I promise myself that I would go and do a play every year.

Every part I play is just a variant of my own personality. No real character actor, of course, just me.

There were no spells at my school, just a smack in the mouth.

I learn the lines that JK Rowling or whoever writes them, and say them.

You get used to being lazy doing films, but classical theatre's going to finish me off.

There's no subtext in Harry Potter really; it's all magic, anything can happen. Why do I say this? Because it's a magic spell. It's quite nice in a way. There is a real freedom to it.

I just play him as myself, I don't ease myself into any role really. I stick a beard on and play me.

I am a theatre actor, but the last ten years I've taken parts in movies because it keeps me in money.

I promise myself that I would go and do a play every year.

Richard was in heavy, heavy costume, he could hardly sit, you know, and I turned up and they put me in two layers of silk, so I played him much lighter - you know, floating around in a pair of slippers, a bit of a hippy.

Television has dried up for my generation, so it's plays and films.

A child did approach me in a restaurant in Cornwall, but he thought I was Gandalf.

I belong to quite a lot of learned societies. We collect firearms and discuss them at dinners and clubs and things.

I just hate the idea of being well known. I know that is almost impossible if you're an actor who has done okay, but I've always fought against it.

I live in fear of being a contented passenger. I'd rather get parts I can't play.

I'm an anorak. I've always been an obsessive collector of things. Richard Briers collects stamps. I collect cars and guns, which are much more expensive, and much more difficult to store.

I'm very flower-like. I love classical music. I go to ballet and I cry. There's nothing so beautiful.

I've always tried to be an actor who... I just plod on and try to keep my mouth shut, mind my own business. I find the whole thing about people's lives... I can't understand it. I'm always astonished that people want to know anything about me.

I've played quite a lot of crooks and killers, and that's quite interesting. Then Dumbledore is the complete opposite, isn't he? He's a nice old man.

Maybe that is why kids like Dumbledore: because he is funny rather than a miserable old sod with a long white beard.

My only memories of school are of being beaten, of being hit in the playground, of masters poking their fingers in my chest all day.

Oh yeah, I'd love to be a comedian. I've done a lot, but always in the confines of plays.

Paul Schofield said something like, 'If I'm not acting in a play, I don't really exist.' Those weren't the exact words, but he meant it's only when I'm acting in a play that I've got something to say about the world. And then why should I talk, when people can come to see it?

Television has dried up for my generation, so it's plays and films. You get used to being lazy doing films, but classical theatre's going to finish me off.

There are more important ways of earning a living, aren't there? Like being a neurosurgeon. But some plays are very important, aren't they?

There's no subtext in 'Harry Potter,' really; it's all magic - anything can happen. Why do I say this? Because it's a magic spell. It's quite nice in a way. There is a real freedom to it. Doesn't say much for acting, does it?

When I was doing 'Tales from Hollywood' at the National, I was invited to dinner by the choreographer, Kenneth MacMillan. He told me I had the heart of a dancer and asked me if I'd like to come on at the end of 'Romeo and Juliet' as a friar. I said I'd love to, but sadly, MacMillan died shortly after.

Yeah, I like causing trouble. It's the teddy boy in me. I used to be a teddy boy. Feeling slightly inferior and wanting to cause a bit of bother and get some action going on in the room rather than get bored stiff.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

Genius is not a possession of the limited few, but exists in some degree in everyone. Where there is natural growth, a full and free play of faculties, genius will manifest itself.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

If Davis Cup was a little bit less or once every two years, I would be more inclined to play. But the way it is now, it is too much tennis for me.

I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.

If you watch a game, it's fun. If you play it, it's recreation. If you work at it, it's golf.

You have to like the characters you play.

Good directors say, Here's where the play is. They stand by the heart of the matter. Some of them stand beside it.

The value of music is to be able to play one note at the right time in the right way.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

Well, I play Jews and parrots. Parrots are how I've branched out.

We just have to get it going and play hard every time out.

Art is an expression of who you are. Parts that I play are my sculptures.

There is an audience for every play; it's just that sometimes it can't wait long enough to find it.