I found one remaining box of comics which I had saved. When I opened it up and that smell came pouring out, that old paper smell, I was struck by a rush of memories, a sense of my childhood self that seemed to be contained in there.

So it was scary, but that's how it goes. To my great delight, I discovered that it did all belong.

The First Amendment has the same role in my life as a citizen and a writer as the sun has in our ecosystem.

I wasn't involved, except to the degree that they sent me drafts of the script as the writer turned them in. They asked me at one point to write a memo about what I thought of it.

What's going to be hard for me is to try to divorce myself as much as possible from what I wrote. I'll have to approach it simply as raw material and try to craft a film script out of it.

That's the best thing about writing, when you're in that zone, you're porous, ready to absorb the solution.

It's good to have it over with. I worked on it a long time, and I didn't know what people were going to think of it. Would people like it? Would they buy it? So far it's been doing pretty well.

Joe is the hero and Sammy is the sidekick. That's how I feel about it.

It was fun. That was something I came to fairly late.

I was surprised that my wife thought it was a good idea, then again with my agent, another woman, then my editor, another woman - in spite of the fact that all three of them reacted positively I still have this fear.

It is unusual for Joe to be that way, but that's what interested me.

I have a deadline. I'm glad. I think that will help me get it done.

Louis Pasteur said, 'Chance favors the prepared mind.' If you're really engaged in the writing, you'll work yourself out of whatever jam you find yourself in.

He comes to this other world and he has to reinvent himself. Again, it felt natural, even though I'd been working really hard trying to come up with something.

Every time another review comes out I let out a deep breath.

That was all very nice of them. They didn't have to do anything because I wasn't officially involved at all.

As soon as I read that, it clicked: that's my theater of war. It was exciting to think that I could write about World War Two from a totally new place.

The things I keep going back to, rereading, maybe they say more about me as a reader than about the books. Love in the Time of Cholera, Pale Fire.

I found one remaining box of comics which I had saved. When I opened it up and that smell came pouring out, that old paper smell, I was struck by a rush of memories, a sense of my childhood self that seemed to be contained in there.

I was thinking, too, of Superman and his fortress of solitude.

Moby Dick - that book is so amazing. I just realized that it starts with two characters meeting in bed; that's how my book begins, too, but I hadn't noticed the parallel before, two characters forced to share a bed, reluctantly.

I love Richard Yates, his work, and the novel, Revolutionary Road. It's a devastating novel.

Comic books were just the means for me to tell the story.

People keep saying, 'Oh, you're getting all these great reviews, that must make you really happy.' I guess it does, but mostly it's just a relief.

I wanted to give readers the feeling of knowing the characters, a mental image.

It was an incredible resource. I'd sit with a big stack of bound New Yorkers in the library and read through, especially the 'Talk of the Town' sections.

I remember tearing up the first time I read Nabokov's description, in 'Speak, Memory,' of his father being tossed on a blanket by cheering muzhiks, with its astonishingly subtle foreshadowing of grief and mourning.

She was a natural blonde with delicate hands and feet and in her youthful photographs one saw a girl with mocking eyes and a tragic smile the course of whose life would conspire in time to transpose that pair of adjectives.

Entertainment is a sacred pursuit when done well. When done well it raises the quality of human life.

Forget about what you are escaping from. Reserve your anxiety for what you are escaping to.

A father is a man who fails every day.

Her hair was a glory of tendrils for the snaring of husbands.

Some things that are invisible and untouchable can nevertheless be seen and felt.

Misogyny comes naturally to a young man in his late teens; it is a function of the powerful homosocial impulses that flower along Fraternity Row, that drove the mod movements of the middle sixties and late seventies, that lie at the heart of every rock band formed by men of that age.

For me, nostalgia is an involuntary emotion. I think it's just a natural human response to loss.

With patience and calm, persistence and stoicism, good handwriting and careful labeling, they would meet persecution, indignity, and hardship head-on.

A sister is a little bit of childhood that can never be lost.

A lot of people have gotten into comedy because of certain influences in their lives or events that were painful, and I really have wracked my brain to figure it out. I pretty much have had a normal childhood. Maybe it was too normal.

It sounds ideal, a sort of beach childhood. But it wasn't really. I didn't use the beach very much at all.

All our pursuits, from childhood to manhood, are only trifles of different sorts and sizes, proportioned to our years and views.

The secret of the truly successful, I believe, is that they learned very early in life how not to be busy. They saw through that adage, repeated to me so often in childhood, that anything worth doing is worth doing well.

I don't carry any early childhood trauma around with me, if that's what you're hinting at. The story of the bicycles - and there were three of them which were stolen from me - I've dealt with it well.

Remember Graham Green's dictum that childhood is the bank balance of the writer? I think that all writers feel alienated. Most of us go back to an alienated childhood in some way or another. I know that I do.

Hors d'oeuvres have always a pathetic interest for me; they remind me of one's childhood that one goes through wondering what the next course is going to be like - and during the rest of the menu one wishes one had eaten more of the hors d'oeuvres.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.

Everything I write comes from my childhood in one way or another. I am forever drawing on the sense of mystery and wonder and possibility that pervaded that time of my life.

Well I was an asthmatic child. So that for most of my childhood I was in bed. Bedridden.

Happy, happy Christmas, that can win us back to the delusions of our childhood days, recall to the old man the pleasures of his youth, and transport the traveler back to his own fireside and quiet home!

I think actors always retain one foot in the cradle. We're switched on to our youth, to our childhood. We have to be because we're in the business of transferring emotions to other people.