Television doesn't want to admit it has those dreadful roach ads on anyway.

The transformation scene, where man is becoming insect and insect has become at least man and beyond that - a flying, godlike, shimmering, diaphanous, beautiful creature.

It's very easy to make insects move. Because they do move mechanically without the rippling of flesh as you mentioned. They move more like real tinker toys and you can make models of them quite easily.

Anyway, the title The War of the Insect Gods came before we had that ending, before we knew they had become gods. That we knew the evolutionary cycle they went through. Before we even knew anything about that. We had an ending.

Nothing important has ever come out of San Francisco, Rice-a-Roni aside.

Once you put yourself in the hands of the government, you could end up in Utah.

It began as this desire to do this science fiction movie about perhaps one of the last insects left that nobody's done anything on, which is the cockroach - and truly one of the most frightening insects.

Insects are my secret fear. That's what terrifies me more than anything - insects.

It's an end of the world I guess. I guess you'd currently call it disaster movie. But really they weren't disaster movies. They were more end of the world movies. This is more an end of the world movie.

Television doesn't want to admit it has those dreadful roach ads on anyway.

A Madagascar Hissing Roach chasing Jerry Lewis. That would be a really neat treat.

Working with Woody Allen is like filming Howard Hughes's will. It's a very mysterious and strange event. You never get a peek at the whole will.

They just have a feel about them. And you feel your way through them and you come out with something that's very powerful and mythic. And you don't quite know how you got there. I think this story has a lot of those elements.

Any good humor is sophomoric. 'Sophomoric' is the liberal word for funny.

I am Hollywood's hottest young, middle-aged director, but I'll write out of New York because I don't want to become a salad head. That's what you become out there: a guacamole dip.

I think therapy interferes with the creative process. It takes off the edge.

I try to attack all races and creeds, except the Irish. Clearly they are closest to the angels and don't deserve abuse. But the others have it coming.

Making people laugh is the lowest form of comedy.

One of my problems is I am getting so mature that I have to pick up a TV and toss it through the coffee table just to remind people of who I am. I want to go ranting and screaming into the grave.

Sometimes you have to be cruel... in order to be even crueler.

The true essence of comedy is a baby seal hunt.

Fortunately, I happened to go east at a time when live television was centered in New York.

I'm not up on today's television for children, because it's mostly cartoons that don't seem to interest me.

The young people look great on television. They're youthful and have a lot of zip and energy, but when you see them live, they can only do about 20 minutes because they haven't got the training to hold an audience for an hour and a half or so.

At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.

It's about the power of design and the power of the human spirit. It's above paying anybody to do something stupid for money like reality television does - like ambushing people.

Baseball hasn't been the national pastime for many years now - no sport is. The national pastime, like it or not, is watching television.

Networks decide who will have a chance to do shows, but it is the viewers who make the final decision of who stays and who goes. I am very fortunate, in that the television viewers of our country have decided that Bob Barker can stay.

Twin Peaks was special because it was so groundbreaking. In the early '90s it really changed television a lot. A bunch of weird shows, like Northern Exposure, came on after that.

We're just dealing with the kind of warp and woof of television ratings.

I did I Love My Wife on Broadway in 1978, and then went into television land. Now things are starting to come together in the way I thought they might when I was a kid.

I think what we need is a more welcoming mode from the people who put on a hundred million country-western shows on television. How about a monthly jazz show?

Television is a device that permits people who haven't anything to do to watch people who can't do anything.

I've directed a fair amount of television series - so I'm always trying to learn new things. One episode was all hand-held and I'm trying to get better at when you should do things and when you should just shut up and watch what the people are saying.

Television's Mr. Filth: that's me.

I'd really been wanting to do a television series. I was looking for a comedy.

It gets kinda monotonous, but that's television. There are plus sides and down sides. The positive side is that you have steady work for nine months of the year for however many years your show is on TV,.

Without television and mass communication, that knowledge wouldn't exist. So I think it actually has the possibility of turning people into more understanding and more empathetic people.

It is a significant acknowledgment that the way people are watching television is changing and the model is quickly changing.

If there's anything unsettling to the stomach, it's watching actors on television talk about their personal lives.

Very often some of the religious miracle plays you see on television can be very corny, I find. And so simplistic.

I'm very wary of news on television.

Kennedy did not have to run the risk of having his ideas and his words shortened and adulterated by a correspondent. This was the television era, not only in campaigning, but in holding the presidency.

I've always just gone with the best role, and I don't care if it's in theater, film or television.

Bill Hanna and I owe an awful lot to television, but we both got our start and built the first phase of our partnership in the movies.

Roger King is, without a doubt, the greatest salesman in the history of anything. And I don't ever limit him just to television. He could sell you anything.

People talk about that catch and, I've said this many times, that I've made better catches than that many times in regular season. But of course in my time, you didn't have a lot of television during the regular season. A lot of people didn't see me do a lot of things.

I never weigh myself, but the brutal truth of television is that they don't employ old people or fat people.

It is a different genre - a show about something other than doctors, lawyers and cops. Teachers are something completely different. I think it makes for very interesting television.