deeply their work has affected you?

An original artist is unable to copy. So he has only to copy in order to be original.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.

I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade.

Art is a private thing, the artist makes it for himself; a comprehensible work is the product of a journalist. We need works that are strong, straight, precise, and forever beyond understanding.

The most colorful section of a bookstore is the display of SF books, with art by people like Wayne Barlow, who is a terrific artist.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.

Let not a man do what his sense of right bids him not to do, nor desire what it forbids him to desire. This is sufficient. The skillful artist will not alter his measures for the sake of a stupid workman.

I so much appreciate it when anybody tries to make something and tries to be an artist - I'm happy to see the work.

The artist is seen like a producer of commodities, like a factory that turns our refrigerators.