I'm just beginning to direct. For all intents and purposes, this is the first time for me.

Some people say it's scarier to direct the people you work with; not me, I'm a team guy.

I'm in the business to push it. I'm not likely to be attracted to characters I've already done.

I'm just beginning to direct. For all intents and purposes, this is the first time for me.

When I got divorced and moved into an apartment, I started keeping the TV on, just for company.

I like this job - most days I have a chance to make breakfast and take the kids to school or to read 'em a bedtime story. It's almost like a normal life.

How many times have you been on the freeway and had someone fly by you at 100 mph then end up two cars ahead of you at the off ramp? What's the point?

People think what you are doing is real, on a TV show.

I think if you get asked to do this, then that's called doing your homework, and I try and do it.

I'm thankful to get the opportunity to direct. I hope I don't mess it up.

It's a lot easier to do good work when you have good words to say and work with good people.

St. Elsewhere was certainly a great show.

At Chicago Hope they have a technical staff that works real hard to make that O.R. as realistic as possible.

'Let's Get Harry' was where I met Bob Singer and worked with him for the first time, and then 'Reasonable Doubts' was the second time, and there was a thing after that called 'Charlie Grace' that was the third time. I liked working with Bob. A nice man and a good partner.

I don't care who's No. 1 on the call sheet or how big my trailer is. I care about the work. I don't care who gets the laughs. I just care that the laugh comes.

I don't have regret about things I've done that are successful or not successful or what people perceive or don't know or whatever. I just know for me it had to be the right choice at the time. Sometimes that choice is just about getting a job.

I used to hang out in my dad's workshop on weekends. Later, when I was starting out as an actor, I became a roofer and a framer to make money. But what I really enjoyed was the finished work. I like the longevity.

I was raised with the idea of maximum effort: as long as you could look in the mirror and say, 'I gave it everything I had,' it was OK. But if you gave it less, that would disgrace you.

I'm not a big 'me' guy. I'm a 'we' guy. It's the way I was raised.

I'm not likely to be attracted to characters I've already done. I have to be almost frightened by the possibility of taking it on. Over the years, I realise I must enjoy walking that edge; I keep doing it.

If other people think I'm okay looking, that's great, but I don't see it myself. When I look in the mirror, all I see is a bunch of fake teeth and football scars.

When I was in acting classes early on, there were so many people in these classes who were doing great work, and you'd just look at them and say, 'Wow, I hope to someday be like that.' And yet these people never worked. You never saw them.

Its a lot easier to do good work when you have good words to say and work with good people.

From the beginning, the series has been story driven - I began with a story idea - but research feeds it.

I don't write drafts. I write from the beginning to the end, and when it's finished, it's done.

Since the beginning, I always loved the game. When you grow up in Montreal, one day you want to be a professional hockey player. When I was six or seven, I knew that was what I wanted.

Before beginning, plan carefully.

Every new beginning comes from some other beginning's end.

The people who voted for President Obama are just beginning to wake up to exactly what they brought in. The 'change' they envisioned is not the 'change' they have gotten.

Religion has caused more harm than any other idea since the beginning of time. There's nothing good I can say about it. People use it as a crutch.

And that's how I start myself. I usually go back a couple of pages, maybe to the beginning of the chapter, and I start reading. And as I'm reading, I'm tweaking - putting in a different word, changing the syntax, putting that clause over there, you know that sort of thing.

In the beginning it was all black and white.

A palindrome is a word or pattern that instead of developing in different directions it folds in on itself so that the beginning and end mirror each other, that they are the same.

Learning is the beginning of wealth. Learning is the beginning of health. Learning is the beginning of spirituality. Searching and learning is where the miracle process all begins.

At the beginning of 1955 only about 60 percent of American homes had TVs.

Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning.

Most musicians count at the beginning, and never count and talk to their musicians after that. They only talk to them at the end of the song. But I would count with them and talk.

What you really remember at the beginning was that you have to throw a budget together. We made some terrible mistakes at the beginning in my own budget that took us at least a year to catch up on.

There is a spirit and a need and a man at the beginning of every great human advance. Every one of these must be right for that particular moment of history, or nothing happens.

I am pleased to see that information campaigns, such as the America's WETLAND effort, are getting the message out, and people are beginning to realize that wetlands loss in Louisiana affects us all.

I started working on trying to sound like June from the very beginning.

The end comes when we no longer talk with ourselves. It is the end of genuine thinking and the beginning of the final loneliness.

Even though the future seems far away, it is actually beginning right now.

It is a curious sensation: the sort of pain that goes mercifully beyond our powers of feeling. When your heart is broken, your boats are burned: nothing matters any more. It is the end of happiness and the beginning of peace.

The American Revolution was a beginning, not a consummation.

All great deeds and all great thoughts have a ridiculous beginning. Great works are often born on a street corner or in a restaurant's revolving door.

The beginning of 1856 found me teaching in the family of a planter named Bryan, residing in Prince George County, Md., some fifteen or twenty miles from Washington.

I did all the work at the beginning up until the point where I couldn't handle the increasingly heavy art production burden alone. I needed, and got, assistance.

Art at its most significant is a Distant Early Warning System that can always be relied on to tell the old culture what is beginning to happen to it.