Right before 'The Bourne Identity' came out, I hadn't been offered a movie in a year.

Now I feel I have an unspoken deal with the paparazzi: "I won't do anything publicly interesting if you agree not to follow me."

Success is not something I've wrapped my brain around. If people go to those movies, then yes, that's true, big-time success. If not, it's much ado about nothing.

Right before 'The Bourne Identity' came out, I hadn't been offered a movie in a year.

Some people get into this business and they're so afraid to lose anything. They try to protect their position like clinging to a beachhead. These actors end up making really safe choices. I never wanted to go that route. If I go down, I'm going down swinging.

It's usually the exact same three things which are, the Scripts, the Director and the Role those are the three things I look for and really any two of them, If I get two of them that's usually enough, but definitely those are the things I look for.

I found myself getting more publicly shy when the gala events and big crowds started. Some people embrace it. To me, it's not worth enough to risk my private life being public.

I'd love to be a dad. I hope I'd be great at it. That's every man's fear, yet his most important job.

Eventually stardom is going to go away from me. It goes away from everybody and all you have in the end is to be able to look back and like the choices you made.

As for poker, I've stayed away from that, even though when I was in Vegas for Ocean's Eleven, I would get accosted by these guys begging me to play. They just want to take my money. They see me, think "actor" and see some easy money.

Bond is part of the system. He's an imperialist and a misogynist, and he laughs at killing people, and he sits there slugging martinis. It'll never be the same thing as this, because Bourne is a guy who is against the establishment, who is paranoid and on the run. I just think fundamentally they're just very different things.

I think it's still hard for me to turn down work if it's really good because for so many years I was so desperate to get a job and couldn't and so it's kind of an anathema for me to turn down work.

I honestly if I get a vacation I'm gonna go and sit on my couch in New York cause that's the one place I haven't been for a very long time.

I'd had people say, "You'll enjoy being famous for a week, and you'll never enjoy it again". But I don't think I had that week. I may have been working and missed that moment.

I never wanted to do the same kind of movies over and over anyway, so my theory on it all is I'm just gonna try and dodge the label and keep doing what I am doing.

If anybody wanted to photograph my life, they'd get bored in a day. 'Heres Matt at home learning his lines. Here's Matt researching in aisle six of his local library'. A few hours of that and they'd go home.

It's just better to be yourself than to try to be some version of what you think the other person wants.

It's better to be a fake somebody than a real nobody.

There are people who appear in the magazines and I don't know who they are. I've never seen anything they've done and their careers are over already. They're famous for maybe 10 minutes. Real careers, I think, take a long time to unfold.

I was never that much a focus of interest that I became a 'thing' at an earlier point in my career. I'm aware of having become a 'thing' now, which doesn't give me a lot of pleasure.

If your movies don't perform, they just stop calling you.

For Ripley I learned to play some songs on the piano, and I never really played them again.

As a struggling actor, you're not looking for parts that define you; you're just looking for work.

As for poker, I've stayed away from that, even though when I was in Vegas for Ocean's Eleven, I would get accosted by these guys begging me to play. They just want to take my money. They see me, think 'actor' and see some easy money.

Being known as a writer did change the relationships I had with directors. The rap on actors is that they always want to inflate their parts. But when directors know you write screenplays and have a different view of things, you really get invited into the huddle in a much fuller way. And those collaborations end in friendships.

Fame is really strange. One day you're not famous, and then the next day you are, and the odd thing is that you know intellectually that nothing in the world is different. What mattered to you yesterday are the same things that matter today, and the rules all still apply - yet everyone looks at you differently.

I believe a solid, really strong middle-class is the key to making the country in the best way.

I didn't grow up with great privilege, nor did I grow up wanting for anything. I was a middle-class kid and, relative to the rest of the world, that's great wealth.

I fell in love with a civilian. Not an actress and not a famous actress at that. Because then the attention doesn't double - it grows exponentially. Because then suddenly everybody wants to be in your bedroom. But I don't really give them anything.

I love shooting, when the character is interesting and the script is interesting, but the research beforehand is really fun. The whole process makes me anxious and restless, and I have trouble sleeping, just trying to figure out the character.

I started 'The Rainmaker' in August 1996, and I've been working consistently ever since. It's not like I had some grand plan; I keep getting offered jobs so good I can't say no.

I started really young, like 12 or 13, and then I started doing school plays. We had a really good drama department, so the kind of drama-geek stigma wasn't really there in my high school.

I think marrying somebody who's not a celebrity, it just takes a lot of the pressure off.

I think what makes a good actor's director is somebody who understands what I'm doing and is respectful of it, but who also has a vision and is directing me toward their vision in a way that feels productive.

I think what makes a good actor's director is the same thing that makes a good director. Acting is just one of the trades necessary to make a movie.

I'd had people say, 'You'll enjoy being famous for a week, and you'll never enjoy it again'. But I don't think I had that week. I may have been working and missed that moment.

I'm always cautious about overstepping any boundaries. At the end of the day, it's a director's medium, and if they don't want to hear from me I just step back.

I'm becoming far more interested in just functionality and making sure my body is as strong as it can be so I can swing my kids around and not worry about aches and pains.

I'm not Brad Pitt or George Clooney. Those guys walk into a room and the room changes. I think there's something more... not average, but everyman about me.

I've been left alone, even by the paparazzi, because what sells is sex and scandal. Absent that, they really don't have much interest in you. I'm still married, still working, still happy.

I've been really lucky. I'll completely forget that I'm a celebrity. And then something will happen, and I'll go, 'Oh, right.'

I've passed on a lot of huge-money jobs. Money doesn't enter into the decision-making. If I do a big blockbuster, it's about how big an audience you'll get and where you can take them.

If anybody wanted to photograph my life, they'd get bored in a day.

If you are writing a story and trying to draw an audience to come and hear you tell it, it's got to in some way relate to them. Who wants to come and hear about your specific problems? It's not therapy - it's supposed to be a communal piece of entertainment.

My mother is a professor of early childhood education. When I was two she would say she knew I was going to be an actor.

My parents divorced when I was young but I was brought up in two really loving households. I didn't have a contentious relationship with my mom or dad.

My wife is my soul mate. I can't imagine being without her.

Now I feel I have an unspoken deal with the paparazzi: 'I won't do anything publicly interesting if you agree not to follow me.'

Now that I have kids, I'm probably more overprotective than I've ever been. My wife's nickname for me is 'red alert.' I sometimes check just to see if the kids are breathing. But I try not to be a helicopter parent.