I played with a lot of great players before. They're all the same. They take a lot of responsibility for their own play, put a lot of pressure on themselves to perform and to play well.

When you play long enough, everybody goes through spells and streaks and slumps of some nature. I think it's just one of the those things where you have to play yourself out of it.

If I had to compare any of the two, I'd compare the first one in Edmonton, the first one here in New York because it had been so long in New York since we had won. Obviously, being the first time to ever win the cup in Edmonton, they were fairly similar in that regard.

You always really have to remain consistent in your beliefs and philosophy.

Coaching really is an individual philosophy.

It's a tough game, and you never want to take that aspect out of the game.

I think now what you're seeing is guys that are in the peaks of their careers anywhere from 27 to 35 years old, seems to be when they play their best hockey.

I haven't celebrated coming in No. 2 too many times.

When Wayne was traded, I became captain. For me it really wasn't anything - I didn't do anything or I didn't feel I had to do anything different than what I had been doing all along.

There was a time there in the mid '80s to the '90s there that we played six finals, three Canada Cups, we were playing hockey almost 10 months a year for a long time there.

I just think overall a lot of it has to do with conditioning and players putting in the time and the effort in the off-season to keep themselves in condition for 12 months a year.

I was assistant in Edmonton with Wayne as captain, and Kevin Lowe was the other assistant.

We had built up a team in Edmonton that really knew who each other was from a personal standpoint and from a professional standpoint. Our nucleus had stayed together for a long time.

Like I said, a 30-year-old hockey player, even when I came to New York when I was 30, I was on the downside of my career, pretty much the end of my career.

I think the idea of the obstruction through the neutral zone and away from the puck was an excellent rule.

But I just think as a captain, everybody's different.

I played with a lot of great players before. They're all the same. They take a lot of responsibility for their own play, put a lot of pressure on themselves to perform and to play well.

I think to compare any time you win a Stanley Cup would be unfair to all the players from all the teams.

Really the team often will take on the personality of its coach.

25 years later, you know, I haven't really put too much emphasis on any kind of individual goal, other than trying to win any particular night, trying to find a way to do that.

I would never say one was more important or more gratifying than the next because there's a tremendous amount of work, as you know, that goes into winning a cup.

Well, my transition into being a captain was easy.

As a captain, I think it's important that the players really know who you are and what you stand for, what your beliefs are, and to be consistent in those if things are going good or things are going bad.

I've never really spent a lot of time thinking about my individual accomplishments actually.

My jersey hanging from the ceiling is going to be a symbol of the hard work of the people I played with.

I think the thing you always got to keep in mind, you know, hockey is a game of one-on-one battles.

The only pressure I'm under is the pressure I've put on myself.

Obviously every one of them was special to that particular team, all the people that were involved with it.

I never was brought into the league thinking as far as, you know, statistics, things like that. We were really brought into the league in a team concept. Everything was focused around winning.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

Genius is not a possession of the limited few, but exists in some degree in everyone. Where there is natural growth, a full and free play of faculties, genius will manifest itself.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

If Davis Cup was a little bit less or once every two years, I would be more inclined to play. But the way it is now, it is too much tennis for me.

I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.

If you watch a game, it's fun. If you play it, it's recreation. If you work at it, it's golf.

You have to like the characters you play.

Good directors say, Here's where the play is. They stand by the heart of the matter. Some of them stand beside it.

The value of music is to be able to play one note at the right time in the right way.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

Well, I play Jews and parrots. Parrots are how I've branched out.

We just have to get it going and play hard every time out.

Art is an expression of who you are. Parts that I play are my sculptures.